Itty Bitty Titty Committee

A bunch of gay-for-pay women and one honorary woman with a penis portray the authentic experience of hot lesbians as written and directed by a man.

It courageously challenges the opinions that Hollywood imagines exist outside of Hollywood, burning strawmen and tilting at windmills in precisely the way that Hollywood describes and schooling and owning people outside of their bubble that they'll never, ever meet.

That's the sum total of the plot and characters. To be fair, it's not badly made, acted or directed for a low budget indie, it's just selling a trite fantasy to infantalised performative outsiders who would have described themselves as lesbians in 2007, and chaos-bisexuals in CURRENT_YEAR, assuming that they've never grown up.

There's really very little to recommend it, except the 10* reviews from its cast and crew.

I was waiting the whole film for someone to put these annoying teens in their place or for them to realize how cringey they are, but no. What did the poor mother and sister do to deserve such behaviour? The point that the movie was trying to make was that it´s ok to be rude to someone just because you don´t agree with them?? The poor woman who came in for a consultation to have her breasts enlarged - I honestly expected her to be a breast cancer survivor and for the protagonist to be ashamed at how she treated her, but no. This movie is why I cannot stand behind modern feminism or LGBT activism.

As far as the movie itself goes, the music is annoying, the shots of them being crazy are too jumpy and hard to follow and characters are just not consistant.

I rarely get this upset after watching a movie. It´s very bad.

Rarely have the ideas of social rebellion, political anarchism, and radical feminism reached such an uninspired status. Itty Bitty Titty Committee seems like a gay film for the self-conscious or the quiet homosexuals; a film that they can watch and release their inner-self, yelling at the screen and even going as far as personally siding with the character(s). However, due to its thin and uncertain nature, this film doesn't appear to have much of a thought as to what direction it wants to go in. Political commentary? Humanizing the feminists in general or the characters in the film? The idea of exercising the right of an opinion in a country that fears unpopular ones? These are all discarded while the film attempts to make up its mind.

The story concerns Anna (Melonie Diaz), a young woman working at a plastic surgery clinic and has just gone through a rough breakup. She is inhabiting a life of utter dullness, slogging through numerous patient appointments, and obtaining stress from her sister, whose wedding is right around the corner. When she meets Sadie (Nicole Vicius), a social activist responsible for the "C(i)A" (aka, "Clits in Action," if you couldn't make out the little text reference. The C(i)A works in giving the impressionable public a taste of the strength that women possess, yet are forced to repress in a male-dominated culture. They reject marriage, both gay and straight, defile public landmarks, and stage protests with strong, incorruptible messages feeding on power and deviance. Anna soon becomes consumed in this lifestyle, and her morals and ethics become flipped upside down as her obedient nature is turned into a smarmy, non-conformist personality-change that feeds on ego and narcissistic intentions.

There's nothing more disappointing than a film with an idea that results in a missed opportunity, and Itty Bitty Titty Committee is a grand one. Its idea could instantly brew a fiery sociological debate among pro-feminist and anti-feminist activists based on the content and issues it shows to its audience. Unfortunately, it gives us dull, archetypal anarchists whose motivations seem to not be because of global needs, but shallow personal ones. Our lead characters, mainly Sadie, seem less concerned with how others feel and more concerned about their well-being and personal needs.

Even the monologues delivered by the members of the C(i)A leave a lot to be desired. When we're dropped into a world foreign to our "normal" one in films, we'd like to be provided with a little backstory into the setting, time period, and philosophy of the characters. Consider Red State, Kevin Smith's film that focused on a devoutly religious family that committed atrocities against gays and non-believers. The leading male, Michael Parks, was given a roughly ten minute monologue expressing the motivations of his church in a shivering and unblinking shot. The dialog given to the audience here is disjointed, largely unmemorable, and those unaware of feminist goals or common tactics will not learn very much about them other than they are self-righteous, outcasts in society, and very concerned about how many site visits they'll receive. And they have a talent for swaying Anna with their tactics in only what seems to be a few days.

On the bright side of things, director Jamie Babbit (of But I'm a Cheerleader fame) continues to show promise in her career as a director, as do several of the actresses here, and the soundtrack and cinematography were the two primary things keeping me alert and in-tune with the film. Yet the lack of an introduction on feminism itself, the repetitive state of events, the senseless and absurd ending, and the emptiness of any deeper meaning, Itty Bitty Titty Committee quickly spirals down to the level of forgettable obscurity I'm almost certain it was trying to avoid.

Starring: Melonie Diaz, Nicole Vicius, and Melanie Mayron. Directed by: Jamie Babbit.

I could really like a movie like this, if the characters and their attitudes weren't so utterly unlikable! The nicest person in the film is probably the receptionist the lead character works with- and she ends up being thoroughly disrespected and walked all over by the rude lead character that viewers are meant to root for. I'm sorry, but no! And anyone who would want to be friends with that grouchy gang she aligned herself with is a real problem-child, for sure. It's like if they didn't have something to be mad about all the time, they would lose their reason for living! They just looked for things to fight about!

Good music, bad movie (and the way this film showcases such a butchered and obscene version of Joan Jett's "Bad Reputation" is bad taste at its finest)! There were elements I enjoyed about it, but overall- supreme YUCK!

I saw the Itty Bitty Titty Committee at a screening and was quite surprised. Even though I - as a man, may be not the main target group, I really liked the movie. Director Jamie Babbit makes some very interesting stylistic choices and the camera work is really innovative; that was one reason why I really had fun watching the movie. Besides this the story is very well developed, it as a nice exposition, and before you even notice you are already a part of Anna's (the protagonist) life and in the middle of the IBTC. The actresses do a really great job, Melonie Diaz is already established in the independent movie scene and the Itty Bitty Titty Committee shows why - she has found a very sensitive way of interpreting Anna's part and it is amazing watching her playing this girl. Also to mention are several well-known faces who are also part of the IBTC as Daniela Sea (The L Word) or Carly Pope (Popular). Moreover I was really impressed of the editing that goes along with great music, that completely hits the atmosphere of the movie. So to bring this to an end: As a (independent) film lover I was happy to see the Itty Bitty Titty Committee and can only recommend it to everyone who is interested in good movies. And of course, seeing beautiful women making out is always a reason to see a movie ;-)