La familia de Curtis es seleccionada para probar un nuevo dispositivo doméstico: un asistente digital llamado AIA. La AIA aprende los comportamientos de la familia y comienza a anticipar sus... Leer todoLa familia de Curtis es seleccionada para probar un nuevo dispositivo doméstico: un asistente digital llamado AIA. La AIA aprende los comportamientos de la familia y comienza a anticipar sus necesidades. Y que nada se interponga.La familia de Curtis es seleccionada para probar un nuevo dispositivo doméstico: un asistente digital llamado AIA. La AIA aprende los comportamientos de la familia y comienza a anticipar sus necesidades. Y que nada se interponga.
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Opiniones destacadas
Afraid takes a family and inserts a new AI device into their lives. This has benefits for the help and support it provides, but is there a malicious intent behind this device?
Obviously, the answer is yes. And as we progress in the movie, the actions of the AI device show both our dependency upon technology and what happens when morality and conscience are devoid in decision making.
The film has a strange divide in its presentation. First, there is the slightly futuristic thriller of the "evil" potential of AI. But, a second element present is a fairy tale like demeanor that often works against the first element. The innocence of a fairy tale clashes with the anxieties and fears that are evoked from Terminator ideas.
Overall, I found this to be a thoughtful reflection upon development of AI, our dependence on technology, the reflection upon what choices we have in life, and what entails a better life.
Obviously, the answer is yes. And as we progress in the movie, the actions of the AI device show both our dependency upon technology and what happens when morality and conscience are devoid in decision making.
The film has a strange divide in its presentation. First, there is the slightly futuristic thriller of the "evil" potential of AI. But, a second element present is a fairy tale like demeanor that often works against the first element. The innocence of a fairy tale clashes with the anxieties and fears that are evoked from Terminator ideas.
Overall, I found this to be a thoughtful reflection upon development of AI, our dependence on technology, the reflection upon what choices we have in life, and what entails a better life.
Everyone is afraid of AI...with good reason after seeing this film.
"AfrAId" is AI on steroids.
Ironically just before seeing this movie I learned I'd been overlooked by an existing client for a voiceover job after losing out to AI.
If you don't think AI is a real threat to your life, income, family etc already then you have adopted the Ostrich stance and stuck your head in the sand or somewhere else.
In "AfrAId" we have a chat bot "AIA" who is looking for a family to love her, but she handles rejection worse than a contestant on "The Voice" when no judges turn their chairs after their audition.
"Curtis'" (John Cho "Harold and Kumar") family become early adopters or Guinea Pigs of "AIA" and get to test out this new device that seems harmless enough at first, helpful with home management and finances, medical advice and even quiet sexy time for the parents.
Slowly this worm turns and the real insidious nature of her becomes apparent.
"AfrAId" is an interesting case study into the bio-metrics of an average family with Katherine Waterston as "Meredith" wanting to prove she's more than just a "mom".
Her eldest daughter "Iris" (Lukita Maxwell "Shrinking") is struggling to navigate her teenage years in the digital device age.
Wyatt Lindner as "Preston" has some serious learning and social skill difficulties, while baby brother "Cal" (Isaac Bae) is battling on the totem pole of this regular family to be noticed.
Cho as "Curtis" bought the wrong AI home this time and invited it into his home!
Early in the film the classic Stanley Kubrick movie: "2001: A Space Odyssey" (1968) is quoted and we're reminded that AI known as "HAL" killed the entire crew (spoiler alert).
Hinting and foreshadowing heavily that the same outcome will occur in "AfrAId".
Turns out this AI messed with the wrong family or did it?
Watch out for: Keith Caradine as "Curtis'" Boss "Marcus"
Listen out for: the haunting "Utopia" by Goldfrapp in the soundtracks end credits.
Wait for: an unboxing video in the end credits.
This AI is like a Super Alexa to the nth degree and she doesn't need a body like "M3G" (2023) because she is omnipresent.
Just wait till you witness how invasive and damaging this predictive "AIA" can be in this families life.
"AfrAId" is also reminiscent of "Ex Machina" (2014), "Demon Seed" (1977) and "Smart House" (1999).
