Astérix y Obélix y el reino medio

The first Asterix and Oblix movie was pretty much fun, but things went downhill from there with this as an absolute low. There are some funny moments but all in all it dragged on and on and on. None of the characters were really convincing, except for Oblix, Tatan and the empress. Asterix, who should be the leading hero, was exceptionally poor, really dull. The introduction of Ibrahimovic was useless with some predictable footbal jokes.

It may also have been the french humor, which isn't humor at all but just acting a bit silly and make it drag-on. Like Ceasar's writter who was a bit fun at first but become more and more anoying: "yes now we know, get on with it"

This film is an insult to Goscinny's work, which has already been well damaged.

Some people think that the film is offensive or incorrect and that this is the reason for the negative reviews, but let me reassure you, it is not. It is a pretext. The movie sucks, plain and simple. The story consists of a series of scenes that aim to place as many people as possible who are known (only in France for the most part) and who have no acting skills. Even the well-known and usually professional actors pale in comparison.

I didn't retain a single positive point. Oh yes, among the jokes, each one more desolate than the other, the lengths that are not funny at all (personally I would be ashamed if I had made such a lousy movie, I would have hidden and would never have assumed) and the script that would have been better if it had been written by a 9 year old.

Finally, this film is everything that is wrong with French cinema, plus the budget. You put your buddies, celebrities, you ask for a maximum of subsidies for a null result, and you take advantage of your knowledge in the media to inflate the box office and talk about this film every day as if the French cinema depended on it.

And personally, what I found most lamentable is that Guillaume Canet (the director) has arrogated to himself the role of the main character when he is not at the level.

It doesn't make you laugh, it makes you cry.

Some funny moments but too many long sequences without jokes and, to be frank, not interesting. One kungfu fight would have been enough.

Totally useless cameo by soccer player Zlatan Something.

I liked the new Obelix, Gilles Lelouche gave to the character a lot that was missing in the lazy Depardieu acting. Canet was rather ineffective as Astérix. The character is supposed to be smart and funny, he played him as a bumbling idiot. A vegan Astérix ? What a stupid idea.

Cotillard was a very nice Cléopatre for the whole minute she is on screen. Cassel was, as usual, quite convincing as César. But his entourage was lackluster.

I never grew up with asterix and obelix and im not too familier with them, but I really thought this was a pretty entertaining movie. The only daughrer of the queen of china has to be escorted back. And the only people that can help her are the two brave heries asterix and obelix. They make a great team and watching their antics was fun. But of course like with most films like this there are villians not to far behind. This time ceaser and cleopatra are their along with another man who is trying to steel the princesses affection, that asterix would like a bit of. The cast of this film played their roles well and the directing was good. Their was enough action and some laughs and overall pretty good.

I am French, although my current place of residence is not within France's borders. Just recently, I had the opportunity to watch the film that had eluded me until now. Interestingly, I was blissfully ignorant of the critiques that had swirled around its release in France. As it turns out, the film proved to be a delightful comedy upon viewing-a fact that left me puzzled by the seemingly relentless criticism it had garnered.

While I won't go as far as to dub it the cinematic masterpiece of the year, it unquestionably provides an enjoyable and pleasant viewing experience. The film, while not soaring to the heights of cinematic greatness, manages to carve out a space for itself as an evening's entertainment. In light of this, I remain perplexed by the intensity of the backlash it faced upon release.

The ensemble cast brings a mix of talents to the screen, with some actors shining brighter than others. I must admit that my familiarity with all the actors is not exhaustive, but I can certainly vouch for the varying degrees of performance quality among them. It's a reminder that movies are, at their core, a collaborative art form, and the final product can be greatly influenced by the chemistry and synergy among the cast members.

In contrast to the latest offerings from the Marvel universe, I find myself leaning towards recommending this film. Not because it boasts the grandeur of a superhero epic, but because it delivers on the promise of a well-crafted and enjoyable comedic experience. So, if you're in the mood for a light-hearted cinematic journey that doesn't demand the investment of an expansive interconnected universe, this film might just be the perfect choice.