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Agrega una trama en tu idiomaArchival footage, animation, and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.Archival footage, animation, and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.Archival footage, animation, and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.
- Dirección
- Guionista
- Elenco
- Premios
- 3 premios ganados y 6 nominaciones en total
Hank Azaria
- Abbie Hoffman
- (voz)
- …
David Boat
- Norman Mailer
- (voz)
- …
Julian Rebolledo
- Reporter 2
- (voz)
- (as Julian Dean)
Daniel Hagen
- Bailiff
- (voz)
- (as Dan Hagen)
Roger Jackson
- Marshal 2
- (voz)
- (as Roger L. Jackson)
- …
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The story telling in Chicago 10 is inviting. Once inside it transforms the audience into witnesses. With your own senses you see what many have for decades refused to see. It is a work well done. 1968 was a year that changed the US of A as much as May '68 changed France. The movie is not an history lesson. This movie brings us into that time in a way that allows us to reflect not only upon what happened in Chicago, but moreover what was yet to come in the USA. The trial of the Chicago 7 almost did not happen. Ramsey Clark the US Attorney General until January 20, 1969 was not going to allow this case to be prosecuted. After January 20th, Nixon's Attorney General John Mitchell made sure that the silent majority got their show trial. It backfired. The rest is in the movie.
This is a really poorly movie. It may have been an interesting time in Amerikan history but this movie is far from interesting.
The makers chose to use really bad cartoons and actors to play the Chicago defendants. It doesn't work. The cartoons look nothing like the characters and their dialog is forced.
Frankly, a way better movie could have been made using only archival footage of the characters involved. It could have been truly compelling. Instead we got a really boring piece of celluloid that isn't even truthful to the events at hand.
Throughout the movie there are shots of the characters speaking to "crowds" and shots of massive numbers of people rallying. This is phony. It never happened. They inserted footage from other rallies to try to pretend these guys had such a following!
Shame on you.
And of course they never even mentioned that Jerry Rubin became a rabid capitalist after jail time ( I met him during his networking days in NYC) and Abbie Hoffman (who I always thought was the real deal) started dealing coke big time, went on the lam for years.
The makers chose to use really bad cartoons and actors to play the Chicago defendants. It doesn't work. The cartoons look nothing like the characters and their dialog is forced.
Frankly, a way better movie could have been made using only archival footage of the characters involved. It could have been truly compelling. Instead we got a really boring piece of celluloid that isn't even truthful to the events at hand.
Throughout the movie there are shots of the characters speaking to "crowds" and shots of massive numbers of people rallying. This is phony. It never happened. They inserted footage from other rallies to try to pretend these guys had such a following!
Shame on you.
And of course they never even mentioned that Jerry Rubin became a rabid capitalist after jail time ( I met him during his networking days in NYC) and Abbie Hoffman (who I always thought was the real deal) started dealing coke big time, went on the lam for years.
In 1968 thousands of young people got angry and rioted as an unpopular President expanded an unpopular war overseas. As Ryan Harvey sung recently "The Times They *Aren't* A Chaning". The documentary footage from the protests is amazing, timely, and very reminiscent of news footage from recent political protests in North America. The animated sequences could have been better. They have the look of a very low budget show on Cartoon Network. Occasionally, a different kind of animation is used and this one is less realistic but much more effective. I'm not sure why this type of animation wasn't used throughout the trial sequences.
Roy Scheider I must add was very effective and creepy as Judge Hoffman, the authoritarian and one-sided judge who presided over the trial.
The movie is a reminder that things aren't changing but it's always important to fight.
Roy Scheider I must add was very effective and creepy as Judge Hoffman, the authoritarian and one-sided judge who presided over the trial.
The movie is a reminder that things aren't changing but it's always important to fight.
The Kid Stays in the Picture was a great documentary with a refreshing style that managed to keep me hooked into a subject that I honestly wasn't very interested in. So I was extremely excited to see Brett Morgen creating this documentary about history that I was very interesting in and.. Well, Morgen probably reached a little too far on this one.
This documentary is a mix of the very powerful archive footage of the demonstrations and events leading up to them, and a rather insipid animated recreation of the trial. There are no retrospective interviews (many of the 8 are now deceased) and there is no narration - both omissions that suit the style of the director and help emphasize the time and place of the events.
