El limonero

Lemon Tree is a very good small film. I am not familiar with Israeli & Palestinian culture further than what is told everyday on the news and all. Is a surprisingly good film. It uses various filmmaking techniques to make the story as thematic as possible. The predominant green and light-green colors in the art direction's palette scheme, for example - remind us the color of the lemon. The story itself can be seen as an allegory to the conflicts between Palestinians and Israeli. They both wants different things from a same tree, and they fight until no tomorrow to 'make their wishes come true'. Even a perhaps "small thing' can turn into a national problem. Also, the character development is just fine, and so is the acting. It goes overly dramatic a little bit, but nothing than can diminishes the qualities of the film.

This movie is available here since April 23rd, people are queuing to see it and nevertheless, nobody shows up with a comment. LA VISITE DE LA FANFARE, also an Israeli film deserving to be called "a shake-hands tentative with a neighbor country" was nice, but the characters did not look Egyptian to me (and I've seen quite a lot of Egyptians in my life).LEMON TREE is perhaps a true story, although I don't believe it. It is however one of the most valuable attempts to show the unsolvable problem existing between two nations who have been fighting for more than 60 years to find a solution of cohabitation. The situation: an Israeli prominent figure (Minister of Defense, not less) has built himself a house next to a field of lemon trees owned by a Palestinian widow. The Army (I hate the word Tsahal, doesn't sound congenial to me) has no other solution than to erase the whole field, otherwise a Kamikaze fighter may find a base for throwing dangerous warfare. The case is brought to the Supreme Court of Israel, which comes to a solution supposed to satisfy everybody and constitute a large step towards a better understanding. Go and see this movie, and tell me if the "verdict"

is not another rendition of the famous King Solomon judgement. You won't regret it, because the movie is excellent. I'll tell you no more. Harry Carasso, Paris, France

This is about the 45-year-old Palestinian widow. She supports herself by these lemon trees. Then, the Israeli minister of defense becomes her neighbor, including security problems. The greatest of these problems are the widow's trees.

But there's also a quite silent love story here, between the woman and her much younger Palestinian lawyer. It's not very physical, but the passion is evident in their eyes.

Movies like this makes more for your interest in this very tragic conflict, than any action performance. To be recommended, if you want to know more about people. And politics.

LEMON TREE (ETZ LIMON) is a film of quiet power, the kind of film that does not find it necessary to expose the audience to violence and conflagrations to make its point, but instead relies on the power of human reactions to carry the very heartfelt punch. Written by Suha Arraf and Eran Riklis (who also directs) the story is a deceptively simple one. The setting is the West Bank. On the Palestinian side of the border lives the widow Salma Zidane (the enormously gifted actress Hiam Abbass remembered best by American audiences for her luminous portrayal of the mother in THE VISITOR) who continues to tend her family's lemon grove alone, barely making enough money to support herself. Abruptly, on the Israeli side of the border, the government builds a house for the Israeli Defense Minister Israel Navon (Doron Tavory) and his beautiful and wisely sensitive wife Mira Navon (Rona Lipaz-Michael). Strange neighbors, these, more under the influence of the Israeli Secret Police who are assigned to guard the Minister than sensitive to the basic kindness of human decency. The Secret Service decides the lemon grove must be cut down to guard against possible terrorist access to the Minister, a declaration that sets off Salma's fear of losing her land and income. Salma seeks the help of young lawyer Zaid Daud (Ali Suliman) who bonds with her emotionally and legally and together they fight all the way to the Supreme Court to save the lemon trees. Fences are built, soldiers abuse the privacy of Salma, and the increased publicity in the media divides not only the peoples on both sides of the border but also the Navons: Mira empathizes with Salma, champions her rights, and though the two women never meet, the bond between them transcends the ages long hostilities between the Arabs and the Israelis. The result of the interpersonal conflict between the Navons and Salma is buried by the expected governmental insensitivity and the film ends with some sad surprises.

The cast of this film, including the minor roles that draw focus for only moments but in a memorable manner, is uniformly exceptional. Hiam Abbass is rapidly becoming one of the most impressive actresses on the screen today: she says more with her eyes and her body language than pages of dialogue could attempt. The surprises come from the other members of the quartet of actors that lead this story, so impressive are their portrayals that the entire question of the West Bank conflict seems understandable...and remedial! Based on a true story, this is an excellent film on many levels. In Hebrew, Arabic, English and French with subtitles.

Grady Harp

Etz Limon (2008) directed by Eran Riklis, was shown in the United States with the title "Lemon Tree." (Don't confuse the film with a popular novel that has the same title.) The plot of the story is simple enough. The Israeli defense minister moves into a home located right next to a lemon grove owned by a Palestinian woman. Israeli security agents decide that the grove presents a hazard to the minister and his wife, and declare that the lemon trees must be destroyed. The Palestinian woman fights the destruction of her livelihood and her legacy.

Although the basic plot of "Lemon Tree" is simple, the movie is complex. There are fascinating interactions between the woman--Salma Zidane, played by the incomparable Hiam Abbass--and her lawyer and her children. The defense minister has a edgy relationship with his wife. (His wife is basically a fair and caring woman, and isn't supportive of the grove's destruction, but she also likes being married to a powerful, charismatic public figure.) The defense minister is obviously very close to a beautiful young aide, and the movie suggests that they're having an affair.

Although the film is clearly sympathetic to the Palestinian cause, all of the Palestinians aren't portrayed as perfect individuals. One local Palestinian leader doesn't suggest any course of action for Salma, but warns her not to accept compensation from the Israelis. Refusal to accept compensation probably makes sense as a political strategy. However, without compensation, what options are open to a widow whose sole livelihood is taken from her?

To me, the saddest part of the movie was the failure of Salma and the minister's wife Mira (Rona Lipaz-Michael) to ever meet face to face. On several occasions in the film they almost meet, but the meeting never actually takes place. Symbolically, that failure to communicate on a personal level represents the Israeli-Palestinian dilemma. They are figuratively and literally unable to speak to each other, and therefore they can never move beyond stereotypes and hostility.

We saw this film at the excellent Rochester Jewish Film Festival. However, it would work well on the small screen. It's an extraordinary film, and definitely worth seeking out.