CALIFICACIÓN DE IMDb
5.3/10
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TU CALIFICACIÓN
Christy regresa a su ciudad natal después del accidente automovilístico que desfiguró a su hermana mayor. Atormentada por el accidente donde ella conducía, descubre que sus peores pesadillas... Leer todoChristy regresa a su ciudad natal después del accidente automovilístico que desfiguró a su hermana mayor. Atormentada por el accidente donde ella conducía, descubre que sus peores pesadillas se han hecho realidad - o están por suceder.Christy regresa a su ciudad natal después del accidente automovilístico que desfiguró a su hermana mayor. Atormentada por el accidente donde ella conducía, descubre que sus peores pesadillas se han hecho realidad - o están por suceder.
Julian Christopher
- Dr. Cestia
- (as Julian D. Christopher)
- Dirección
- Guionistas
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Opiniones destacadas
MTV films makes a really moody horror film. To be certain its the sort of thing thats been done before, but even then this has some genuine shivers and some creepy moments.
The basic plot has a young girl returning home when her old caretaker dies. The girl has a tragic past that includes the death of her sister after a fiery car crash. Plagued by visions and a sense that her sister was buried alive she begins to search for clues as to what happened seven years before.
This one came out of left field for me. I have vague notions about hearing about the film, but I never really remember seeing or hearing anything about it. I'm pretty sure that helped my enjoyment of the film since I had no preconceived notions for it.
Looking like TV movie with interiors that remind one more of a set than of a real place this film over comes its limitations (and occasional WTF moment) to play out almost as if its an extended Tales from the Darkside or other similar horror anthology show. Odd shifts in perspective, some genuine creepy, but not too in your face imagery and willingness to go sans blood and guts except as required make this pretty much a throw back to the old days of horror when less is more. Its not perfect but even with its flaws and the following of a well worn path at times this still manages to be a solid little thriller of the B variety.
Worth a rental with a bag of popcorn and a soda.(Though don't buy this just yet -its a bare bones release that they want almost 30 dollars list for- too much for too little)
The basic plot has a young girl returning home when her old caretaker dies. The girl has a tragic past that includes the death of her sister after a fiery car crash. Plagued by visions and a sense that her sister was buried alive she begins to search for clues as to what happened seven years before.
This one came out of left field for me. I have vague notions about hearing about the film, but I never really remember seeing or hearing anything about it. I'm pretty sure that helped my enjoyment of the film since I had no preconceived notions for it.
Looking like TV movie with interiors that remind one more of a set than of a real place this film over comes its limitations (and occasional WTF moment) to play out almost as if its an extended Tales from the Darkside or other similar horror anthology show. Odd shifts in perspective, some genuine creepy, but not too in your face imagery and willingness to go sans blood and guts except as required make this pretty much a throw back to the old days of horror when less is more. Its not perfect but even with its flaws and the following of a well worn path at times this still manages to be a solid little thriller of the B variety.
Worth a rental with a bag of popcorn and a soda.(Though don't buy this just yet -its a bare bones release that they want almost 30 dollars list for- too much for too little)
when I saw the 'MTV Films' logo pop up at the beginning of the movie. This production company are well known for making teen-focused trash like the JACKASS movies, but BENEATH seems to be their sole foray (so far) into horror movie territory. Let's hope they don't make any more attempts in the future!
This is an utterly predictable, completely routine and altogether dull movie. It looks and feels familiar from the outset: a maladjusted but pretty young heroine, who often suffers nightmares and hallucinations, returning to her small town and discovering some dark secrets amongst the townsfolk. Such films have propped up the Hollywood film industry since the 1970s and BENEATH proves to be a familiar and depressingly poor addiction to that genre. Despite the prevalence of plot twists in the narrative, everything that happens is easily guessed and the wannabe-shock ending is worth nothing more than a yawn and raised eyebrow.
In some places the story seems to have been inspired by JANE EYRE but classy this isn't. Instead it's a film filled with clichés, from the good-looking deputy sheriff type character to the wide-eyed heroine stumbling around in the dark. Nora Zehetner (BRICK) makes a game effort as the heroine but she can't do much with the all-too-familiar material. The worst part of the film is the flashy direction, which is so clichéd as to be unbelievable: all sudden jump cuts during the so-called 'scare sequences', flashes of people writhing in beds and the like. The most unpalatable part of the film is the twist ending, which left me with a bad taste in the mouth. It just tops off an altogether uninteresting movie.
