Fire

In the contemporary India, Jatin (Jaaved Jaaferi) is a man in love with the Chinese Julie (Alice Poon), who does not want to get married and become a housewife, since she intends to move to Hong Kong and become an actress. Due to the pressure of his family asking for a baby, Jatin decides to get married with the virgin Sita (Nandita Das) in a arranged marriage. Sita moves to the house of Jatin's family, where live on the second floor the matriarch Biji (Kushal Rekhi), the servant Mundu (Ranjit Chowdhry) and the unfertile Radha (Shabana Azmi) and her husband Ashok (Kulbhushan Kharbanda). On the first floor, they run a small business of video rental and food. Ashok opted for the celibate, since in his opinion, sex would be only for procreation and never for lust or desire. Both women are neglected by their husbands, and their loneliness turns into a lesbian relationship. I do not know much about Indian society, but I found this movie a sensitive and delicate love story of two needy women, born and raised in a repressive and male society. The story is never vulgar or erotic, and it is very easy to understand their attraction. The beauty of Nandita Das is very impressive. The direction and the performance of the cast is outstanding. Another excellent example of the Indian cinema. My vote is eight.

Title (Brazil): 'Fogo e Desejo' ('Fire and Desire')

I was so pleased to discover this movie. The box here in America makes it sound like it is soft core porn with descriptions such as "erotic heat" and the like.

But I was moved by the relationship of these two women and how it reflected their place in society. I was so impressed by how Shabana Azmi (Radha) showed her character growing as she began to understand what she really needed in her life.

Also, early in the film I began to worry that maybe it would just be a movie about how younger women influence traditional families by bringing in new ideas, but the first time Radha and Sita make love, Sita (Nandita Das) seems innocent and unsure about what has happened (even though she initiates it.) I realize that as a character she is going through her own development that starts with a woman who is unsure of expressing her opinion to one who can give voice to what she thinks.

Also, how the family is portrayed seems real in that people do not just immediately change when presented with new ideas. What I mean is that in American movies, we have the tendency to have all the main characters "work things out" by the end of the movie. So when Radha's husband finds Radha and Sita together he doesn't just say he was wrong to ignore Radha and make it up to her. He struggles and falls just like real people do.

This was great work. Radha and Sita have a true romance and the world they occupy is believable and impressive.

P.S. Also a reviewer before me described several parts of the movie and said negative things about it, but couldn't have been watching it too closely since the reviewer confuses the names of all the principle characters. It is Radha that catches on fire not Sita, and Radha who is the elder wife.

Also, I disagree with the characterization that the movie portrays men as the bad guys. I feel it shows very human people. Even the eldest female character Biji turns a blind eye to the pain and feelings of her caregiver Radha. People (men and women) are not perfect and the mistakes made by Radha and Sita's husbands are real things that men actually do and think their wives should just go along with because they are the wives. Does that make them bad men? No. But it does make it a bad system, which I believe is the real foe in this film.

one of best movies ever...Fire...it is not much about sociological description of India today...it is the mind blowing use of light that never stops, never becomes...normal...even when...in this sense the movie is almost unique...both leads are of very good quality...the origin of Das as a street performer are pretty obvious...her performance is a superb "cammeo"...but the use of the light...I have look at it and looked at it, again and again...still mind blowing after ages...nothing torrid in the story...rather "pure" way of facing the subject...in a way it is sad that in the bizarre world we live today, a major art work is usually known as a gender film...Fire can stand face to face with Dryer's Jeanne D' Arc or Ichikawa's Biruma no Tategoto or some of the major Kurosawa movies, just to name "some". Wish my input could help a little this movie to its deserved way to fame.

Even if you normally don't watch these types of movies you will be glad you didn't miss this one! Gain a hockingly real look into the lives of these two woman as they face some of the toughest of life's obstacles. If you enjoy this film see also Water another film in this series.

Bold, controversial and taboo-breaking are among the many attention-grabbing words that have been used to describe 'Fire' and this has no doubt helped the film gain recognition. However, I feel that such adjectives undermine the true beauty of that is depicted in this picture. It deals with many themes such as feminism, affection, love and freedom and at the heart of the film lies the relationship between Seeta and Radha. The bond between them is portrayed with such innocence, tenderness, affection and sensibility that its beauty stands out. The growth in the two characters and the development of their relationship is splendid to watch. While the relationship is portrayed with sensuality, there is no titillation or overt skin exposure.

Due to the theme of homosexuality and the questioning of religion, 'Fire' was ridiculously banned in several countries. It is never specified whether Seeta or Radha were exclusively homosexual. They're never shown to not enjoy a sexual relationship with their respective male partners. Radha has made numerous attempts over the years to have that kind of intimacy with her celibate husband but he's the one who refuses while in Seeta's case, sex is a mechanical thing for her husband. What they Seeta and Radha find in each other is affection, love, desire and tenderness, something they yearned for but never had with their husbands.

Many have argued that Deepa Mehta deliberately uses shock value and portrays India as repressed in order to make her film appeal to the Western audience. I don't know whether that was her intention with 'Fire' but to me it felt like an honest movie and the problems portrayed in this film are still very much a reality in India. I would even go as far to say that this is among Mehta's best works. Her use of metaphors is brave and gives the film a poetic feel.

Mehta's films have often scored high in the technical department and 'Fire' is no different. Here the cinematography and A.R. Rahman's score particularly stand out. The music is mesmerizing. The art direction too is brilliant.

Luminous Nandita Das is terrific as the young, vivacious and energetic Seeta. Shabana Azmi is once again transcendent. Her nuanced, quiet and restrained performance easily touch on the heartstrings. Kulbhushan Kharbanda and Javed Jaffrey provide good support.

Forget all the labelling, controversial or not 'Fire' is worth seeing for the beauty it portrays when two people find love and freedom in each other.