Ratón Esponja

Does anyone else get the impression that this show is more than it lets on to be? Yes, its from the creator(s?) of ATHF but it kinda seems like something David Lynch would create on his website, aside from the comedy (which i think is actually quite funny since it sounds like each episode was recorded almost spontaneously in someones basement after, and during i suppose :D, a huge weed session).

Whats with these "signals" everyones getting, and the green smoke coming from the clock, and the arrows, etc.

Yes i know a lot of the adult swim line up makes not much sense, but these "randomalities" are actually continually showing up. Any like-minded thoughts?

Some people do not understand the finer points of 12 Oz. Mouse. A lot of the humor is in the delivery and is quite intangible. Some people, like Mr. Fun over there, do not see the humor in the show. Those people are not the "life of the party" and are not "enjoyable". The show is ridiculous, knows that it is ridiculous and has fun with it.

This 10 line minimum makes me furious.

The show is still good.

I'm getting bored.

Finally, minimum amount of lines achieved.

I'm going to now go have 12 beers.

Glance at this show on the surface and what do you see? Dialogue that sounds like it was recorded during a weed session and animation that looks like it was drawn by a 4-year-old on drugs.

But dig a little further, keep your eyes and your mind open, and you'll find something deeper. The show is not 100% spontaneous nonsense. The entire series is connected in an ongoing and ever-growing story arc, with each episode picking up where the previous one left off. Such a sense of continuity and development in writing is especially uncommon for a 15-minute comedy series on Adult Swim. But it's the style of the comedy itself that really takes it over. It's expressed in a post-modern existentialist manner, a sort of Seinfeld meets David Lynch meets Home Movies hybrid.

The low-tech style of the animation, the surprising depth of the writing, and the very achievement of the execution make the show nothing short of brilliant.

12 oz. Mouse isn't really a comedy. While the first 2 episodes may make it seem as such. The show definitely goes down a road that makes it super enjoyable and strange. The show starts as a plot about an alcoholic mouse who does odd jobs for more beer. But almost immediately the show goes off the rails. It would make you think it's a generic adult swim comedy but it becomes a David Lynch Meets Home Movies like format with a story that is confusing. But don't take that as a fault. Mouse is a show built on using qualities that would make a cartoon bad but using them to improve the show in a unique way. If the show was drawn well, it wouldn't be 12 oz. Mouse. If the show was a super simple comedy it wouldn't be 12 oz. Mouse. It's an interesting watch I'd recommended to open minded viewers and people who enjoy absurdist humor. And with a new season coming out soon on July 20th. It's a good time to start watching

12 oz. Mouse (oz. Mo) has the greatest opening sequence in cartoon history. along with its heavy metal thrash ballad opening theme, we are sent reeling through an incredible model city (of cardboard) and from there the buildings begin to explode and everything goes wild. the end titles see the building burning to the ground.

This opening sequence has NOTHING to do with the show itself, but it does however capture the insane mood of the show. for an 11 minute show, the pacing is slow. of all the williams st. productions on adult swim, this one is the most poorly animated, seems like the actors got high and made up lines, and it doesn't make a whole lot of sense, but i tell ya, it ain't half bad. it makes that piece of garbage tom goes to the mayor look, well even more like garbage. aqua teens it ain't, space ghost it is not, and birdman it'll never be, but this new 11 adult swim cartoon could find just the right audience to last, and i for one hope it does. "you boys, uh, hear anything, bank robbery...uh-bout it?"