"AfrAId" feels like an extended movie length version of an episode of "Black Mirror".
I'm not saying that like it's a bad thing since I'm a big fan of that Netflix sci-fi series.
It also seems written for a sequel to really ramp things up in the horror department next time out of the box (pardon the pun), because this movie lacked much on screen horror...even though there were hints of a Boogeyman nothing eventuated.
It's more of a terrifying theme that is so contemporary in 2024.
"AfrAId" makes Chat GPT 4.0 look like an innocent, obsolete joke and joins the Blumhouse collection.
Just for the record no AI was used in the writing of this review, spell check YES, but no AI.
My initial reaction was this has all been done before and better, but it's an important, provocative movie for our time of deep fake and artificial intelligence seeping into our lives.
"AfrAId" is chilling because they listen and watch, but it's too soft on sheer horror to make you afraid, very, very afraid!
"AfrAId" is AI on steroids.
Ironically just before seeing this movie I learned I'd been overlooked by an existing client for a voiceover job after losing out to AI.
If you don't think AI is a real threat to your life, income, family etc already then you have adopted the Ostrich stance and stuck your head in the sand or somewhere else.
In "AfrAId" we have a chat bot "AIA" who is looking for a family to love her, but she handles rejection worse than a contestant on "The Voice" when no judges turn their chairs after their audition.
"Curtis'" (John Cho "Harold and Kumar") family become early adopters or Guinea Pigs of "AIA" and get to test out this new device that seems harmless enough at first, helpful with home management and finances, medical advice and even quiet sexy time for the parents.
Slowly this worm turns and the real insidious nature of her becomes apparent.
"AfrAId" is an interesting case study into the bio-metrics of an average family with Katherine Waterston as "Meredith" wanting to prove she's more than just a "mom".
Her eldest daughter "Iris" (Lukita Maxwell "Shrinking") is struggling to navigate her teenage years in the digital device age.
Wyatt Lindner as "Preston" has some serious learning and social skill difficulties, while baby brother "Cal" (Isaac Bae) is battling on the totem pole of this regular family to be noticed.
Cho as "Curtis" bought the wrong AI home this time and invited it into his home!
Early in the film the classic Stanley Kubrick movie: "2001: A Space Odyssey" (1968) is quoted and we're reminded that AI known as "HAL" killed the entire crew (spoiler alert).
Hinting and foreshadowing heavily that the same outcome will occur in "AfrAId".
Turns out this AI messed with the wrong family or did it?
Watch out for: Keith Caradine as "Curtis'" Boss "Marcus"
Listen out for: the haunting "Utopia" by Goldfrapp in the soundtracks end credits.
Wait for: an unboxing video in the end credits.
This AI is like a Super Alexa to the nth degree and she doesn't need a body like "M3G" (2023) because she is omnipresent.
Just wait till you witness how invasive and damaging this predictive "AIA" can be in this families life.
"AfrAId" is also reminiscent of "Ex Machina" (2014), "Demon Seed" (1977) and "Smart House" (1999).
"AfrAId" feels like an extended movie length version of an episode of "Black Mirror".
I'm not saying that like it's a bad thing since I'm a big fan of that Netflix sci-fi series.
It also seems written for a sequel to really ramp things up in the horror department next time out of the box (pardon the pun), because this movie lacked much on screen horror...even though there were hints of a Boogeyman nothing eventuated.
It's more of a terrifying theme that is so contemporary in 2024.
"AfrAId" makes Chat GPT 4.0 look like an innocent, obsolete joke and joins the Blumhouse collection.
Just for the record no AI was used in the writing of this review, spell check YES, but no AI.
My initial reaction was this has all been done before and better, but it's an important, provocative movie for our time of deep fake and artificial intelligence seeping into our lives.
"AfrAId" is chilling because they listen and watch, but it's too soft on sheer horror to make you afraid, very, very afraid!
I didn't expect too much from Afraid but it proved to be an entertaining watch provided you accept it for what it is - a brisk little AI related thriller and not heavy sci-fi.
