52 Pick-Up

Roy Scheider is a cheating husband who complicates life for his political hopeful wife, Ann Margret. She gives a many faceted performance, and you'll cheer when she gets in touch with her feelings about cheating husbands. John Glover plays a villain, and he will leave a bad taste in your mouth. He does an excellent job being the bad guy, you'll never forget him in this role. Roy Scheider is cast into a world of sleazy women, cliche' stereotype gay men and conscience free killers. Clarence Williams III (he played Prince's father in Purple Rain) is ironicly cast as Vanity's boyfriend in this movie. (Vanity was originally cast for the female lead in Purple Rain, but left Prince during production. 'The Beautiful ones always smash the picture'.) Clarence has an interesting scene with Vanity and a teddy bear. This is Vanity's best work as an actress, she was the perfect casting choice in this role. She plays a nudie model in a sleazy pay by the hour polaroid porn house. She debuts talent here, as well as her first breast enhancement surgury. She's at her finest for those who love her for her sexy image, but she has some fine acting moments. She does not turn in any musical performances, for those of you who care. It doesn't take much to shock me, but Kelly Preston's (now Mrs. John Travolta) moments onscreen were hardcore... Let's just say graphic is the best way to describe it. That's all I'm saying about that... You'll see recognizable porn actors & actresses in their element, and you'll feel for Ann Margret's character. See this movie.

By all accounts, 52 Pick-up is a nasty piece of cinema; a thriller that wholly benefits from Frankenheimer's direction, Elmore Leonard's characters and a hateful edge.

This is a movie that grabbed me fairly quickly and pulled me right in as Roy Scheider's industrialist had to outsmart his blackmailers. The players both behind and in front of the camera are expert, the plot turns are wicked and while the ending is ... unique ... this tawdry little crime movie delivers.

I've always liked this John Frankenheimer film. Good script by Elmore Leonard and the main reason this wasn't just another thriller is because of Frankenheimer. His taut direction and attention to little details make all the difference, he even hired porn star Ron Jeremy as a consultant! You can make a case that its the last good film Roy Scheider made. I've always said that Robert Trebor gave just a terrific performance. Clarence Williams III got all the publicity with his scary performance and he's excellent also but I really thought Trebor stood out. Frankenheimer may not be as proud of this film as others but it is an effective thriller full of blackmail, murder, sex, drugs, and real porno actors appear in sleazy parts. What can you say about a film that has Ann Margaret being shot up with drugs and raped? A guilty pleasure to say the least. Vanity has a real sleazy role and a very young Kelly Preston makes an early appearance. A classic exploitive thriller that shouldn't be forgotten.

52 Pick-Up is directed by John Frankenheimer and written by Elmore Leonard (adapting from his own novel) and John Steppling. It stars Roy Scheider, Ann-Margret, John Glover, Vanity, Clarence Williams III, Robert Trebor and Kelly Preston. Music is by Gary Chang and cinematography by Jost Vacano and Stephen Ramsey.

Successful business entrepreneur Harry Mitchell (Scheider) finds himself the victim of blackmail by three pornographers who have video evidence of his extramarital affair. With his wife about to embark on a new stage of her political career, the last thing Harry needs is a scandal, but when things take a turn for the worse Harry decides to use unorthodox methods to deal with the blackmailers.

A nifty neo-noir this, certainly deserving of being better known in neo- noir circles. The presence of Leonard at the writing table ensures that the story doesn't drift too far away from his own source material, though location is moved to L.A. as opposed to the Detroit of the novel. Thematic thrust centres around Mitchell being caught for his indiscretions and what the consequences of his actions means for all around him, quite often with devastating results.

Mitchell has to move about a seedy world of pornography, of cheap peekaboo bars, strip joints and snuff movies, he has to get to the level of his blackmailers so as to enact his plans with conviction. The three weasels played by Glover, Williams and Trebor are in turn slimy, menacing and a twitchy neurotic, an off-beat trio suitably framed by Frankenheimer's sleazy and cold world.

It may not be prime Frankenheimer but the director knows his noir onions, both in performances garnered from his strong cast and via his visual ticks. Characters are more often than not smoking or drinking liquor, sweating or looking pained as the camera gets up close and personal, the director even finds place for a bit of slatted shadow play in one sequence and menacing angled shards for another.

Some contrivances are more annoying than hindrances, it's a bit bloodless for a picture not lacking in action scenes, and although the finale is signposted without due care and attention, it is still sufficiently rewarding. Decadence, sleaze, greed, paranoia and moral decay come crashing together to create a sadly neglected piece of 1980s neo-noir. A yuppie revenger where there are no heroes, just sinners and victims. 7.5/10

I must have passed this movie in my local video store a dozen times without picking it off the shelf, thinking from the packaging, the era the movie was released in, and the presence of Ann-Margret and Tiffany, that it was just another generic "action" movie like an 80s Stallone, or 'Action Jackson'. Luckily a savvy movie buff recommended '52 Pick-Up' to me, for which I will be forever indebted. Closer inspection reveals the team behind this hard boiled thriller to be underrated director John Frankenheimer ('The Manhurian Candidate', 'Seconds') and crime fiction master Elmore Leonard. (hits forehead! "WHY didn't I already KNOW this?!").

Apart from the aesthetic LOOK of this movie, and a cheesy score, it in no way resembles your standard 80s action fare. It is a lot grittier, morally ambiguous and less predictable than that, and closer to the best 70s crime movies.

Roy Scheider is solid as usual as a blackmailed businessman who decides to fight back, and Ann-Margaret surprises with a strong portrayal of betrayed wife. But the real stars here, and what makes this movie essential viewing, are the brilliantly realized bad guys - John Glover, Clarence Williams III and Robert Trebor.

Trebor is perfect as the slimy, nervous "weak link" Leo. Williams III stunning as the amoral bad ass killer Bobby. And John Glover is simply perfect as their double-crossing, deliciously evil leader Raimy. '52 Pick-Up' is brutal and rivetting viewing that shines out as a beacon of 70s cool from an ocean of 80s dumb thrillers. Don't miss this one whatever you do!!