Basada en una historia real, narra la competencia para escalar la roca más peligrosa de los Alpes. Ambientada en 1936, en tiempos de propaganda nazi, dos escaladores alemanes reacios comienz... Leer todoBasada en una historia real, narra la competencia para escalar la roca más peligrosa de los Alpes. Ambientada en 1936, en tiempos de propaganda nazi, dos escaladores alemanes reacios comienzan su atrevida ascensión.Basada en una historia real, narra la competencia para escalar la roca más peligrosa de los Alpes. Ambientada en 1936, en tiempos de propaganda nazi, dos escaladores alemanes reacios comienzan su atrevida ascensión.
- Dirección
- Guionistas
- Elenco
- Premios
- 4 premios ganados y 7 nominaciones en total
- Hans Schlunegger
- (as Hanspeter Müller-Drossaart)
Opiniones destacadas
Due to the Swedish distributor Atlantic Films commercial need to picture Nordwand (a.k.a North Face) as a WWII-movie the Blu-ray cover is covered in Nazi-symbols and references to Der Führer. I thankfully found very little of this in the movie. Instead the director choose to invest the first third of the movie into the characters which he did great. Then the story moved to the Eiger and the Nordwand.
Watching Andi and Toni climb in their 1936-gear is breathtaking. I was totally on the edge of my seat most of the time, and remember, I didn't know how the story would end. The experience was amazing and I really connected with the actors and their story.
It's now been 12 hours since I finished watching Nordwand and I have been thinking about it ever since. Nordwand is a heartwarming story unlike everything that could ever come out of Hollywood. It's up there with another German masterpiece; Das Boot. A perfect 10 and a Must See!
I think it was let down (not much) by the way the climbing theme was tied to the sub-plots. A third of the film has no mountains in it at all, which is fine, but as long as it was going to branch into another kind of film, I think I would have enjoyed more character development. The Nazi theme is brushed over as background politics, with little attempt to show disturbing things were brewing. We barely learn anything about the attitudes of the people involved in the film. I guess this may have been fear of distracting from the film's main theme, but which I think could have made the entire story and characters stronger if it were done well and believably.
Some details of these sub-plots also directly interfered with the main climbing theme, and maybe believability. eg. The love story (presumably tacked on for interest) included Luise shouting into a storm and amazingly being heard. I found this very difficult to believe -- I've been in what I thought were similar storms at high altitude (not dangling from a cliff), and had trouble screaming and being heard by people a couple of metres in front of me. Since leaving I've also read conflicting stories about the ending sequence, and although there would clearly have to be much creative licence for much of this under the circumstances, I now also wonder how much even confirmed facts have been changed to romanticise the story more.
All of this is small nitpicking, though. If you want to see some awesome cinematography it's a brilliant mountain film which makes it one of my favourite films. It's also not such a bad story if you're less pedantic than myself.
Well, this is one exhausting, harrowing, amazing experience on film. Even the actors, acting and not actually fighting for their lives, look like they've been through hell. The filming holds back nothing on the horror of being caught in a storm on the infamous North Face of the Eiger, in the Alps. These very talented, likable chaps (even though Germans just before WWII, yes), are up against it big time. And the movie makes the most of it.
It's a simple story, and a simple structure, contrasting the comfortable press corps down below with their fireplaces and wine, against the men on the cliff, night and day. A woman and a love story are a part of it as we go, but this is more a love/hate story of men against each other, against themselves, and against the mountain, weather systems included.
It's a relief to see a movie without heroes. There is a lot of heroism, for sure, and admirable human behavior up and down. But none of the throbbing music as one or the other of the men performs an impossible feat. This is about a real life and death confrontation, and breakdown, and impossibility. Well done, well done. High frustrating and nerve wracking to watch, but well done.
Solid performances all round.
¿Sabías que…?
- TriviaAs Luise Fellner and her boss, Herr Arau, arrive at the Eiger, the local guides are standing in front of the hotel advertising their services to the tourists. One of the guides notices a pair of climbers in the crowd. "Look who's coming," he says, "Bartolo Sandri and Mario Menti." A fellow guide mutters: "Another couple of fools. Come in a train and leave in a coffin." These two Italian climbers fell to their deaths from the north face June 21, 1938.
- ErroresAt the beginning of the film, when Luisa watches the news in the cinema theater, the voice-over gets the first-names of the alpinists who died on the Eiger wrong. It says Max Mehringer and Karl Sedlmayr, but it's the opposite: KARL Mehringer and MAX Sedlmayr. This may have been intended to show the unreliability of the report.
- Citas
[last lines]
Luise Fellner: [voiceover] All I know is that death spared me, and that Toni went away forever that day. One has lived if one has loved. There are times when I find this infinitely hard to believe. Most days I feel that I am alive. And that love is the reason for that.
Selecciones populares
- How long is North Face?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- North Face
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 711,421
- Fin de semana de estreno en EE. UU. y Canadá
- USD 23,050
- 31 ene 2010
- Total a nivel mundial
- USD 6,815,056
- Tiempo de ejecución
- 2h 6min(126 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1