Rocky Balboa

Rocky now retired lives from records his deceased wife(Talia Shire in archive footage). Again he deals with alcoholic Paulie(Burt Young),and his estranged son(Milo Ventiglimia, substituting to Sage Stallone), a cocky executive. He's owned a restaurant where is homaged as one of the greatest boxing champions in the history. Meanwhile he knows a single mother(Geraldine Hughes)and falls in love with her. But Rocky comes out from retirement to combat strongest, youngest and faster contender ; he's Mason 'The line'Dixon(Anthony Taver). Rocky attempts to prove himself and his son.Then he's trained by veteran boxer named Duke(Tony Burton, as Burguess Meredith had dead).

This agreeable predictable entertainment displays splendidly the 'formula Rocky'. The movie works at usual manner, fitting appropriately to franchise. Writer-director-actor Stallone new outing is surprisingly entertaining and packs good feeling. Usual and nostalgic musical score by Bill Conti and atmospheric cinematography by Clark Mathis. The motion picture is lavishly financed by the producers complete saga, Robert Chartoff and Irwin Winkler and well directed by Stallone who along with John G Avildsen made the six Rocky.

While here the opponent is an invincible young boxer,champ of the world, in former entries the contenders were the following : Rocky 1, a corpulent Carl Weathers; Rocky II again Carl Weathers through a rematch; Rocky II against Mr T from A Team; Rocky IV against a massive Russian boxer played by Dolph Lundgren; and Rock 5 against an ingrate young fighter who he trained played by Tommy Morrison.

As far as the Rocky franchise goes, nothing really comes close to the original in terms of its intimate scope and epic grandeur on a low-budget (not to mention top-notch and near iconic cast). In terms of the sequels, while it's not always looked upon as the "best", I have a fondness for part 3, if only for its balance of drama and comedy and that it bridges the gap between the early part of the franchise and latter part. And yet in this final installment, Rocky Balboa, Stallone goes back to the roots: the dark and rundown streets of South Philadelphia, and while his film starts as a kind of eulogy for the series (not least of which for the character Adrian), it quickly kicks into gear as a celebration of what Rocky is all about. It's essentially a story of rising to a challenge, proving your worth to nobody in-particular except yourself, and also sticking close as possible to those you care about, family and friends... and the occasional awesome training montage doesn't hurt.

In this segment Rocky is in his 50s and runs a restaurant called Adrian's where he reminisces with the patrons with old stories. He also befriends a woman whom he used to walk home many years ago (she may have been a character in the original Rocky, I can't recall) who also has a son named "Stephs" for Stephen. But with his son unsure about what his father's legacy has on him, and Rocky's own unsure feelings about the "basement" inside of himself, of pain over Adrian dying, he decides to get back into fighting again. In typical "movie" style (and I mean this as a compliment to the conventional wisdom of the writing), a challenger comes forward, young Mason Dixon, who is undefeated and has come under scrutiny due to a computer simulation that shows Rocky, in his prime, could kick his ass. So, training commences, speeches of inspiration/hope delivered, and it all leads up to the big bout in Vegas.

The script, as mentioned, is perhaps the strongest thing here. Stallone shines as usual in his quintessential role, and seeing people like Paulie and Apollo Creed's former trainer played by Tony Burton are nice touches too. Little flaws: Milo Ventimiglia Jr, despite having the same "jaw" as Stallone put it, is not a very good actor here. I'm not sure if it was the direction he was given for the character or just how he is, but he was constantly stiff and then when called upon to get big in a dramatic scene like the confrontation with Rocky outside the restaurant (one of those "Don't do this!" scenes), it falls totally flat. There's also a beef one can have with the way inspiration is summoned in the climactic bout. When we see Rocky and Dixon fighting with just the normal camera angles it's riveting and taut, but then Stallone piles on the clips, the flashbacks, the slivers of nostalgia, and it just gets a little too much and almost (key word 'almost') spoils the momentum of one of the best fights in the entire franchise.

Sure, some of its humor is a little corny, and some of the line deliveries by Stallone aren't always given the biggest "umph" one would want (hey, it's Stallone, waddaya want), but it is a true-blue Rocky movie, and makes a fine sort of comeback note to a franchise that had its ups and downs over the 70s and 80s. It's nothing if not from the heart, in its craft and in its performances, and it should be admired as one of those final bows to an audience that knows this is the end, as opposed to dragging it out even further.

I've been able to see this before it's release date so I'll avoid giving too much away in this review. To start with when I heard that they were going to make a sixth Rocky movie you didn't have to be a die hard fan to wonder what were they thinking about, particularly 15 years after the last horrible outing! After 30 years since the original ROCKY was released one could only wonder what else they could conjure up after such a long hiatus? Yet this movie was not bad and it's important to stress that on a number of levels. This rendition of Rocky is true to the previous ones as again he is the underdog, a former champ who is encouraged to come out of obscurity and take on the current champ despite having been retired for 20 years.

