Until Death

Van Damme hits form again, big time! Until Death is a dark, dirty, damn nasty and repugnant film, but in a good way. In a Get Carter, Death Wish, Marathon Man kinda way. It's a 70's style thriller with all the grimy darkness, pessimism and degeneracy of so many great flicks of that time. Sure Wake Of Death had that feel, but somewhere along the way with director Phillipe Martinez's unsure hand, it attempted artiness, and relied far too heavily on the editing room, while also playing and drawing out needless scenes. Until Death is honed, grounded and above all consistent. All those who doubted Simon Fellow's because of his previous two films, should note that both were filmed in Romania and that the notoriously iffy company Castel were responsible. Here however, under the guidance of Moshe Diamont, Fellows is given more freedom to express himself, and he keeps things simple, grounded, allowing scenes to play out. He's far more sure of what he wants here, and delivers. He adds in a few touches that feel experimental, and a bit dangerous, and that only adds to the 70's vibe. A 70's vibe does not a good movie make, but it's a welcome part of an overall good movie.

Now in my honest opinion, I found this to be Van Damme's best film overall, period! At the same time it's hard to even call this a Van Damme movie. It's like a lost movie from Bronson or Eastwood, circa 70's. It's like Siegal and Peckinpah joined forces and took on the reckless abandon and excessiveness of Michael Winner. Those who want the new Bloodsport will not take this to their hearts as Van Damme's pinnacle, but still, they should enjoy Van Damme in a film with genuine atmosphere, in a role he stamps real authority on. Van Damme, minus the flashy kicks, plays a walking turd! He's a degenerate drug addled morally abstruse cop, and a borderline maniac. Van Damme has a role split into two halves if you like, pre-coma, post-coma. Pre coma is the dirty cop Stowe who's lost all regard for the people close to him, and his co-workers. He lives only for himself, and only to bring down ex-partner Callaghan (Rea). He'd sell his own mother to get the collar. Van Damme gives his best performance. He's really playing an unlikeable character whose judgement has become clouded. He thinks he's doing right, trying to do right, but loses track of the right and wrong ways to get what he wants. Van Damme is just a mean, badass machine in the first half of the film, not a man to be crossed at all. When Stowe wakes from his coma, having been left for dead by Callaghan, he wants to turn his life around, while he has to fully recover from his injuries. Here Van Damme is equally good. The film is a real departure for him. He really immerses himself in the role and vanity is so far from his mind here. Van Damme looks outta shape (and should do), and early on is really made to look dishevelled. Elsewhere Stephen Rea kind of flitters in and out in an extended cameo, but he gets to really chew scenery in a great scene at the end, when he and Stowe come face to face for the first time since Stowe's resurrection. Rea is simply picking up his paycheque, but he gets the one scene to let loose and deliver, and he leaves a lasting impression. Selina Giles as Stowe's wife enters the film with a bang! It's not a good one either, cause she's not delivering a good performance. However no sooner than Van Damme gets shot in the head, she begins delivering a fine performance. It's quite strange in that respect. There's also decent support from Adam Leese and Gary Beadle.

The action is short and swift. It's supposed to hit hard, and hit fast. They're simple scenes but they pack a punch, in a way that The Hard Corps and Second In Command were lacking. Ditto Wake Of Death, while supremely violent was a letdown in the action. Here though it's all about the violence. It's efficiently choreographed and edited and it has impact. When people die, you know they're dead. Those eagerly awaiting plenty of hand-to hand will be disappointed it, there's only a few quick little flourishes, but for this film Van Damme is far better armed with a shotgun than unleashing his kicks. The action isn't meant to be over the top, drawn out and excessive. It's about the forceful violence dished out. To see what I mean simply check the end action sequence in Straw Dogs.

Simon Fellows does well here as I mentioned, and he keeps the film ticking over nicely. Doug Milsome's cinematography is the best in a Van Damme movie for a while now. It looks great, and really keeps that dank 70's vibe going. There's also great sound design and Matthew Booth does a good job piecing everything together in the editing suite. A real standout though is the score from Mark Sayfritz, a blend of orchestra and synth effortlessly combining. Occasionally there's a real Massive Attack vibe in the music. It's arguably the best score in a Van Damme film, and Sayfritz will be a welcome returnee for Van Damme's next film, The Shepard. All in all, those who like a good gritty action thriller with some vicious violence, need look no further than Until Death. Those who saw Wake Of Death as a turning point were seeing a false dawn, cause this is Van Damme's career defining moment. It proves he's now an actor, and that WOD wasn't a flash in the pan. This is the best DTV film I've seen, and as those who know my love of Lundgren's Mechanik, will realise that means a lot. ****

To his credit, Van Damme made this film really good! And it wasn't his acrobatically motivated martial arts. There was more drama than action and he was pretty darn decent. I don't like spoilers, so..

The movie starts a little slow but the storyline picks up and the plight of Van Damme's character is apparent. It's him against the world that kicked him to the dirt and people want to step all over him. His character is submissive and weak but yet, still has the inner strength to do the right thing in the end.

Again, I was pleasantly surprised with Van Damme's acting and character in this film, not the typical Van Damme action movie, this one has heart, character and a good story. 7 out of 10 for me.

