Marcus Luttrell y su equipo se lanzan a una misión para capturar o matar al líder talibán Ahmad Shah a finales de junio de 2005.Marcus Luttrell y su equipo se lanzan a una misión para capturar o matar al líder talibán Ahmad Shah a finales de junio de 2005.Marcus Luttrell y su equipo se lanzan a una misión para capturar o matar al líder talibán Ahmad Shah a finales de junio de 2005.
- Dirección
- Guionistas
- Elenco
- Nominado a 2 premios Óscar
- 6 premios ganados y 16 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
For myself, I felt mostly rage against a botched mission in an ineffective war. Raytheon should be annoyed that a movie about a mission failed primarily because of communication issues showed their red flashy brand on the comms equipment.
I wanted the characters to succeed, to survive, but I could not ignore the fact that they were soldiers being there only to kill an enemy commander. Having all Americans die in slow motion while scores of Taliban died instantly and kind of stupidly didn't help with the empathy. Also showing pictures of dead soldiers with their families with a pathetic American remake of Bowie's Heroes singing in the background at the end of the movie just fueled more rage. People in the field try to carry out their mission and survive, while their deaths become political and mediatic material. I didn't enjoy that.
On the other hand, the fights were realistic, the subject based on real events and, outside the pathetism described above, I did not detect a bias towards one side or the other. You will witness two hours of low tech war in all of its horror and stupidity. The actors also play well, although I like Mark Wahlberg in almost everything he does.
The story, while showing the preparation, courage and resilience of four soldiers in enemy territory, also showed other things, like the logistical blunders that lead to stupid deaths, over-reliance on technology that doesn't really work as you expect and how choices have consequences on the ground that are beyond the ability of normal courts to understand, whether looking from the legal or moral angle.
I liked a lot about the movie how it made you think long after it was over. What would have happened if they just killed the herders? What would have happened if they tied them up, went a bit down, risked a sniper shot at the enemy commander, then just ran? What would have happened if the Pashtuni would have ignored the wounded American or would have killed the Taliban scout force when they came to them? How would the mission have gone if the four guys would have known from the get go that they would be completely alone, with no support or hope for extraction?
Overall, a very emotional movie, two hours long, that shows more a general type of heroism than one with a specific purpose. Nicely directed and acted. A bit over dramatic, but then that's to be expected. Worth watching.
What really gets you though are not some clichés about soldiers (and I think this stays as much as possible away from them), but the fact, that this feels as real as it can be, without you actually being in a war. Mark Wahlberg and the other actors have to go through a lot, when ... well you know what hits the fence. And it does hit pretty hard. Not for anyone squeamish, this is fraught with tension ...
A more-or-less accurate depiction of four highly capable SEAL soldiers dropped into enemy territory in Afghanistan. They were then discovered and attacked by dozens of area Taliban. The recreation is riveting, disturbing in its intensity, and eye-opening. Whatever you feel about the war there, or even about soldiers killing other soldiers, you end up admiring the sheer abilities of these fit, smart, determined men.
And only one survives (this is told in the title). So you go into it knowing it will end badly, and also that one of them (probably Mark Wahlberg, the biggest name here) will make it. If the fighting, which makes up most of the movie in the center core of it, is seemingly endless, that's part of the point. But when it shifts to a local village near the end the tale has another kind of intensity, and a welcome change.
This is straight up action material. It lacks even the layers that other movies with similar settings add (see "The Hurt Locker" for one example). But in a way that makes this distinctive. It moves in linear fashion through time, through the events, and so you barrel along without mental complication to the end. It forces everything on the action, and the realistic portrayal of the unbelievable hardship and pain, and death, that comes along the way.
Check out the overly-long Wikipedia page on this movie for lots of facts about production, and about the liberties they took with the facts. Or just watch the movie knowing that there are the usual permitted changes that dramatization requires. Even as pure fiction the movie has enough kinetic and heroic acts to succeed on its own terms.
But when a movie tries to be based on a real story, the good guys may not come. They do not come in an hour; they do not come in a day; and if they come, they are not invincible. Real problems do not follow formulas. Real life is sobering in its horror.
Lone Survivor does not have a very original or interesting premise for an action movie. An assassination mission goes wrong. However, the quality of the cinematography, solid acting and good action is what makes this a good action film.
Not a single actor phones it in. Everyone is trying to do their best. The film is also gorgeous. The Afghanistan these guys are in is fake because the entire movie was shot in the United States, but it looks authentic and breathtaking.
The action is raw and graphic. Not in guts-on-the-floor kind of way, but falling-down-a-cliff-side kind of way. Again, you can feel the effort put in. Broken ribs and punctured lungs were involved in the making of this movie.
There is one giant nasty pink elephant in the room and that's the fact that the main event at the centre of this movie's plot is bogus. Without spoiling too much, a crucial decision is made by these supposed Navy SEAL's and there is just no way this is how that situation played out. Therefore, the story is probably a lie.
There is another issue: this mission with its predetermined ending is all there is to the story. No backgrounds are given for the characters, no events other than this mission, and there is barely any examination of their relationships with one another. I remember as a little kid, I wrote a story about an imaginary military mission. I abandoned it because I realised that it can never be that interesting to read because the range of the story is too small. This film is like that. What's worse, the title of this film gives away the ending.
But it is a testament to Lone Survivor's quality that, even though it gives almost no background information about the characters, it still manages to make you care about them. And even with the weight of a potential lie at the centre of its plot, the film still manages to be such an interesting watch.
¿Sabías que…?
- TriviaThe tumbling and falling scenes were filmed on-location without CGI enhancement, and necessitated that the stunt performers subject themselves to genuinely hard falls. After one such stunt, Mark Wahlberg's stunt double had to be hospitalized.
- ErroresWhen all four men are covering at the cliff during the firefight and Marcus is checking the condition of his team, they send a smoke grenade so they can escape. A crew member is visible, filming the scene.
- Citas
Shane Patton: Been around the world twice. Talked to everyone once. Seen two whales fuck, been to three world faires. And I even know a man in Thailand with a wooden cock. I pushed more peeter, more sweeter and more completer than any other peter pusher around. I'm a hard bodied, hairy chested, rootin' tootin' shootin', parachutin' demolition double cap crimpin' frogman. There ain't nothin' I can't do. No sky too high, no sea too rough, no muff too tough. Been a lot of lessons in my life. Never shoot a large caliber man with a small caliber bullet. Drove all kinds of trucks. 2by's, 4by's , 6by's and those big mother fuckers that bend and go 'Shhh Shhh' when you step on the brakes. Anything in life worth doing is worth overdoing. Moderation is for cowards. I'm a lover, I'm a fighter, I'm a UDT Navy SEAL diver. I'll wine, dine, intertwine, and sneak out the back door when the refueling is done. So if you're feeling froggy, then you better jump, because this frogman's been there, done that and is going back for more. Cheers boys.
- Créditos curiososThe code of honor referred to as Pashtunwali is explained in the credits.
- ConexionesFeatured in The Tonight Show with Jay Leno: Episode #22.56 (2014)
- Bandas sonorasCanned Heat
Written by Sola Akingbola, Wallis Buchanan, Simon Katz, Jay Kay, Toby Smith and Derrick McKenzie
Performed by Jamiroquai
Courtesy of Sony Music Entertainment U.K. Limited
By arrangement with Sony Music Licensing
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Lone Survivor
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 40,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 125,095,601
- Fin de semana de estreno en EE. UU. y Canadá
- USD 90,872
- 29 dic 2013
- Total a nivel mundial
- USD 154,802,912
- Tiempo de ejecución2 horas 1 minuto
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1