Un comandante de tanque deberá tomar decisiones muy difíciles mientras él y su equipo luchan en Alemania en 1945.Un comandante de tanque deberá tomar decisiones muy difíciles mientras él y su equipo luchan en Alemania en 1945.Un comandante de tanque deberá tomar decisiones muy difíciles mientras él y su equipo luchan en Alemania en 1945.
- Dirección
- Guionista
- Elenco
- Premios
- 6 premios ganados y 23 nominaciones en total
Brad William Henke
- Sergeant Davis
- (as Brad Henke)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
War is hell. It is a macabre sarcasm of Life. It perverts all normal socially-accepted truths. And, in such a hell, only demons can survive -- - only demons can know how to excel.
War Daddy (the inhuman, nearly immortal, soulless, progenitor of all destruction) says it best: "We're not here for 'Right or Wrong'... we are here to kill them."
Perhaps, one imagines that there will be peace and happiness, beyond the unrelenting violence... but, after such implacable destruction, not only of lives... but of Life... what consolation can there be?
Every chicken-hawk, war-mongering coward, should be required to witness this film. It is harrowing. It is cleansing. It teaches that violence begets violence. All that is pure and good, is destroyed by war... and it is only the purity of goodness, that restores goodness after the war is over. One wonders if it does any good to know the fact... for the demons in charge refuse to learn. And their deaths, after a time, proves nothing.
I am filled with unrelenting sadness over this film. Its perfection shall go on, unappreciated. Its unblinking honesty will go on, unheeded. For, there will be other wars (there are many, now). There will be other demons, who's lust for conquest will obliterate everything they know... even/especially the things they profess to love.
Because war is hell, and paradise does not exist in this realm... or, even after. The perversity of war... the final image... testifies to this fact. Life with war, is tainted. A poisoned well does not come clean.
War Daddy (the inhuman, nearly immortal, soulless, progenitor of all destruction) says it best: "We're not here for 'Right or Wrong'... we are here to kill them."
Perhaps, one imagines that there will be peace and happiness, beyond the unrelenting violence... but, after such implacable destruction, not only of lives... but of Life... what consolation can there be?
Every chicken-hawk, war-mongering coward, should be required to witness this film. It is harrowing. It is cleansing. It teaches that violence begets violence. All that is pure and good, is destroyed by war... and it is only the purity of goodness, that restores goodness after the war is over. One wonders if it does any good to know the fact... for the demons in charge refuse to learn. And their deaths, after a time, proves nothing.
I am filled with unrelenting sadness over this film. Its perfection shall go on, unappreciated. Its unblinking honesty will go on, unheeded. For, there will be other wars (there are many, now). There will be other demons, who's lust for conquest will obliterate everything they know... even/especially the things they profess to love.
Because war is hell, and paradise does not exist in this realm... or, even after. The perversity of war... the final image... testifies to this fact. Life with war, is tainted. A poisoned well does not come clean.
One of my favorite movies. Amazing cast and a lot of hard feeling moments that bring this movie together. There are moments that have you flashing between emotions and you can feel the emotions from the characters.
People seem to think that war films are pretty hot right now, but they aren't. Having my ear so close to cinema I know for sure that there is always one or two war films floating around in the projection booths, but people are making somewhat of a big deal out of Fury, so I suppose the reel question is will this be a Flag For Our Fathers or will it make us wish for Apocalypse Now?
So lets get this out of the way now. Fury isn't as good as Saving Private Ryan, but then I don't think it ever meant to be, comparing the two movies is like saying that Saun Of The Dead isn't as good as The Book Of Eli, just because both films has similarities (in as much as they are set at the end of the world) doesn't mean they are anything alike. These are two films that are near logger heads with each other.
You see Fury is contained, and given an almost claustrophobic feel to it, the entire film is either inside or at close proximity of the tank that Collier commands. This gives the movie a focus, and a focal point. We are never given a rest from the tank and it's enforcing nature, we are given no repreave from it, just like the men themselves, we are trapped in a steel giant that is only purpose is to kill people.