Just to recap to the earlier movies for the moment, in the original ROCKY, in some sort of bizarre publicity stunt Rocky Balboa was plucked up from a short list of "bum of the month contenders" to leap frog genuine challengers for a crack at the undisputed heavy weight title. Although he falls short, because of the effort and the show that he puts on, the public demand a rematch and consequently sequel to ROCKY is made and so on. It's important to remember that in the 1970's the American public craved for there to be white heavyweight boxing champion so when the original ROCKY was released not only was it contemporary but captured the imagination of the public at the time. Apollo Creed as the champion was obviously modeled on the brash, cocky Muhammad Ali who you either loved or hated.

Also it's worth noting that in the 1970's and 80's boxing enthusiasts often wondered who would win in a fictional fight between the 1950's champion Rocky Marciano and the 1970's champ Muhammad Ali. Therefore it was no coincidence the name 'Rocky'was used in the 70's, but now today in ROCKY BALBOA we are now asking who would win in 2006, Rocky from the 70's and 80's or Mason Dixon from the 2000's? The question in this movie is actually more like a Rocky Marciano v's Ali now than it was in the 70's!

Another point worth mentioning is that in the original the conceited Apollo Creed was a flashy, arrogant, publicity seeking showman, but more importantly he was human. By the time of Clubber Lang and Ivan Drago in ROCKY'S III and IV respectively the Italian Stallion was up against fighters that did not seem to be human. They were void of feelings had no family and their physical prowess and abilities were so advanced that they seemed more like comic book or video game characters. In this movie Mason Dixon to a large extent returns the heavyweight champion to a more believable human role, although contemporary for 2006 i.e. athletic, brash and mean! I give credit to the writers here and to a large extent this is where the movie worked!

I don't know if it was a coincidence or if it was part of the thinking but ROCKY BALBOA was fortunate enough to be released at a time when the heavyweight boxing scene itself is in a shambles and resembles a three ring circus. From blown up middleweights to an alphabet soup of nobodies in their late 30's right up to a 7 foot Neanderthal lookalike that is totally useless,--- heavyweight boxing has never been more of a joke! In a time when top athletes in their respective sports are stronger, faster or bigger and more powerful than there peers from earlier decades, heavyweight boxing is about the only sport to have regressed. The skill levels and talent are so much poorer than their counter parts in the 1970's and 80's that none of them could even carry Muhammad Ali or Larry Holmes jock strap's when they were at their best! The International powers that be have in there zeal for money have butchered the world heavy weight boxing scene so badly that its turned into a freak show. Thus the idea of a former champion 25 years past his best challenging for a world title is not as far fetched as it once might have been!

This movie will have it's critics and while it is certainly not flawless I see no reason why this movie should be lambasted as it no doubt will be. At the very least it stands out from being better than 90% of the movies that are released today, many which are simply dreadful. If old 1960's,70's and 80's TV shows are revived on the big screen for the movie industries indulgence or else the public are fed an endless list of remakes why not another Rocky movie! The dialogue and writing while not great was no worse anything else I've seen recently and the production and camera angles were good. It's slow in certain areas particularly at the beginning but over all a nostalgic effort which tried to capture the theme of the earlier rocky movies. Apparently Sylvester Stallone was never happy about ROCKY V and for years the memory of it tormented him, well I think this one will have exorcised that demon ,a much better effort overall. Check it out!

If you are a film buff you know for example that Bogey did a number of films especially late in his career which, while not exactly Maltese Falcon, were nonetheless solid and entertaining.

So that is the key to this film. Understand that Stallone, who I think will be idolized by viewers of the future, does not know the meaning of the word quit. The oddsmakers said Rocky would stop at the second. When the 4th came out and was rock-solid (!) Hollywood was stunned.

Rocky 5 was a bit of a lemon but again Stallone never quits.

If you have seen all the Rocky films and they are still fresh in your mind, then his film will be a treat.

If you on the other hand are not a fan, or just arrived from another planet, then what you have is a well-told and well-acted drama that builds into a pretty good boxing film.

Either way you win.

((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

It's tough growing old, but even though the body starts to crumble and the mind slowly fades, the fight should go on; this message, which will resonate with long-time fans of the series, is at the heart of Rocky Balboa, and makes for an emotional return for America's greatest fictional sporting hero.

In the years since returning to his old Philly stomping ground, Balboa (Sylvester Stallone) has lost his beloved wife Adrian to cancer, and settled into retirement from boxing, the heavyweight champ now running a restaurant called Adrian's. His son Robert (Milo Ventimiglia) has very little time for his old man, bitter that he has lived for so long in his father's shadow. Feeling lonely, Rocky befriends bar-woman Marie (Geraldine Hughes) and her son Steps (James Francis Kelly III), who support the ageing boxer when he decides that what he really wants to do is return to the ring.

Stallone returns to the directing chair for this sixth film in the long-running franchise, and he does a great job, carefully balancing the sentimentality with the action, never letting things get too schmaltzy or too cheesy. Rocky's fight to pick up the pieces and keep moving forward is inspirational, his kind nature is heart-warming, and his motivational speech to his son is frank yet touching. The final 'exhibition' match between Balboa and current heavyweight champion Mason 'The Line' Dixon (Antonio Tarver) proves that the film's star still has what it takes in the ring, the fight being just as hard-hitting and tense as those against his opponents in parts one to four (the less said about Tommy Gunn the better).

While I could have done without all of the fancy visual touches during the closing fight (rapid cuts between full colour and black and white), Rocky V ably proves that comebacks are possible, even this late in the day.