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5.3/10
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En busca de un nuevo comienzo después de un aborto espontáneo, una pareja se encuentra con la casa de sus sueños, con una advertencia: nunca podrán abrir la puerta del sótano. Que puedan viv... Leer todoEn busca de un nuevo comienzo después de un aborto espontáneo, una pareja se encuentra con la casa de sus sueños, con una advertencia: nunca podrán abrir la puerta del sótano. Que puedan vivir sin saberlo genera consecuencias impactantes.En busca de un nuevo comienzo después de un aborto espontáneo, una pareja se encuentra con la casa de sus sueños, con una advertencia: nunca podrán abrir la puerta del sótano. Que puedan vivir sin saberlo genera consecuencias impactantes.
- Dirección
- Guionistas
- Elenco
Jesaar Landavaso
- Happy Client
- (as Jesse-Aaron Landavaso)
Opiniones destacadas
Cellar Door just failed to deliver in my opinion. Even though there's a non-predictable twist it's still not good enough to stand out from the rest in the thriller genre. Director Vaughn Stein must be an avid television watcher as his movie is nothing more than a mediocre tv-movie copy. If you want to make a good movie you firstly need a good soundtrack, certainly not that typical tv-movie piano soundtrack. Just that alone makes your movie look cheap. Add to that some average acting and you have the perfect recipe for a movie that nobody will remember. I have no clue why Lawrence Fishburne would even think in participating even if he has a very small role. He's probably just a poster filler, a name that attracks an audience. I wouldn't waste your time with this one unless you like forgettable Sunday afternoon tv-movies.
Following a loss young couple Sera and John decide to move out of the city. They find a town they like but every house they like is well out of their price range. They are just about to give up when they are shown another house. It is large, beautiful and over a hundred years old; the owner invites them to spend the night. When they wake up he has departed leaving a letter stating that they can have the house for nothing... the only condition is that they must never open the cellar door. If they do they lose the house. They agree to the terms and make themselves at home but it isn't long before the subject of what is behind the cellar door is raised, and just how would anybody know if they looked. Tensions rise further when a woman John had an affair with starts harassment proceedings against him at work.
This film turned out to be very different from what I expected. Instead of a horror it is a psychological thriller. Tensions rise nicely as John tries to keep his secrets from Sera and she is firm that they must not break the rule concerning the cellar door... just what can be down there that could demand it remains locked? Jordana Brewster and Scott Speedman are solid as Sera and John and Laurence Fishburne stands out as Emmett, the man giving them the house. The setting; both the house and surroundings give the film a good atmosphere. I can understand why many viewers are disappointed that one obvious question isn't answered but I quite liked that; it leaves the viewers free to have their own ideas. Overall I'd not call this a must see but if the like psychological thrillers it is worth a watch.
This film turned out to be very different from what I expected. Instead of a horror it is a psychological thriller. Tensions rise nicely as John tries to keep his secrets from Sera and she is firm that they must not break the rule concerning the cellar door... just what can be down there that could demand it remains locked? Jordana Brewster and Scott Speedman are solid as Sera and John and Laurence Fishburne stands out as Emmett, the man giving them the house. The setting; both the house and surroundings give the film a good atmosphere. I can understand why many viewers are disappointed that one obvious question isn't answered but I quite liked that; it leaves the viewers free to have their own ideas. Overall I'd not call this a must see but if the like psychological thrillers it is worth a watch.
I cannot believe that I watched that movie twice. First at the beginning of November and today again. I watched it and thought: "Kind of familiar." Well, I continued to watch it.
After the movie wrapped up, I was like: "Dang, I watched it already."
It's how forgettable this movie is. Oh my God, I was so dumb wasting the same amount of time twice. It's a very bad movie. Forgettable, basically background noise. I wouldn't wonder if my troglodyte-brain sees that movie in the "what to watch"-list and I choose that movie again at the beginning of January.
It's really bad. And I cannot believe how dumb I am for watching it twice... 🙄
After the movie wrapped up, I was like: "Dang, I watched it already."
It's how forgettable this movie is. Oh my God, I was so dumb wasting the same amount of time twice. It's a very bad movie. Forgettable, basically background noise. I wouldn't wonder if my troglodyte-brain sees that movie in the "what to watch"-list and I choose that movie again at the beginning of January.
It's really bad. And I cannot believe how dumb I am for watching it twice... 🙄
Cellar Door starts with an intriguing premise, hinting at a mysterious horror story full of suspense and deep-rooted tension. However, it soon becomes clear that the film's potential remains untapped. What begins as an atmospheric buildup, luring the audience with the promise of dark secrets and spine-chilling moments, gradually devolves into an uninspired, drama-filled soap opera with no real stakes or satisfying resolution.
The movie's singular rule-"Just don't open the cellar door"-is paradoxically both the center of attention and a total misdirection. One would expect that such a warning would be pivotal to the story, propelling the plot with intense anticipation. Instead, it plays no significant role at all, leaving viewers scratching their heads. How does a film build its entire narrative on a concept that never materializes into anything meaningful? The result is a frustratingly aimless experience with no payoff, no tension, and an underwhelming narrative arc.
In the end, Cellar Door fails to deliver on every front, leaving audiences with more questions than thrills and a lingering sense of wasted time.
The movie's singular rule-"Just don't open the cellar door"-is paradoxically both the center of attention and a total misdirection. One would expect that such a warning would be pivotal to the story, propelling the plot with intense anticipation. Instead, it plays no significant role at all, leaving viewers scratching their heads. How does a film build its entire narrative on a concept that never materializes into anything meaningful? The result is a frustratingly aimless experience with no payoff, no tension, and an underwhelming narrative arc.
In the end, Cellar Door fails to deliver on every front, leaving audiences with more questions than thrills and a lingering sense of wasted time.
A lot of people gave this movie a really bad review. However, even though the movie is a slow burn it was very watchable. I liked the characters, the filming style was pretty good, loved all the piano music. The storyline did seem okay. Had a few twists and turns and a little bit of who done it. Seemed the movie had a message to tell. But the ending. Well could've been better! Nothing much else to say. It's sad that Imdb still requires us to type a really long review or it doesn't get approved! What is wrong with short and sweet? Who really wants to read a really long review? Getting to the point is perfect!
¿Sabías que…?
- ErroresWhen Alyssa at 0:45:12 drive up to the house in a Tesla it makes the sound of a combustion engine.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- La puerta del sótano
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 39,830
- Tiempo de ejecución1 hora 37 minutos
- Color
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