Câmp de maci

Loved the feel of this movie, the acting and the observational directing style. I felt for the lead character's complex life and it has a hopeful message ultimately. This film will travel to many festivals and be a hit I imagine and it is an important film too.

Somewhat interesting story of a gay police officer caught in a conflict during a police interaction with homophobic radicals in a gay movie theater. The conflict is that there is someone in the theater who knows this police officer & that he is gay & there is a minor altercation between the two. The rest of this very short film contains extremely vague, seemingly purposeful, one on one dialogue between various police officers ending with the most unusual, puzzling and, of course, vague line in the film. In all honesty, I am not at all sure what this is trying to say, but it is somewhat interesting contemplating it's possible various meanings. The acting is solid, but the title is also unclear.

A difficult topic, the story of a gendarme leading a double life, whose secret is on the verge of being revealed. The background of a real-life incident in which a controversial movie projection was interrupted by a group opposing the subjectmatter of the movie is a pretext, and yet it gets too much time in this movie. This is what leads to an imbalance. There is too much noise, and "noise", and that makes it rather unfair for the psychological drama of the hero to unfold. Apart from that, the characters are very convincing, especially the gendarmes and, of course, the main character. What is nevertheless puzzling is the title. Why is it called "Poppy Field" in the first place?

This is a brave and poignant movie. It is very simple in its pace and setting and could easily be set for a play.

We know from Polish and Georgian movies that it's very complicated to be openly gay in Eastern European countries. Poppy Field is another illustration of this fact.

Cristi is no hero and no victim. As many closeted gay men, he is caught up in his contradictions and spends a lot of time and energy lying to himself and to the others around him. But you can only maintain the façade for so long, and then cracks start to show. The path to authenticity seems like a crucifixion, and the homophobia expressed in the movie is closely associated with Christianism.

My favorite scene is when Cristi is left alone in a red, empty movie theater. We can feel the tempest going on in his skull. His career, his privacy, his life are all at stakes in one day.

A great movie about resilience, bad faith, and sexual minorities.

Maybe, the naked realism remains the basic virtue of this film . A form of realism defined first by language. I suppose, only a Romanian can understand, in real and proper manner, the entire pressure of situations, language, dialogue .

A jandarm and an intervention in a delicate case.

A presumed ex-boyfriend recognize him and having the foulish inspiration to remind to him the past. And the brutal, for me not exactly illegitimate, reaction of jandarm. The rest is the expectation of Cristi about the decision of his supperiors about the violence act of him.

At the final, you discover a courageous and deep honest film, different by many others offered by Romanians directors in the last decades.

Sure, the language is fruste, but it is not exactly a gay movie, an image of Jandarmeria or portrait of a man in difficult , stressed situation.

It is just the portrait, clear, precise of Romanian society. And this is the motif to appreciate it , like the impressive courage of director to propose a sort of mirror front to the viewer.

Presented in gentle manner. A group of men, a.