Agosto

Screened this at the Sundance 2008 Festival. This movie actually caught me by surprise, it was very hip and surprisingly Josh Hartnett really brought it. The movie has a modern "Wall Street" type vibe, the story follows Tom (Hartnett) who is a super confident .com entrepreneur who is in crisis mode during the downward spiral of the .com stock bust just before September 2001. Hartnet nails this role with high energy output and makes this a very watchable flick. Austin Chick the director is obviously very talented and throws just the right amount of style and cool music into the film to keep it slick and contemporary which should broaden its appeal past just the Gen-X group. The one downside is that the film gives the other characters so little room to make their presence felt, especially David Bowies character who gets only a few minutes of face time. Other then that the movie really has a nice pace and the ending worked very well when you consider all the superficial things that Americans thought they cared about until Sept 2001, and then realized there are somethings much more important then money and stature.

Film should get some nice play on the indie circuit, though indie folks probably will be hard swayed to pay over for a Hartnett movie. I would reckon that Josh Hartnett will win over some who doubted him with this performance and maybe even get a little award type talk. I know its hard for me to believe either :)

This movie has some problems but overall captures the moment better than any other movie i've seen...better than the over-rated Wall Street or Boiler Room and ten times better than margin call.

The sub-story w the family didn't work at all and shd have been cut. the whole brother thing was stupid.

The final scene (set in the real-life Pussy Cat Lounge. 96 Greenwich St., New York, NY, 10011) is a work of genius...as the movie closes the news coverage of the plane crash of the almost-star Aaliyah comes on the bar's TV, and this sets the time, the few days before the Sept 11, 2001 terrorist attack on the WTC and Pentagon.

The movie doesn't even mention the terrorist attacks, so the audience has to remember themselves the time for this to be effective...but if they remember it just kills.

btw, my old girlfriend workd on Aliyah's make-up the month before her death and dremt about her returning to her for make-up after her crash...this was spooky as hell.

Josh Harnett's portrayal of Tom, a super confident ballsy CEO of an internet start-up who sees it all go wonky is much better than expected.

The film scores even more points for avoiding simple messages and instead turns a captivating tale of an internet start-up bankrolled to the hilt who finds its IPO is going south fast into something richer, a true character study.

The relationships, family, work, ex-girlfriend are all handled with a nice touch of real human values, the conversations (mostly) ring true.

And yes, Bowie is great, if rather brief.

All in all, a real surprise, beautifully shot, and well-crafted, and who knew, Josh Harnett can deliver complex characters...

Recommended

I like this film, takes the viewer into a strange world that had really existed Perhaps I'm too much of an insider to judge this film from a purely objective orientation, but as a quasi refugee of sorts from the dot com frenzy days, "August" does connect on multiple levels.

Sadly, I've met more than my share of "Tom" characters in real life, and for the most part, that entire world has faded away into obscurity. It was a strange time, when the real world seemed evermore like an episode of the Twilight Zone.

Though there might have been some minor glitches in the film, I think overall it captured the essence of that period and its odd collection of characters surprisingly well.

If there is any one film that is a portal into that culture and time, and does so in an entertaining but reasonably accurate way, this would be that film. It certainly deserves notice and the time it takes to watch, which is a lot more than can be said for some other attempts at this genre'.

August is a very finite and pointed film. It's a low-flying indie sleeper that has its points to make and it makes them quite effectively. Above all it really manages to nail a small moment in time, that of the dot-com implosion.

I, along with many others I'm sure, was part of a dot com start-up similar in some respects to Landshark. It was very common in those days of over-hyped speculation to bet tons of VC generated start-up capital on IDEAS that looked promising, when in reality much needed to happen before they could be realized. This didn't hold true for all start-ups, but a fair majority.

It's very easy to get caught up in the delusion that you're a "real" company when your stock is shooting up the charts and quite a glass of ice water to the face to realize all that speculated valuation can disappear overnight, which it did slowly over the course of late 2000 and 2001...it was never really there to begin with.

August grabs that bursting bubble in a number of effective ways. As the film progresses, it becomes apparent that for all of Tom's boasting and bluster, he's nothing more than a hyped-up spin doctor. Watching this revelation sink his ego is entertaining if not more than a bit sad. Hartnett does an adequate job with the role.

The most true-to-life scene for me was the mass of staffers flocking around F**kedCompany.com, which was a popular barometer for the sink-age rate of companies about to go belly-up, instead of lounging at their Ikea desks playing solitaire...they're not lazy, they just have nothing to do...no customers, no product.

As a film, this is a tough one to sell to an audience who doesn't have first-hand experience in the story's premise. There is a lot of business/financial terminology/slang thrown around that to those not knowledgeable or interested in it will seem very boring.

It does what Indies do best...present a slice of life, with no pat clichés or feel-good endings. And for that, I liked it.