Before the Rains

A mixture of social commentary and period-piece melodrama, "Before the Rains," directed by Santosh Sivan, takes place in India in 1937 during the waning days of British rule.

Henry Moores (Linus Roache) is an English businessman living with his wife (Jennifer Ehle, the ghost-wife from "A Gifted Man") and young son (Leo Benedict) in the Madras district of colonial India, where he is supervising the construction of a road that must be completed before the monsoonal rains begin to fall. Moores is also having a clandestine affair with a beautiful Indian housekeeper named Sajani (Nandita Das), who is herself married to an unloving and abusive husband from the village. Through a series of tragic circumstances, the affair manages to have lasting repercussions not only for Moores and his family but for Anglo-Indian relations in the area as well.

The story by Cathy Rabin serves as a microcosm for what was occurring on a national scale at that time, as the oppressed natives were just beginning to assert their right to oust the British and become the leaders of their own nation. Thus, Moores' dilemma becomes much more than just a personal one of love and marital infidelity due to the extraordinary circumstances taking place around him. For not only is Henry breaking his own marriage vows with the affair; he is violating any number of social taboos involving race and class structure as well. The situation becomes even more complicated when another of his servants, T.K. Neelan (Rahul Boss), becomes a pawn in Moores' game to extricate himself from the consequences of his actions, and T.K. is finally forced to choose between his desire to be a part of a growing future promised by the Brits and his innate loyalty to his own people who serve under them. The triumph of the screenplay is that each of these characters emerges as a well-meaning but often flawed individual caught in a world greater than his or her own private passions.

Even though there are times when the gravity of the social issues feels a bit diminished by the contrivance of the plotting – as if the melodrama were not commensurate in importance and value with the seriousness of the subject matter - on the whole, this is a well-acted, thoughtful and gripping drama that makes important points about colonialism, class structure, personal morality and the untamable nature of the human heart.

Stunning, superb film. Completely deserving of having won "Best Picture" at the Worldfest film festival. This romantic drama/tragedy, set in the Colonial India of the 1930's is compelling, and is even more poignant when put in context of the emerging Independence movement in India at that time. The powerful subtext is the end of Colonialism. The performances by the actors are outstanding - particularly Linus Roache (of Law and Order fame), Rahul Bose, Nandita Das and Jennifer Ehle.

Energizing the story are four magnificent performances. Linus Roache as the English planter Henry Moores is trapped by a slowly debilitating moral choice, and his gradual moral deterioration is a symbol for every good Englishman whose moral shortcomings were tested in the era of empire. Nandita Das's wonderful portrayal as Henry's mistress Sajani is remarkably sensitive and very poignant. She is head-strongly in love, yet naive as to the ramifications of her reckless love affair. Her natural empathy for her character turns a potential victim into an emblem of feminine struggle. Jennifer Ehle as Herny's wife is probably the scene stealer of the movie.

A marvelous performance is delivered by Rahul Bose, as the man caught in the middle - T.K. Neelam, the planter's trusted foreman and friend, who is caught in the middle as his two worlds collide. A Western educated man but with strong roots in his tribal village, TK has to choose whether is it right to betray a friend or one's own people? T.K. final choice forms the climax of the film when he forsakes both worlds for the Gandhian Independence movement.

Santosh Sivan demonstrates his genius behind the lens, with breathtaking Cinematography, and Mark Killian outdoes his score from the Oscar winning film - Tsotsi. A MUST SEE FILM.

When I first began watching this film, I thought it was a movie that romanticized adultery. After all, the first minutes of the film show a very romantic tryst between a Brit living in India (Linus Roache) and his maid (Nanditas Das). However, this is not where the film went and I was quite impressed overall. You see, it turns out that the love is very one-sided. The Brit is married to a sweet lady and you can't see any reason for the man having an affair other than he's a sleazy dog. And, in many ways, this character appears to be a metaphor for the British in India--as he uses this woman and feels a certain sense of superiority. Where all this goes is very gripping--and I was caught by surprise many times. The film is full of interesting characters (especially Rahul Bose, who plays a VERY devoted servant who evolves throughout the film), an excellent script that is intelligently written and assumes the audience isn't stupid and wonderful locales. My only reservation is a small one--and some of the ending is a bit anti-climactic and certainly won't sit well with all the viewers. Still, it's a very good film and one well worth your time.

When DOP holds the directorial reigns one can expect a visual feast nothing short of excellence. And precisely that what you are in for "Before the Rains". Every scene seems to hand-picked and aesthetically delivered. Brillaince perhaps would be an understatement for the visual poetry.

The plot weaves a story of love, passion, friendship, loyalty and greed amidst the struggle for freedom from the British Raj neatly showcasing the customs and traditions of Gods own country, Kerala.

Santosh Sivan gets down to business straight away and while the visuals keeps the audience glued, the same cannot be said about the plot/ narrative which seems to give away. Perhaps screenplay needed further cementing.

Performances::

Ψ Rahul Bose:: Needs no intro, he is might in his own right. Manages to pull off the various layers of the role effectively. His character seems to be inspired from Karna in Mahabharata.

Ψ Nandita Das:: Her role was smaller than expected and needed more screen time to establish the character.

Ψ Linus:: He was good, though has immense scope to make a dent.

Ψ Jennifer:: Now literally stealing the thunder would be the apt idiom to compliment her performance and her character backs it up nicely.

Ψ The other stalwarts from Malayalam cinema were confined to character roles and perhaps minuscule.

This gentle yet dramatic story of an ill-fated love affair between a colonial Brit (Linus Roach) and his beautiful Indian servant (Nandita Dass) reminds me of films of another era, perhaps Michael Powell's masterful Black Narcissus, where the mystical allure of India is powerfully dramatized. This simple yet effective story of longing, love, and sensuality, corrupted by jealously and betrayal, equally offers the viewer a canvas of raw color, dripping textures, and curious mysteries concealed within light and shadow. Films don't look like this any more, it is vivid and alive, and often reminds me of David Lean or John Ford. If the modern film world is harsh and uncompromising, this film's world is subtle and timeless... like India. The cast is superb, and I love the quiet torment and emotions of Rahul Bose, the man-servant with big trouble on his hands, and difficult choices to be made. Go see it for a movie experience long absent at the multiplex. Don't wait for the DVD - you won't be disappointed!