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Oh, Brendan Fraser. How does one actor make so many movies that almost work but don't? He's been in a few brilliant films, a few god-awful ones, but the majority of them fall into an ever-widening pool of narrow misses.

"Inkheart" is another one of those. It's frustratingly close. You want to go up to the screen and nudge it a bit so it crosses the line. It's a fantasy-- a genre where logic is only slightly required. If this story had made a wee bit more sense, it would've hit the fantasy-acceptable mark. If the dialogue had more crackle and the characters had more contrast, it would've worked. It looks beautiful. The effects are good. There are clever moments. It's well cast with actors known to be entertaining and who are spot-on for their parts. It could've been a lovely, enjoyable family film if it had been given any amount of extra thought.

The movie tells the story of a man who finds out too late that when he reads aloud, it brings parts of the books he reads into the real world while it randomly sends real people into the book being read. When he reads the little-known children's book "Inkheart" to his wife, menacing charters fall out and his wife disappears. To have any chance of getting her back, he must have a copy of the rare book, so he packs up his young daughter and they spend years going from old bookstore to old bookstore rummaging through stacks of neglected volumes but not finding the one book he needs.

Fraser's bookbinder Mo is a likable good guy, the sort of character that's become Fraser's mainstay. Mo is a loving dad who's frightened by his unwanted ability and whose only quest is to read his wife home. It's a sweet, solid performance as Fraser plays straight man to some class-A scene-stealers. They are:

Helen Mirren-- no explanation required. She doesn't work at upstaging anyone, it just happens. Here she's the wealthy aunt of Mo's missing wife. Despite her flamboyant style, she has hermitted herself away with the collection of books she treasures, preferring to read adventures, not live them.

Jim Broadbent-- no explanation required here, either. He has one of those faces. He has one of those voices. He plays "Inkheart's" author and it's entertaining to see how much glee he gets from meeting the characters he created, even the horrible ones.

Paul Bettany-- He can't not be noticed. He's an actor who has an edgy energy about him--sort of like a younger Peter O'Toole. Twice his supporting characters have diverted attention from Russell Crowe-- as the lively college roommate in "A Beautiful Mind" and as the ship's doctor and naturalist in "Master and Commander: The Far Side of the World." Except for looking at Heath Ledger, the only joy to be had in the mess that is "A Knight's Tale" is Bettany's Chaucer. He stole the movie, or at least as much of it as he wanted. In "Inkheart" his juggler Dustfinger is referred to as scary, but he's more scoundrel than villain as he attempts to right the wrong that's been done to him.

Rafi Gavron-- As a teen thief who is thankfully of no consequence to the plot of "Ali Baba and the Forty Thieves," he's adorable and adds a welcome lightness to his scenes. He's the future of scene stealing, earning some preliminary chops here among the pros.

Needless to say, when these actors are on screen together in any combination, you don't know where to look. It's mind-bending to try to understand how anyone could make a marginal movie with this cast.

In addition to the above, Eliza Bennett plays daughter Meggie. It's not a role that requires a lot, but she does a good job of not overplaying what could have been a whiny part. Poor Andy Serkis is stuck playing the same ego-maniacally evil villain we've seen over and over. There's no imagination to his character or to his cliché band of goons. They're not even a particularly scary lot, and the lack of anyone or anything truly frightening contributes largely to making the story tepid.

"Inkheart" has a fun, unofficial running game, a sort of "Name that Tune" where you try to recognize classic children's literature based on a character or a telltale prop. Watch it with your kids, and if they can't tell you what comes from where, move away from the TV and read them a book.