To say that Fury is bloodthirsty would be an understatement, actually that's not fair for me to say. Fury doesn't enjoy itself in gore, it only tries to give us an accurate portrayal of what it must have been like for those brave men and women who faced death on a daily basis.
That's what David Ayer does really well, he controls his audience. In the opening scene we are shown Collier (Brad Pitt) ambushing and attacking a German officer, it is crude and desperate and over quickly but we can tell even then that is a man who cannot cope with the horrors he has had to endure.
Looking back there are so many moments in Fury that stand out as impressive. There is a single second where Collier shows his true emotions and it is incredible to view. Collier is a man who is forced to be a hero, he never chooses it, he wants only to survive this war.
Any war film can be impressive in it's action sequences, anyone can make loud noises and explosions and fighting, but if a war film can still shock and grip and captivate you in the slower periods, in the silences, that's when you know for sure you have an outstanding movie, and that is what happens with Fury.
Like all war movies, Fury ultimately builds to a climatic finale and truly I think it's one of the best I've ever seen, not because of the action or it's quality of visuals but because we have invested too much into the characters we have seen on screen.
The film of course would be nothing without the men inside the tank, those being Brad Pitt (who helms the best), Shia LaBouf, Logan Lerman, Michael Pena and Jon Bernthal. With these men there is no star, or main character, outside the tank the two leads are Logan Lerman (Who plays the new recruit) and Brad Pitt, however once we are inside the tank all men are equals, and dare I say it, but Shai LaBouf is actually quite good in his role. It's also always nice to see Jason Issacs on screen (hello to you).
Fury is a poignant and painful reminder of how much war can take from each of us, it is a film that never wants us to relax and we never do. Gory and gripping, Fury deserves a high spot in the history of war movies.
So lets get this out of the way now. Fury isn't as good as Saving Private Ryan, but then I don't think it ever meant to be, comparing the two movies is like saying that Saun Of The Dead isn't as good as The Book Of Eli, just because both films has similarities (in as much as they are set at the end of the world) doesn't mean they are anything alike. These are two films that are near logger heads with each other.
You see Fury is contained, and given an almost claustrophobic feel to it, the entire film is either inside or at close proximity of the tank that Collier commands. This gives the movie a focus, and a focal point. We are never given a rest from the tank and it's enforcing nature, we are given no repreave from it, just like the men themselves, we are trapped in a steel giant that is only purpose is to kill people.
To say that Fury is bloodthirsty would be an understatement, actually that's not fair for me to say. Fury doesn't enjoy itself in gore, it only tries to give us an accurate portrayal of what it must have been like for those brave men and women who faced death on a daily basis.
That's what David Ayer does really well, he controls his audience. In the opening scene we are shown Collier (Brad Pitt) ambushing and attacking a German officer, it is crude and desperate and over quickly but we can tell even then that is a man who cannot cope with the horrors he has had to endure.
Looking back there are so many moments in Fury that stand out as impressive. There is a single second where Collier shows his true emotions and it is incredible to view. Collier is a man who is forced to be a hero, he never chooses it, he wants only to survive this war.
Any war film can be impressive in it's action sequences, anyone can make loud noises and explosions and fighting, but if a war film can still shock and grip and captivate you in the slower periods, in the silences, that's when you know for sure you have an outstanding movie, and that is what happens with Fury.
Like all war movies, Fury ultimately builds to a climatic finale and truly I think it's one of the best I've ever seen, not because of the action or it's quality of visuals but because we have invested too much into the characters we have seen on screen.
