Sasaeng gyeoldan

Both main actors deliver a great show here. The director tells us yet another cop-and-gangster drama, but thankfully he doesn't try to remake HARD BOILED korean style. Instead, he makes us laugh most of the time! The cop is dirty and crazy, his monologues are so funny, you wont stop laughing. All the flashback scenes are great, too. The style of the movie is kinda like SNATCH, sometime very hectic, but the camera did a great job - so did the musician. Groovy! Only the ending, damn, do korean movies always have to end so weird? All the movie is fun, until the end, then the movie changes its comedy style all of a sudden - not so good. But anyway, absolutely worth watching.

'Bloody Tie' is one of the most exhilarating action comedies from South Korea in 2006. The story revolves around a drug pusher and corrupt cop teaming up to bring down a powerful drug lord in Pusan. While the plot seems unoriginal, the film makes up for it with its unique and kinetic style, harking back to the old Hong Kong action flicks of the 80s. This is most evident in the title screen, a homage executed so perfectly that I was convinced this film could not have been made so recently.

One thing you'll notice within the first five minutes of watching this film is the crazy, borderline drug-induced cinematography. The camera-work is often frantic, with the cinematographer often utilizing hand-held photography and crash zooms with a touch of split screen now and then. On the flip side, the film also has some gorgeous shots of the port city of Pusan. This is especially evident in the movie's brilliant and very satisfying ending, one of my favorites of all time. Another thing that makes the ending so beautiful is the music. This film has such a fun soundtrack that oozes with coolness and puts you squarely in the time period.

The characters are also interesting enough to keep you engaged. Each are corrupt to the core and yet you can always find something sympathetic about them. Director Choi doesn't bother giving you a hero but instead brings you several anti-heroes who aren't very likable but they sure are cool. A lot of why this tactic works is due to the actors' great performances, in particular actress Ja-Hyeon Chu who actually manages to be the film's emotional core with only 20 minutes of screen time.

With such a refreshing visual style, hilarious black humor, and a dash of social commentary on the negative effects of the IMF financial crisis in South Korea, this stands as one of the best Korean films of 2006 and is well worth watching.

This is simply an excellent crime/drug movie with great acting and great cinematography. If you are an individual in the younger generation (teens, 20's, 30's) you will most probably enjoy this movie. You get a very stylish look into the life of the Pusan (second largest Korean city; also largest port in Korea) drug/crime underworld.

In fact, Busan is famous for it's gangsters, being the second largest city of Korea and also a mecca for import/export trading. It is also the closest point between Korea and Japan. After the war (WWII), a lot of Koreans and Japanese inter-migrated through this city, during a time when industrialism and yaks gangs developed tremendously.

Knowing this, you may get a better understanding of the scenery and setting of this awesome movie.

For me, this is not the most memorable of this period of the 2000s and for the Asian crime film industry. OK it is fast paced, maybe too much, and there are too much confusion with the characters. Anyway it is the Asian trademark: Honk Kong, Korea or Japan. It is bloody, brutal, sensitive but in such a way that it is mostly hard for western audiences to perfectly follow; only die hard buffs of this kind of Asian stuff can really appreciate. But at least it is not a comedy at all, despite what some users say.

Cleaving closely to the contours shaped by De Palma, Scorcese and Mann, "Bloody Tie" operates on a level rarely seen in Korean cinema. It transposes old-school Western ideals to the sinful port city of Busan and essentially becomes a hodgepodge of the gritty American crime potboilers replete with corruption in the ranks, perversely bankrupt codes of honour and lots of drug-fuelled thrusts into viciously muscular confrontations. Developing upon the similar tropes of buddy movies such as "48 Hrs." sans the forced male bonding, it pairs up two reprobates at opposite ends of the law who approach their line of work in the same, unconscionable way. Conducting itself with a bit of frantic, icily droll dick-swagger, the film still dares to stare deeper into the abyss than its thematic peers. Tunnelling under the shiny pastel surface of its pulsating city lights, a darkly poetic significance filters through the slithering hand-held camera-work, revealing the tenebrous tongue shared between its agents.