I must say that I am always pleasantly surprised to watch a film without expectations, or the tiniest shred of knowledge, and be completely immersed in its world. With the new fantasy adventure film Inkheart, I experienced just that. Iain Softley's cinematic adaptation of the best-selling novel by Cornelia Funke is a fun and endearing trip. I liken the story to the Neverending Story only inverted. Rather than a boy reading a book and transporting himself into it, the characters here read the book and bring both the protagonists and antagonists to them. There is of course one caveat, for whatever comes through to Earth, something must go into the book to replace it. Said replacement being our lead's wife shows that there will be a fight for her return and the banishment of those brought over, back to the written word.

A very short prologue-type moment helps orient the audience with the magic that Inkheart brings. We learn that Brendan Fraser's Mortimer Folchart is a "Silvertongue", or person who reads the written word and brings it to reality. Unknown to him until he starts reading a story to his daughter, (my one gripe is that he never found out earlier … with the horrible things he lets in later, you'd have to think something more than Red Riding Hood's cape would have come through in his past), the danger of his power isn't felt completely until two villains and a street performer from this obscure novel arrive, sending his wife Resa, (Sienna Guillory in a role I wish would have let us see more of her), into the abyss, trapped. The real story at hand begins nine years after with Folchart and his daughter who doesn't know about that past event and just believes her mother left them. Supposedly taught in boarding schools on the go—why else would she have that accent—young Meggie, played by Eliza Bennett, is an intelligent girl who follows her book repairing father as he searches for a copy of the tale that took his love away. It takes many years, but finally the copy is found; yet with it comes the rediscovery of them by that trapped street performer, Dustfinger, and the realization that Capricorn, the book's main villain, wants Folchart captured to find him power and wealth by reading aloud.

What I really enjoyed about the film is that the retrieval of Resa is not the only thing it has going for it. Sure Folchart's motivations are for that alone, but you also have the needs of those people that replaced her. Dustfinger, the ever-brilliant Paul Bettany who owns each and every scene he has here, is just a corrupted man by necessity, not a true villain, only wanting to get back to the family he left behind. This role is the most fleshed out and tragic, trying desperately to get away from the reputation that precedes him from those who've read the story yet unable to break free from the selfish coward he was written as. However, nine years on Earth has changed him; his love and need for his wife has made him into something more than a thief who wields fire and as he says to the author of Inkheart, a fun Jim Broadbent, he controls his own fate. Just the fact that he is out of the book proves that the words written are not the only truth; he can overcome whatever end awaits him on the closing pages of the novel.

But he isn't the only side character needing something. The other is Capricorn, a vile man looking to take over Earth as his own. Brought to life by Andy Serkis, the role exudes slime and nefarious doings, showing the talent of this actor most known for playing computer generated characters in Peter Jackson epics. Capricorn is a villain to the end and his flip remarks and lack of compassion make for some laughs as well as a worthy opponent to Fraser's manly man hero as he is a professional now at playing. Fraser is probably the weakest link of the film, but he does the part well and holds together those around him as the common connecting factor.

Actually, everything really does end up being pretty well done across the board. It's a fun story that may be predictable, but the characters like Dustfinger are so well formed that you find yourself needing to see how their arcs end up. Even the special effects are pretty to look at, from the wispy clouds as fictional people come to our world to the smoke monster Shadow that arrives later on. And I loved seeing some of literature's best "creatures" in the flesh, held captive at Capricorn's castle. Really, besides some shoddy bluescreen work of Helen Mirren on a unicorn, there is very little to fault in those terms. Heck, the movie even had a fantastic little inside joke for cinema/Hollywood fans with a glimpse at Dustfinger's wife left alone back home. Maybe I shouldn't have laughed when her face appeared on screen, but it was a cute surprise.

So, whether the film stays true to the novel, I can't say. All I can relate to filmgoers is that as a fan of family-friendly fantasy films, Inkheart certainly surprised me with its likability and warmth. Maybe not as successful as the classics, Princess Bride, or even 2007's Stardust, Softley still delivers one worth a look. And while Bettany and Serkis may steal the show, deservingly so, it's always nice to watch Brendan Fraser in a part that doesn't scream paycheck. It appears to be too few and far between lately, so I do sincerely hope this one becomes a success at the box office.

