Rambo 4: Regreso al Infierno

I saw this at an advance screening in Oslo, and going in, I didn't expect it to be any more than a cheesy and somewhat gory tribute to eighties actioners by a star/director/producer/writer who was desperate to relive past glory. That latter may or may not be true, but my former assessment was plain wrong. This movie is authentic, shocking and unlike any other comparable movie.

Given its genre, the movie is a masterpiece. The story is simple but solid, and works on several levels. The action scenes are unparalleled, more intense than "Black Hawk Down", "Saving Private Ryan" and "Stalingrad" put together. The level of brutality and gore will shock and fascinate, and no doubt cause some level of controversy.

Stallone proves himself to be an excellent director, as well as in excellent shape for his age. I had little faith in him going in, and I stand corrected.

This is a Rambo who has come to terms with who and what he is, in a movie that holds up when compared with the original "First Blood". Well done, Sly. Well done indeed.

Thrilling and moving Rambo episode in which he returns to war and to rescue American prisoners . The famous trilogy has been completed by this recent ¨ John Rambo¨ , a definitive improvement and directed by Stallone himself , in which Rambo fights enemies in Thailand ; nevertheless , the best considered is the original . Violent movie with Rambo character who started in ¨First Blood¨, it launched Stallone career and going on his successful Rambo episodes . Sylvester Stallone as brawny hero Rambo is top-notch , he was a previous Green Beret , now retired and living a pacific existence in Thailand . He has retreated to a easy life in a rural Thai village next to the Burmese frontier , capturing snakes for local entertainers , and transporting visitors on his old 109 PT boat . Then John Rambo joins a group of mercenaries (Graham McTavish, Matthew Mardsen) to venture into war-torn Burma, and rescue a group of Christian aid workers (Julie Benz , Paul Schulze) who were abducted by the ruthless local infantry who carries out a brutal massacre . After that , Rambo frees the unfortunate prisoners , but cruel soldiers set off in pursuit and he leads his pursuers into all kinds of booby snares , as he puts dangerous traps in the jungle woods and mountains . Rambo appears threatening , lurking, harassing to his enemies and pursuers , escaping numberless risks and dangers .

From start to finish the comic-book action-packed and extreme violence are continued and it's fast movement ; that's why the picture is pretty amusing ; furthermore, containing lots of explosions and some of the best action scenes ever made , including an impressive machine-gun attack . Stallone is enormous as the two-fisted and rebel one army man and excellent Julie Benz as suffering missionary ; in addition , the veteran Ken Howard and paying tribute to recently deceased Richard Crenna in an enjoyable homage by means of some flashbacks . The outdoors are really spectacular , the landscapes have been filmed on location in Arizona, USA , Chiang Mai , Thailand and Mexico . Awesome and exceptional cinematography by cameraman Glen MacPherson . Splendid and rousing musical score by composer Brian Tyler. This nail-biting film was well played , produced and stunningly directed by the great Silvester Stallone .

This motion picture Rambo (2008) was preceded by the original ¨First blood¨ by Ted Kotcheff with Richard Crenna , David Caruso and Brian Dennehy , in which Rambo is falsely accused as vagrant and wrongfully imprisoned and he pulls off the break-out ; Rambo II by George Pan Cosmatos with Martin Kove , Steven Berkoff and Julia Nickson, in which he's forced to go Cambodia in search of American POWs , and followed by ¨Rambo III¨ with Kurtwood Smith and Spiros Focas and of course Richard Crenna , in which Rambo against the Russians who control a particular sector of Afghanistan and he goes behind Russian-dominated enemy lines to rescue his former colonel from jail . The film will appeal to action enthusiast and Stallone fans . It's a movie for adrenaline lovers and frantic thrillers buffs . Rating : Good, entertaining but violent , two thumbs up . Although the movie has some aspects a little tough to take , this exciting film still has its magnificent moments. This large-scale and lavishly produced pic attempts a peculiar atmosphere with spectacular results . Rating : Better than average , well worth seeing .