Yes, I watch dumb movies, sometimes finding intelligent ones. This happens even in porn, though the slog through is rough going.

Violent movies are porn, pure and simple. Segal, Van Damme, Conner, are simply action toys for three and four year old boys and viewers who wish they were. But this is a bit different. No, it blazes no new ground; in fact the notion of a late in life "coming of age" film with little violence has been well plowed. But its something rather important to see someone who we know is actually dumb and violent singularly shift his career path and do one.

The story is simple: broken man, broken heart. Very, very bad guys out there that he is singlehandedly battling, over the obstructive but typical black chief. (Is there a more prevalent film type than the honest, caring but tough black police boss?) He nearly dies, then revives, and settles the score. But instead of the simple "good guy is stronger so beats the bad guy's butt," we have a similar dynamic but with presumed growth. That seldom happens. The folding of battling with marriage and battling (the bad parts of) society is clear.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

In New Orleans, the abusive narcotic detective Anthony Stowe (Jean-Claude Van Damme) is a dirty cop, addicted in heroin and booze, hated by his colleagues and divorcing from his wife Valerie (Selina Giles). While trying to arrest his former partner and drug lord Gabriel Callaghan (Stephen Rea), the mission fails, two undercover officers are killed and the drug, the money and the monitoring tapes vanish. Later, Tony is shot by a criminal in the head and miraculously does not die. After months in coma, he wakes up trying to fix the errors of his past life.

After many bad movies, Jean Claude Van-Damme finally makes a very good film. His character is very well developed in a story that uses clichés, but is also interesting, full of action and without a final redemption with a happy end. When the viewer sees this movie, wait for the credits because there is an important footage of the missing surveillance tapes, disclosing what happened in the house and how the officers were killed. I hope this movie be a milestone and a second chance in the career of Van Damme, and like his character and Phoenix, he raises from the ashes to please his fans. My vote is seven.

Title (Brazil): "Até a Morte" ("Until the Death")

The picture packs noisy action , shoot-outs , twisted intrigues and characterization enough . It's exciting and tense , at time lackluster action film , but the violent confrontations, struggles , gun-play are well done in this routine actioner , being better than Jean-Claude flicks . The story is plenty of firepower , action packed , fights though is added an interesting suspense with attractive roles . Anthony Stowe (Jean-Claude Van Damme) is a dirty cop, he's separated his pregnant wife Valerie Stowe (Selina Giles) and fighting to capture his ex-partner. His ex-colleague named Gabriel Callaghan (Stephen Rea) is working to become the new leader of the gangsters in local organized crime in Nueva Orleans and he will stop at nothing to get his purports and at whatever cost. Callaghan sends his henchmen after Anthony, who's shot in the head and comes very close to death, falling into a coma. Months later, he wakes up wanting to put things alright and becoming a better person, and better husband , while taking on the nasty goons . It's not the plan, it's the execution !. They put him in a coma, now he's going to put them out of their misery !. Vengeance Is His !.

This movie direct to video packs violent action , suspense , shoot-outs , and struggles , resulting to be quite entertaining. The main issue of the film is Van Damme himself , a very interesting role playing as a dirty cop who is hooked on heroin , and everyone dislikes him; because of a deadly set-up he is put into a coma, and comes out of it a better person , equally he awakens from the coma with the idea of finishing off his former partner . Suffering Van Damme plays finely a sad and affected cop called Anthony Stowe, a narcotics lieutenant addicted to heroin, he has a bad attitude, and everyone hates him, including his soon-to-be-ex wife, but later he changes the mind . Jean Claude Van Damme is stunning as action hero become a good man in this middling budget film . Long time ago he played big budget movies (Time cop, Universal soldier, Double team , Hard target) , he nowadays makes low budget and directly to video (Derailed, Wake of death, In hell) like in his first films (Black eagle, Cyborg , Bloodsport). Being accompanied by a nice cast , such as : Stephen Rea, William Ash , Mark Dymond , Adam Leese ,Stephen Lord ,Wes Robinson, Alana Maria , Fiona O'Shaughnessy, among others.

Financed in medium budget by the prolific producers Avi Lerner , Danny lerner , Boaz Davidson , Illana Diamant , Moshe Diamant, Danny Dimbort , Trevor Short who have produced other vehicles for two-fisted and violent heroes , such as : Steven Seagal , Chuck Norris , Jason Statham and Silvester Stallone himself . The film was well photographed by Douglas Milsone (Dungeons and dragons, Sunchaser, Body of evidence) in natural scenarios of Nueva Orleans , Louisiana, US and Sofia , Bulgaria . The movie is pointlessly energetic , occasionally intense and enjoyable enough and that's why it will appeal to real devotee Van Damme . The motion picture was professionally directed by Simon Fellows who made a Wesley Snipes vehicle (7 seconds) and he recently shot this ¨Until death¨and ¨Second in Command¨ again with Jean Claude Van Damme . The film will appeal to action genre enthusiasts . It is a decent film but only for the true devotee of the main actor . It's a must see for Van Damme fans . Rating : 6/10. Acceptable and passable.