Las reglas de Georgia

As a victim of abuse my self, I can well understand the denial of the mother, especially if she was already a boozer. The grandmother, so well played by Jane Fonda, obviously felt the guilt from turning her own child into an alcoholic, who then allowed this abuse to go on under her roof. She became the typical non-defending parent.

The scene with Delmot Maroney (simon) in which he talks to her about the different kinds of love between an older man and a young woman (friend, parent) that differs from the abusive kind, rings quite true. Because, for people like us, it's hard to tell the difference as you emerge from your parental Hell.

You only know how to relate in a sexual manner with any man. It takes a lot of education and experience to learn to appreciate and enjoy the other kinds of love and affection. Until then, it all seems fake. Don't know what the reviewers had to say about this, but I appreciate Jane and Gary for actually tackling such a loaded subject.

Much deeper & heavier than it looks. It's definitely NOT a comedy! I don't know why they would classify this as a comedy. Besides the fact that this has very serious subject matter(s), it's not funny at all!

I won't lie--this was not the best movie I've ever seen, but it was pretty darn good. I didn't really expect much from Lohan but she actually blew me away. My one gripe about Lohan was her age portrayal. It was hard to believe she was seventeen with a smoker's rasp and second-skin jeans. Fonda on the other hand... not her best work, she was completely generic. Huffman's performance was humorous, although a little dark. Her alcoholism is pretty believable except the antibuse thing. The movie was amusing and the unexpected plot twist kept me stringing along for the duration of the movie trying to figure it all out, but not in a frustrating way. Overall I think this movie was far better than expected and totally enjoyable.

Lindsay Lohan presented a different character approach where she played an amatory teen raised in California and sent to live with her pious grandmother for the sake of her redemption. This movie not only enhances the struggles between drinking and growing up too fast, but it shows the love in a family. This movie would play mind games with you which would inspire you to love each character. Felicity Huffman, played Lindsay Lohan's distressed mother and slowly throughout the movie it is seen how closely alike they are. Georgia Rule was a new take on movies and if you are in for a new turn of adventure and occasional comedy kicks, Georgia Rule is it.

Audiences can rebel and demand money back for numerous reasons. Viewers certainly do not like being misled by a trailer.

Georgia Rule is a prime example of an ill-marketed flick. Truth be told, I don't know how anyone could market the film. Is Georgia Rule without merit? Absolutely not! Is it a quirky comedy peopled by foreigners from California mixing with the quirky locals? Yes. Is it a slapstick comedy with clever comebacks? Yes. WHAT'S THE PROBLEM??? Quirky and clever comprise at the most 15 minutes of the film. Here is a serious drama about a family disintegrating because of communication problems and damaging behavior. Slowly the onion peels before the unsuspecting town (and the audience too). Long hidden problems drive squirm-inducing behavior on the part of the three female protagonists. The supporting cast, whether villains or heroes, perform wonders with roles better fleshed out than expected. The photography immerses watchers into small-town Idaho and its natural beauty. The score is unobtrusive - good. Now to the big stuff: · this script by Mark Andrus is another of his studies in deception, distrust, sex and revenge. None of these subjects is softened - the full impact of behaviors is up front and in-your-face but the characters seem real - these are not clichés. · I did not expect such a weighty film from Garry Marshall. He doesn't shy away from the material. He trusts his leads to get the job done. · And they deliver. Felicity Huffman walks a line as deftly as a tightrope walker. Her pain and confusion are very visible without being melodramatic or overwrought. Jane Fonda has a more difficult role - her Georgia barely reveals anything. Her every fiber tenses with control - you can almost hear her jaw clenching as she watches her daughter and granddaughter with disbelief. The surprise for me was Lindsay Lohan. A wise viewer would do well to set aside all the stories about her behavior during the making of this movie: what she delivered was simply amazing. Her character, Rachel, wears her demons on what few clothes surround her body. Miss Lohan's facial expressions veer wildly from vulnerability to defiance to dismay to anger and everything in between. The three ladies who carry Georgia Rule may fight it out come Oscar time. As for the film, I can't recommend it if only because of the subject matter.