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Seo Do-cheol is a righteous cop with a great team and boss, entangled in the deceit of a mad rich businessman Jo Tae-oh. Tae-oh uses his power to buy everything and everyone which stand against him. Do-cheol rises against Tae-oh against all odds and the events are just magnificent how Do-cheol fervently takes everything on his hands to destroy the supremacy and menace of Tae-oh

Veteran is a classy action-comedy which perfectly takes the social milieu and delivers in a splendid manner. The screenplay is pretty consistent with all the layers of story unfolding at the right moments; it never breaks the momentum of the viewer. The characterization is almost near the realism as every actor lives the life of the characters.

Jeong-min Hwang is a natural actor and has already given some of the best performances in Korean Cinema. He impeccably embodies the character of an upright cop who is agile and stands for morals. Ah In Yoo astonishingly portrays the character of a wrathful and treacherous businessman and his madness on the screen will make you cringe. Hae-jin Yoo and Dal-su Oh are remarkable in the supporting characters, both complement the screenplay effortlessly. Rest is cast has done pure justice to the characters.

Veteran has a slick action which packs the right punches and martial are never goes over the top. The cinematography works splendidly in the action scenes which are well choreographed too with lot of gags.

Korean Movies are quintessentially awesome when it comes to crime-action-comedy. The blend of dark humor with stylish action is a genre shift which is a hard nut to crack. Korean movies have already mastered in the genre and also there are also lot invocations. Veteran is an epitome of the same genre

With a summer filled with less than mediocre domestic films busting blocks in box office we get a quality entertainment from director Ryu Seung-Wan. This is not an entirely original film but Ryu packs it with enough real life relevance and intrigue in the plot to keep the audience thoroughly entertained.

The plot which has the same structure as "The Public Enemy" series, very popular and also from Korea, follows a hardboiled cop trying to take down a psychotic rich kid after his acquaintance ends up in hospital. Both parties do what they do best. One follows leads and the other does whatever it takes cover it up.

As mentioned above, the film's action scenes and its general tone (comic reliefs, charismatic yet evil rich baddies) are very similar to Public Enemy series. However the story is more focused here with director Ryu's confidence in his own style.

The entire cast turns in solid performances but the standout is Ah In Yoo, making a real nasty playboy who can convincingly smirk and get under your skin. Also worth mentioning is Hae Jin Yoo who's presence in a film almost always indicate solid performances. He plays a man who needs to juggle around running the company and keeping the young maniac under control. In its final action sequence, fans of Korean cinema will chuckle at a familiar face making a goofy cameo.

So far Ryu hasn't made a single film that wasn't worth the admission price. Sure, his film can come off cheesy at times but they were never boring. Ryu's style can also compensate for not entirely original plots in films like "Veteran" and "Berlin Files". A great success in box office, this film will pretty much guarantee the director to make any film he wants to make next. Anything he makes, I'll be first in line.

Overall, pretty good. While not my favorite Korean action film, if you like the genre you will probably enjoy it. Overall story and tropes will be broadly familiar to anyone who watches much Korean crime/action.

My one criticism is that the antagonist is cartoonishly evil - a genuine sadist - and his sadism is demonstrated probably more than is necessary, and in more extreme ways than is necessary, for a film which is trying to be more comedic.

Other than that, some good casting/actors, many of whom will be familiar to fans of the genre, including a cameo by Ma Dong-seok, probably my favorite actor in the genre.

The first act of Veteran consists of utter shenanigans and plenty of nut shots, which might undermine its closer to reality dark story later on. When it introduces the rich mad antagonist it ramps up into one of the best cop dramas from Korea in recent times. The setup is smart, often looking eerily authentic yet still presents a couple of heavy themes with strikingly eccentric characters.

It opens up with simple case of car smuggling which feels as though it's usual Korean drama, while funny it doesn't possess the right gravitas. About half an hour comes the antagonist Tae Oh (Ah In Yoo) who practically turns the tone upside down. From then it's a mental and physical struggle that's utterly bloody and dark. This is quite the brutal chess game of cop versus criminal.

It's definitely a pleasant surprise, delivering harrowing scene of debauchery and corruption. The way the actors carry themselves bring just enough realism to the character, either it's from the daily life or interaction between colleagues or disproportionate respect to boss. The social and public culture is exaggerated, yet it's odd enough to be real. The director knows how to present the characters, both the flawed antagonist and seemingly suave antagonist, and make audience root or despise them.

Action is pretty good, it keeps the tone of actual brawl with real life martial art and has succeeded on portraying impact on its punches and kicks. The visual takes very direct ambiance and aside for a few distinct moments, it keeps the genuine atmosphere intact. If there's a hindrance in the movie, it's that the quirky comedy might not translate well. These types of gags are common for Korean shows, but they do tend to be excessive.

Using far end spectrum from both crime drama and action comedy, Veteran is a fervid and visceral cop thriller with dissonantly relatable social backdrop.

Veteran initially comes off as a typical, if still very good, action comedy in which we're introduced to Seo Do-cheol, a skilled detective who is in the process of busting up a car smuggling ring. In the first ten minutes we get both plenty of comedy and action as Do-cheol and his fellow officers show themselves as more grounded and relatable, despite Do-cheol's excellent martial arts skills. While we do get plenty of quick hitting action, we also get cops who get winded, criminals who run without shooting, and other foregone clichés that might exist otherwise. However, it isn't until we get to the meat of the story that we start to see the unconventional turns take place.

The story truly starts, about 30-40 minutes in, when Do-cheol meets Jo Tae-oh, a spoiled, rich, and sadistic executive at the powerful Sun- jin group. When Tae-oh becomes responsible for the near death of one of Do-cheol's friends. It sets in motion a cat and mouse game, with Do-cheol the unstoppable force and Tae-oh blocking him at every point. The film isn't especially action packed, though we do get a few moments of action here and there. Much of this is mixed between comedy and crime drama. What makes the comedy especially good is that it's not only somewhat unconventional for a crime drama of this sort, but that our characters are made relatable and realistic. Despite how they may be set up to be more than average, we're quickly reminded that they're still only human. The interactions are also wonderful, as we witness their personal connections and how they defy the clichéd character types. Do-cheol himself, played wonderfully and charismatically by the excellent Jeong-min Hwang, defies his first impression by having to navigate the legal system to catch Tae-oh in a way that is more about outsmarting his opponent than beating him up. He may act like a supercop, but as we see in the film, his more brutal actions come back to bite him. Tae-oh, played by an equally charming but far more sadistic Ah In Yoo, is a little more clichéd. He's a typically hated bad guy who has no problem embarrassing those around him, beating people up, and pushing his responsibilities onto others. Suffice to say, he plays a typical spoiled rich brat here. But it works. There's a scene early on which demonstrates this well, having a father get beaten in front of his son. He's a truly despicable.

The film is constantly entertaining all the way through and rarely lets up. We do get great scenes of drama and emotion, and the film does an excellent job of making Do-cheol likable, but it's at it's best when Do-cheol is navigating the roadblocks being placed in front of him and overcome his obstacles, which become increasingly more dangerous. When Do-cheol and Tae-oh finally confront each other, it will have been well worth it and the confrontation is something to be relished. This is a very well crafted film that balances all it's elements just right, never coming off as too melodramatic, and much of what works is owed to the excellent writing and acting by the two leads. Korea strikes gold again with this excellent film.