'Inkheart' initially gave me the impression of being just another fantasy film. However, once the premise is presented, it becomes interesting. The concept is intriguing but the plot is repetitive. Although it's not done to the point of ruining the movie, had the pacing been well maintained, this would have had potential of being a wonderful film experience. Much of the script and its execution is quite generic. The story is also lacking in depth due to convenient plot-conclusions and there are plot holes. The ending is rushed. Many of the characters and plot turns are poorly developed. For example, I would have liked to know what had actually happened to Resa and how she had ended up there. The special effects and cinematography are passable but I enjoyed the vibrant colours. The acting is pretty good overall. Brendan Fraser and Paul Bettany are good enough. Eliza Bennett is impressive. Sienna Guillory is very effective in a small role. Andy Serkis is fairly adequate. Helen Mirren and Jim Broadbent provide brilliant comic relief. Even though the film hasn't reached its potential, given the novel and intriguing concept, it manages to still be a decent entertainer for the entire family.

I only watched this movie because the trailer looked new and the idea was an interesting one. I liked the movie but throughout the first half, you get the feeling that there is something big coming up and you just can't wait till it does. The ending was quite satisfactory considering what happens.

The actors were all well chosen for the roles they portray. The bad guys led by the evil Capricorn fulfill their role as a motley crew. There is a hidden humor amongst them which does not bore. The CGI animations were very well done especially the magical creatures and alike.

Overall, I would say that if you like Stardust, you will enjoy this one. Although, Stardust is still better in my opinion.

I give it 6 only because the first half drags on a bit long and takes sometime to move onto the real story.

Mo (Brendan Fraser) is good father, happily married who has a special talent to bring personages out of books. But his wife named Resa(Sienna Guillory)has disappeared. One night he brings out various characters named Capricorn and Basta from Inkheart , a book written by Fenoglio (Jim Broadbent) whose story is set in Middle Age and plenty of magical beings. As there suddenly appears Capricorn (Andy Serkis) and Basta (Jamie Foreman), two nasties, and Dustfinger (Paul Bettany), a fire-eater. Now, 10 years later Meggie (Eliza Bennett) discovers the truth and she also has supernatural powers . Meggie along with his father and grandmother confront several fantastic adventures, dangers and risks.

This exciting motion picture displays derring-do adventure, romance ,fairy tale ,and spectacular frames with phenomenal production design. The flick gets lots of bombastic special effects including supernatural apparitions, wizards ,legendary heroes and numerous images have you on the edge of your seat. As appears the heroes of tales as ¨1.001 nights¨, ¨the minotaur¨, ¨Rapunzel¨ and several others. Riveting set pieces illuminate the full-blown adventures blending witchcraft, fairies, necromancy and turns out to be extremely amusing. Stimulating adventures of ours protagonists are complemented by a breathtaking final attraction in the castle scenes with incredible appearance of an overwhelming ominous shadow. Casting is frankly extraordinary, Brendan Fraser as impetuous hero, Andy Serkis plays magnificently a shamelessly villain and Helen Mirren as likable grandmother, and brief appearance of Jennifer Connelly as Roxanne, among others. Ideal main cast is completed by phenomenal secondary actors as US as British players. The movie packs a sensational production design by John Beard , accompanied by a glamorous cinematography by Roger Pratt filmed on location, in Italian Riviera, Liguria and Shepperton Studios, Surrey, England, including a mesmerizing photography with wonderful , marvelous landscapes . Emotive soundtrack appropriately adequate to fantasy by Javier Navarrete. The picture is brilliantly directed by Ian Softley. He's a good writer, producer and director,who achieved big time with ¨The skeleton key¨, ¨K-Pax¨, ¨Backbeat¨ and Hackers¨. Rating: Better than average. Essential and indispensable watching for fantastic cinema lovers.