Rambo is an 80s-style action movie with modern sensibilities. Stallone is not a one-man army as in previous movies but rather a dogged old soldier that comes to terms with what he actually is while racking up a body count that would make Tarintino proud. In many ways, this movie parallels Rocky Balboa as a mature ending to a series of sometimes over-the-top but fun action movies. John Rambo in this movie is an aging but potent killing machine that for the first time since First Blood accomplishes his mission in a very believable manner. The action is visceral and downright gory at times surpassing the hard-core scenes of Omaha Beach in Saving Private Ryan. The film pulls no punches when showing exactly what a Barret .50 caliber sniper rifle can do to a human body. Stallone mutters only a very few lines of dialog in this movie... there's no speeches or patriotic flag waving going on here but there is a clear lesson on how well liberal idealism holds up under barbaric realities amid genocide and war.

A must see but not one for the kiddies.

There isn't a dull second in this film. It is full of memorable & cinematic "moments" and packed with insane carnage, all with tourniquet-tight editing (Extended Cut only hits the end credits at just over 90 minutes). Even the slow start is almost serene, using the Apocalypse Now ever-flowing, insidiously slow but constant stream to lure us into a deeper part of our own selves. To deliver us, along with a group of believers, into a true hell on earth.

"Nothing does change. It's what is."

As my first viewing now since having seen the first three, I can appreciate the way this film mythologizes the character. This is done in part through School Boy's reverence, which adds a great counterbalance to the chemistry of the cast. We also revisit the human core of the first installment, from the dialogue scene in the rain to the close up of his knife sinking with the boat-symbolizing the indefinite struggle of a PTSD veteran who has to live with the heavy soul of his past. And the St. Francis prayer recited in the backdrop of the weapon-welding montage: a prayer of opposites, of contradictions, of embracing humility and forgiveness in the face of evil. A prayer of philosophical inquisition-an appeal directly to God to help one understand and navigate the world around us with greater wisdom and clarity. It is a fitting theme for John Rambo.

"Where there is darkness, light."

Granted, the film is not a cerebral one, but it has some fitting choices for mood and set up. The peaceful stream to doom is abruptly juxtaposed by a sheer brutality that is so extreme, it can really only be matched by the unrestrained amount of violence onscreen throughout the last act. Could Stallone have capitalized on this earlier mood and went with more stealth à la First Blood? Sure, but given how perfect the pacing is and the pointed catharsis of the film's setup & violent delivery, I find it quite forgivable how shamelessly the film forgoes drama and suspense, all without betraying character. In this way, Rambo truly is a staple barebones action film. A fitting peak in the series as a manifestation of his inner war.

The baddies are paper thin and one-dimensional, but the Tatmadaw Burmese militia being a real entity and perpetrators of genocide gives the antagonists weight. The solid score from Brian Tyler is built around Jerry Goldsmith's classic theme from the earlier installments, yet polished free of the 80s vibe (Battle Adagio stands out as John Rambo's new theme). Visually, the post-production CGI blood is poor and detracting. I don't know how much of that can be attributed to the feature's comparatively lower budget having been independently made by Stallone. Nonetheless, I admire the man's passion for the legacy that his films leave for his fans.

David Morrell, the writer of the original novel "First Blood", has said this is the closest in tone he has seen any of the movies get to the character he wrote. Personally, I think Rambo 4 has the best of both worlds: a sincere depiction of an aged Rambo and the over-the-top action, brutality, and thrills of Rambo II & III. I'd even say it is the best of all the Rambo movies.

A straight action film only Stallone could deliver. Nobody else could direct such an uncompromising pursuit of battle. The battle sequences of this movie are glorious and violent in a way that is special, a new extreme level of tension was achieved in my opinion and I don't say this in blind excitement.

This movie delivers a movie-high that is not often attempted. Movies usually hold back or simply fail at achieving visceral action and instead try to balance themselves between action, plot, drama, comedy, etc, and in many cases in modern films this only lowers the quality of the experience. The downfall of Rambo you could say is its small concern for character drama, indeed the scenes looking at the female lead and the mercenary group are pretty poorly acted (though this allows the scenes to focus on Stallone's disregard for their antics, it can get annoying to sit through).

The mercenary group's character were so over the top in acting however it came off like farce to me which was actually really entertaining, seeing their macho lines fall dead in the air, Stallone giving them no respect.

The battles were glorious even if the film has flaws, but it focuses on the battle as it should, and achieves glorious cinematic victory. Great experience.