The film of course would be nothing without the men inside the tank, those being Brad Pitt (who helms the best), Shia LaBouf, Logan Lerman, Michael Pena and Jon Bernthal. With these men there is no star, or main character, outside the tank the two leads are Logan Lerman (Who plays the new recruit) and Brad Pitt, however once we are inside the tank all men are equals, and dare I say it, but Shai LaBouf is actually quite good in his role. It's also always nice to see Jason Issacs on screen (hello to you).
Fury is a poignant and painful reminder of how much war can take from each of us, it is a film that never wants us to relax and we never do. Gory and gripping, Fury deserves a high spot in the history of war movies.
This film let itself down in the end but was the first U.S war film Iv'e ever seen depicting the reality, that American soldiers were mostly mopping up Hitler Youth fanatics. Also showing that U.S troops were capable of atrocities, just like any other combatant (from other nations). The best part of the movie was seeing a real legendary Tiger Tank in Action. The one that is used in this movie (the only working one in the World), is Tiger 131 (housed at Bovington Tank Museum). Obviously in real warfare it would have smashed those American tanks to a zillion pieces. The ratio of Tiger to Sherman K.O's is 14 to 1. One Tiger knocked out 50 T-34's on the Eastern Front. The ending is the most fantastical war scene I ever seen. All of a sudden 'Fury' turns into Star Wars but way less believable. How do 100's of Waffen SS soldiers fail to beat a a severely crippled tank. It's highly unlikely that they would have been there at the end of the war (singing along a road). The SS committed beastly war crimes (true) but they were also crack combat troopers. My 10 year old boy stated the pure obvious.! "Why the hell did they not fire the boxes of 'Panzerfausts' they had at hand!" I'm sure everyone apart from the Director, was thinking the very same absurdity. Still there is more to like than dislike, so settling on a 7 rating.
Reviewer after reviewer criticizes this movie for its phony depictions of the war, clichés and unrealistic battle scenes. There is only one significant fact that is crucial to know when it comes to the accuracy of the depiction; Shermans were going to be your coffin in a face-off with a Tiger. If you want serious historical detail then consider watching a WWII documentary. I think the overall depictions were secondary and only serve as the backdrop for the director's real message which was the painful slow process of the relationship that was built between these guys in a tragic situation. I think Ayers did a masterful job at this. You think Brad Pitt is a second rate actor? Watch his facial expressions during the scenes in the room with Logan Lerman and the 2 women; Watch his nervous breakdowns. Watch him in the "Why are you such an asshole?" scene. Watch him as he jokes with his guys about Hitler and chocolate bars. Even with Wardaddy's personal weaknesses, by the middle of the movie you understand why these guys liked, admired and respected him, and I'll bet you do also. His timing and delivery, in my opinion, are better than Tom Hanks on this best day. Watch LaBoeuf's nervous leg, and a list of other endearing nuanced details; He plays a very convincing religious proselytizer. During the tank battle if you didn't feel like your life was threatened then you were probably on xanex. I'm not sure that there is another film that conveys this kind of claustrophobic camaraderie from a tank crew's viewpoint. If there is, I've never seen it.
¿Sabías que…?
- TriviaThe second time a genuine Tiger I tank has been used in the production of a WWII film. It features "Tiger 131" from the UK's Bovington Tank Museum, the only fully functioning Tiger I tank in the world.
- ErroresA penetrating Panzerfaust hit in the fighting compartment would have been fatal for all crew members inside the tank, not just for a single man who happened to be in the way of the molten metal spray.
- Citas
Boyd 'Bible' Swan: Wait until you see it.
Norman Ellison: See what?
Boyd 'Bible' Swan: What a man can do to another man.
- Créditos curiososReal Word War II archive footage is shown during the first part of the end credits.
- Bandas sonorasThe Old Rugged Cross
Written by George Bennard
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- How long is Fury?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Fury
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 68,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 85,817,906
- Fin de semana de estreno en EE. UU. y Canadá
- USD 23,702,421
- 19 oct 2014
- Total a nivel mundial
- USD 211,822,697
- Tiempo de ejecución2 horas 14 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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