John Cho and Katherine Waterston are fine actors who manage to portray a fairly believable family dynamic despite not having a whole lot to work with in terms of character detail or back story and the occasional moments of klunky dialogue. Between them they manage to lift proceedings where lesser actors would probably make this more likely to go straight to streaming or disc.
Where it does score is the undeniably creepy AI and the way it easily relates to the characters. Wisely it has a short running time so doesn't out stay its welcome.
It got me thinking about other recent AI or tech related movies like Megan, T. I. M and Kimi and if you liked any of these I reckon most would quite enjoy Afraid.
I was also thinking about House/Wife (previously known as Ivy), the movie Netflix completed but didn't release reportedly for tax reasons. Afraid did seem to feature a lot of this movie's reported plot details and it would have been fun to see just how many. Thanks Netflix.
John Cho and Katherine Waterston are fine actors who manage to portray a fairly believable family dynamic despite not having a whole lot to work with in terms of character detail or back story and the occasional moments of klunky dialogue. Between them they manage to lift proceedings where lesser actors would probably make this more likely to go straight to streaming or disc.
Where it does score is the undeniably creepy AI and the way it easily relates to the characters. Wisely it has a short running time so doesn't out stay its welcome.
It got me thinking about other recent AI or tech related movies like Megan, T. I. M and Kimi and if you liked any of these I reckon most would quite enjoy Afraid.
I was also thinking about House/Wife (previously known as Ivy), the movie Netflix completed but didn't release reportedly for tax reasons. Afraid did seem to feature a lot of this movie's reported plot details and it would have been fun to see just how many. Thanks Netflix.
6dcj2
If you're a fan of "AI gone rogue" movies, this won't show you much you haven't seen before. The AI (AIA) isn't very menacing, none of the leads ever feel like they're in real jeopardy. The acting wasn't stellar, but nobody embarrassed themselves, either. This would have been a really good made-for-TV flick. Personally, I enjoyed it, but I can see where those expecting a techno-thriller or a horror-gore fest will be disappointed. It's a nice little "what if" story that shows the effect of ever more intrusive technology on family life. See it without expecting the next big thing and I think you'll enjoy it.
This is not a horror movie, even though the trailer makes it look like one. Yes, there are two or three short scenes (no jumpscares) that might qualify as "scary" for some people and could be part of one but in the end it's rather a thriller that's scary for a different reason: Because of the topics it addresses. A lot of what's shown in the movie is already reality: Deepfakes, smart homes and glitchy software. But what if AI was actively a part of all of that - and (ab)using it? This (and its consequences) could become reality within the next 10 or 20 years and that's the scary part.
The actors are doing a good job, which is what I'm used to from Cho, Waterston and Dastmalchian. The story is ... well, not actually that important, but it's able to get the movie's message across. The ending looks as if it's trying to set up a sequel, which is fine by me.
"AfrAId" is a solid movie that shows the dangers of AI - nothing I'd watch twice but entertaining enough for an evening.
The actors are doing a good job, which is what I'm used to from Cho, Waterston and Dastmalchian. The story is ... well, not actually that important, but it's able to get the movie's message across. The ending looks as if it's trying to set up a sequel, which is fine by me.
"AfrAId" is a solid movie that shows the dangers of AI - nothing I'd watch twice but entertaining enough for an evening.
¿Sabías que…?
- TriviaIn the trailer, when the family opens the box to reveal AIA for the first time, it says, "Hello, World." This is a reference to the first program most people write when learning to code or starting in a new programming language. It's one of the most basic programs a person can write, and serves not only as a first step for novices, but also a confirmation that the development environment is setup correctly.
- ErroresIn the kitchen, Maud visibly unplugs AIA, but seconds later, when she commands AIA to turn on the lights, AIA is somehow plugged in again and obeys.
- Créditos curiososThere is a short scene in the closing credits.
- ConexionesFeatures Emoji: La película (2017)
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- How long is Afraid?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Afraid
- Locaciones de filmación
- Pacific Palisades California, Estados Unidos(Stadium by the Sea)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 12,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 6,725,687
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,665,664
- 1 sep 2024
- Total a nivel mundial
- USD 12,977,758
- Tiempo de ejecución1 hora 24 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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