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7.0/10
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El agente secreto OSS 117 frustra los planes de los nazis, se acuesta con bellezas locales y trae la paz al Medio Oriente.El agente secreto OSS 117 frustra los planes de los nazis, se acuesta con bellezas locales y trae la paz al Medio Oriente.El agente secreto OSS 117 frustra los planes de los nazis, se acuesta con bellezas locales y trae la paz al Medio Oriente.
- Dirección
- Guionistas
- Elenco
- Premios
- 4 premios ganados y 7 nominaciones en total
Arsène Mosca
- Loktar
- (as Arsene Mosca)
Aleksandrov Konstantin
- Setine
- (as Constantin Alexandrov)
Saïd Amadis
- Le ministre égyptien
- (as Said Amadis)
Abdellah Moundy
- Slimane
- (as Abdallah Moundy)
Opiniones destacadas
I recently saw this at the 2007 Palm Springs International Film Festival where it ended up as one of the audience favorites. This is a spoof on the french cottage industry of OSS 117 films of the 50's and 60's. The first OSS 117 film based on the novel by Jean Bruce was brought to the screen in 1956, long before the first James Bond film, staring Ivan Desny as Hubert Bonisseur De La Bath and six subsequent action adventure spy films were made up to 1970 with Luc Merenda, Frederick Stafford, Kerwin Matthews and John Gaven all taking turns as Oss 117. Jean Dujardin is in the title role in this comedic take on the series. As the film begins set in 1945 he has a french mustache and resembles Desny but as the film begins it's setting of 1955 he really looks like Sean Connery. Jean François Halim wrote this hilarious screenplay of a spy sent to Egypt to investigate the murder of a friend. It borrows on the silliness of Naked Gun, Get Smart and the Pink Panther and uses fresh humor on current events in a delightful combination that international audiences will enjoy and I am sure this will be the only the first of more to come of a revived OSS 117 reworked to comedy adventures. Michel Hazanavicius directs. I would give this a 7.5 and recommend it.
Just saw the movie, it's actually pretty good. The trailers'd left me an impression of either yet another Dujardin one-man-show-turned-film (à la _Brice de Nice_) or an expensive, stupid French comedy. Surprisingly, it's neither. Secret agent OSS 117 is stupid, but at least he sort of knows it, whereas I've always found that James Bond was stupid but acted like a smart arse. Dialogue is witty with a lot of tongue-in-cheek humour that one would expect from a British rather than a French movie. The women and the music are beautiful. A refreshing trip into the past, when the bad guys were ex-Nazis or Soviet brutes, cars were shiny, and France had colonies!
OSS: 117 (2006)
I wish for a couple hours I was French, because I'm sure there were twice as many gags as I could get as an American reading subtitles. Even so, what a funny funny movie. It's not quite as zany as a spoof like "Airplane" (nor quite as funny, which of course is hard to do), but it takes the Sean Connery vintage James Bond film model and really does a parody worthy of 007. And of the franchise, which of course is bigger than Bond, bigger than Ian Fleming could have ever dreamed.
But hold your horses--this is a parody of the real OSS:117. Yes, a French author created a Bond-like spy in the 1950s, and this movie and its 2009 sequel are really playing a double-edged game. They bring the old French spy to life (the original was a French-speaking American, bizarrely enough), and they make fun of him, of Bond, and of 1960s super slick sexist movies all around.
The star here, the Sean Connery of this spoof (he even looks a bit like the Scottish actor), is Jean Dujardin. He's brilliant. He's funny, campy, silly, serious, and subtle about it all. He plays the role with a kind of oblivious self-ridicule that Woody Allen and Peter Sellers were so good at. It's great stuff.
And he's backed up by a strong, if somewhat predictable, assortment of international thugs, beauties, and oddballs. There are shades of "Charade" here as well as the original "Pink Panther" movies. The scoring is amazing, composed with that Henry Mancini flair to a T and recorded with the familiar bright, echoey sound studio fullness of the time. Equally authentic are the opening credits, which were so convincing I had to double check when the movie came out. I was thinking, wow, a lost 1960s gem.