The archive footage could possibly have carried the film by itself. But this documentary is also about the trial. Without any footage or audio of the trial, how do you recreate it so that it appears as the farce that it was - while doing justice to the amazing news footage of protesters being maced and beaten? To do so would honestly have been an amazing accomplishment. Animating the trial was a bold move, but the end result is visually inadequate and mixes poorly with the news footage.
I have no problem with the use of animation, but the animation itself is of very low quality and isn't rather creative. For the trial scenes, I believe the intention was to create a comic look and feel to highlight the nature of the trial itself - but the uninspired designs are too smoothly rendered with wooden mo-cap movement that appears borderline uncanny valley. Other demonstration scenes were animated in a hand drawn/cut out style at an extremely jerky 3-4 frames per second that is difficult to watch to say the least - thankfully they are short. The one redeeming quality of the animation is the voice acting which is top notch across the board, even if Hank Azaria's Abbie Hoffman sounds a lot like Moe from The Simpsons.
My other complaint is the soundtrack, which is about half a mix of 90's rap and another half a mixed bag of pop and metal. The music has no connection to time or events and seems to only take away from the authenticity of the events. I've read the interviews where Morgen describes this movie as being about now, and not 1968 - but I think that is a disservice to the Chicago 8. Sure, there is a war going on right now as was then - but in 2008 young people are more likely to protest high gas prices than the current war.
This documentary is a mix of the very powerful archive footage of the demonstrations and events leading up to them, and a rather insipid animated recreation of the trial. There are no retrospective interviews (many of the 8 are now deceased) and there is no narration - both omissions that suit the style of the director and help emphasize the time and place of the events.
The archive footage could possibly have carried the film by itself. But this documentary is also about the trial. Without any footage or audio of the trial, how do you recreate it so that it appears as the farce that it was - while doing justice to the amazing news footage of protesters being maced and beaten? To do so would honestly have been an amazing accomplishment. Animating the trial was a bold move, but the end result is visually inadequate and mixes poorly with the news footage.
I have no problem with the use of animation, but the animation itself is of very low quality and isn't rather creative. For the trial scenes, I believe the intention was to create a comic look and feel to highlight the nature of the trial itself - but the uninspired designs are too smoothly rendered with wooden mo-cap movement that appears borderline uncanny valley. Other demonstration scenes were animated in a hand drawn/cut out style at an extremely jerky 3-4 frames per second that is difficult to watch to say the least - thankfully they are short. The one redeeming quality of the animation is the voice acting which is top notch across the board, even if Hank Azaria's Abbie Hoffman sounds a lot like Moe from The Simpsons.
My other complaint is the soundtrack, which is about half a mix of 90's rap and another half a mixed bag of pop and metal. The music has no connection to time or events and seems to only take away from the authenticity of the events. I've read the interviews where Morgen describes this movie as being about now, and not 1968 - but I think that is a disservice to the Chicago 8. Sure, there is a war going on right now as was then - but in 2008 young people are more likely to protest high gas prices than the current war.
10kris-369
Just saw this at the Sundance opening. An absolute life changing film. There aren't words that could ever describe the feelings evoked by this extraordinary film. You could feel the heart and soul poured into every frame- and the mix of animation and incredible soundtrack was so moving. An absolute must see for anyone who needs to be reminded that they are the difference that is needed to stop the current war and the violence that is inherent today and since the beginning of time. This film leaves you feeling like standing up and taking flight and making a move toward what is truly important- the pursuit of peace and all that comes with-it- making a stand, courage, understanding yourself and your place in the world and knowing when to say when. I truly believe this film will change many lives.
¿Sabías que…?
- TriviaNick Nolte and Liev Schreiber both played the roles Gregory Peck played in the remakes of Cape Fear (1962/1991) and The Omen (1976/2006).
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- How long is Chicago 10?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Chicago 10: Speak Your Peace
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 177,490
- Fin de semana de estreno en EE. UU. y Canadá
- USD 42,724
- 2 mar 2008
- Total a nivel mundial
- USD 177,490
- Tiempo de ejecución1 hora 50 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Chicago 10 (2007) officially released in Canada in English?
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