This is an utterly predictable, completely routine and altogether dull movie. It looks and feels familiar from the outset: a maladjusted but pretty young heroine, who often suffers nightmares and hallucinations, returning to her small town and discovering some dark secrets amongst the townsfolk. Such films have propped up the Hollywood film industry since the 1970s and BENEATH proves to be a familiar and depressingly poor addiction to that genre. Despite the prevalence of plot twists in the narrative, everything that happens is easily guessed and the wannabe-shock ending is worth nothing more than a yawn and raised eyebrow.
In some places the story seems to have been inspired by JANE EYRE but classy this isn't. Instead it's a film filled with clichés, from the good-looking deputy sheriff type character to the wide-eyed heroine stumbling around in the dark. Nora Zehetner (BRICK) makes a game effort as the heroine but she can't do much with the all-too-familiar material. The worst part of the film is the flashy direction, which is so clichéd as to be unbelievable: all sudden jump cuts during the so-called 'scare sequences', flashes of people writhing in beds and the like. The most unpalatable part of the film is the twist ending, which left me with a bad taste in the mouth. It just tops off an altogether uninteresting movie.
Safe MTV produced chiller that finds Nora Zehetner haunted by images linked to the horrific death of her elder sister when she was a little girl. The frustrating thing is that the picture is book ended by great horror sequences, in fact the finale is one of the best that horror offered up in 2007 if judged on rug pull and macabre terms, if only the whole middle section didn't meander along without thoughtful scares or adherence to screw tightening genre requirements.
The set up is pretty good, it's a classic spooky house scenario with secret passages and rooms you wouldn't want to be alone in. The inhabitants of the house feature a suspicious but angelic little girl, and a Mrs. Danvers scary woman type. Director Dagen Merrill does his best to bring the frights, but he's heavy handed in execution, while the cheapness of the production unfortunately stands out a mile. That said, there's enough here to warrant interest if stuck for a spooky thriller to watch on a cold night in by the fire. Certainly the finale is worth time spent with the weak middle section. 6/10
The set up is pretty good, it's a classic spooky house scenario with secret passages and rooms you wouldn't want to be alone in. The inhabitants of the house feature a suspicious but angelic little girl, and a Mrs. Danvers scary woman type. Director Dagen Merrill does his best to bring the frights, but he's heavy handed in execution, while the cheapness of the production unfortunately stands out a mile. That said, there's enough here to warrant interest if stuck for a spooky thriller to watch on a cold night in by the fire. Certainly the finale is worth time spent with the weak middle section. 6/10
I expected a bit much, since I made the mistake to read the "Diamond among pearls" comment. Back to reality: the acting is mediocre towards bad, the story is boring and the scary stuff is just a girl having weird visions. The fact that overall it makes sense is a plus, especially for the "psychically sensitive girl that no one believes" subtype of the horror genre.
Bottom line: this is more of a psychic thriller and not a horror movie. The last part, while it conveniently ties all the loose ends, is way too convenient, more of a moral compromise that breaks the slightly better feel of the story coming to a quasi-logical finale. I can easily imagine all the actors playing in a third rate soap opera, so don't expect a lot better acting that that.
Bottom line: this is more of a psychic thriller and not a horror movie. The last part, while it conveniently ties all the loose ends, is way too convenient, more of a moral compromise that breaks the slightly better feel of the story coming to a quasi-logical finale. I can easily imagine all the actors playing in a third rate soap opera, so don't expect a lot better acting that that.
5rbrb
Horror flick: girl returns home after traumatic accident earlier in her life and is she possessed and crazy due to the trauma of that accident or is it those around her who are mad? The girl is either a psycho or the only sane one in the asylum. A feast of weird characters are in this play quite apart from the lead. There is the Bett Davis type housekeeper, the child who sees dead people or something like that; there is the sinister male in the house and lets' not forget the deformed and deceased ugly sister who may still be with us....etc Throw in the illusions being suffered by our main star and add in multi layers of other complications then beneath goes even deeper. I almost turned this off a few times only because it had become too confusing, though ultimately all is mostly explained and there are some decent moments. 5/10
¿Sabías que…?
- ErroresWhen Christy Wescot (Nora Zehetner) goes to Amy Locke (Jessica Amlee)'s room for the first night, a camera takes her picture, it's clearly a compact digital camera on a tripod, but it sounds like an SLR camera. Then Amy tells Christy that she has set the camera to take picture every half an hour to picture the dark thing. Later Amy is showing Christy photos taken with the camera from two nights ago, and although earlier we saw the camera was on a tripod, but the frame in the photos change in each picture.
- Créditos curiososThe end credits go down rather than up (as is usual).
- ConexionesReferences El beso mortal (1955)
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- How long is Beneath?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 22 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
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