But it's a brand new gem, or almost gem. Time will tell if this will hold up over the years, but it's a kind of must-see now for anyone into Bond films, the 60s, French humor, or just a well made movie with lots of gags. Like the gag where the noisy chickens go silent when the lights go off, and so our hero delights in turning the lights on, and off, and on, and off. Just wait and listen. It'll slay you.
I wish for a couple hours I was French, because I'm sure there were twice as many gags as I could get as an American reading subtitles. Even so, what a funny funny movie. It's not quite as zany as a spoof like "Airplane" (nor quite as funny, which of course is hard to do), but it takes the Sean Connery vintage James Bond film model and really does a parody worthy of 007. And of the franchise, which of course is bigger than Bond, bigger than Ian Fleming could have ever dreamed.
But hold your horses--this is a parody of the real OSS:117. Yes, a French author created a Bond-like spy in the 1950s, and this movie and its 2009 sequel are really playing a double-edged game. They bring the old French spy to life (the original was a French-speaking American, bizarrely enough), and they make fun of him, of Bond, and of 1960s super slick sexist movies all around.
The star here, the Sean Connery of this spoof (he even looks a bit like the Scottish actor), is Jean Dujardin. He's brilliant. He's funny, campy, silly, serious, and subtle about it all. He plays the role with a kind of oblivious self-ridicule that Woody Allen and Peter Sellers were so good at. It's great stuff.
And he's backed up by a strong, if somewhat predictable, assortment of international thugs, beauties, and oddballs. There are shades of "Charade" here as well as the original "Pink Panther" movies. The scoring is amazing, composed with that Henry Mancini flair to a T and recorded with the familiar bright, echoey sound studio fullness of the time. Equally authentic are the opening credits, which were so convincing I had to double check when the movie came out. I was thinking, wow, a lost 1960s gem.
But it's a brand new gem, or almost gem. Time will tell if this will hold up over the years, but it's a kind of must-see now for anyone into Bond films, the 60s, French humor, or just a well made movie with lots of gags. Like the gag where the noisy chickens go silent when the lights go off, and so our hero delights in turning the lights on, and off, and on, and off. Just wait and listen. It'll slay you.
OSS 117 was fun from start to finish.
It's difficult to define why one film touches or connects with you or not, and I won't try to analyze such perfect comedy, so politically incorrect that even academic papers should be dedicated to it :)!
Everything is old fashioned here, from women's clothes (sigh!), Mambo dance, the "hero singing"... ("Bambino" sounds like an Italian canzonetta sung in... arabic :)!).
Hubert is physically imposing, but dumb as hell. From all the 007s, he looks like Sean Connery, but is definitely more sympa because he's... silly, speaks his mind all the time, giggles, even has some homoerotic fantasies and there are rumours about him. In short, as an anti hero, he rocks :)! Sometimes he only raises his eyebrows or frowns, and that's all it takes to make you laugh.
Bérénice Bejo is the true queen of the film. Graceful, treacherous but with ideals. Aure Atika, to the contrary, is reduced to a femme fatale of sorts. It's surprising to see her that "sexy bomb", thou.
You just can't compare it with "Austin Powers"! I agree with Amazon's D. Hartley (Seattle, WA) on it being respectful to the genre.
Which is your favourite scene? One of my favourite scenes is the "fight of the chickens" with the masked villain. But the truly perfect one is when chatting at the cocktail with his contacts, how they all mutter platitudes with confidence... This scene alone makes the comedy genre worthwhile.
It's difficult to define why one film touches or connects with you or not, and I won't try to analyze such perfect comedy, so politically incorrect that even academic papers should be dedicated to it :)!
Everything is old fashioned here, from women's clothes (sigh!), Mambo dance, the "hero singing"... ("Bambino" sounds like an Italian canzonetta sung in... arabic :)!).
Hubert is physically imposing, but dumb as hell. From all the 007s, he looks like Sean Connery, but is definitely more sympa because he's... silly, speaks his mind all the time, giggles, even has some homoerotic fantasies and there are rumours about him. In short, as an anti hero, he rocks :)! Sometimes he only raises his eyebrows or frowns, and that's all it takes to make you laugh.
Bérénice Bejo is the true queen of the film. Graceful, treacherous but with ideals. Aure Atika, to the contrary, is reduced to a femme fatale of sorts. It's surprising to see her that "sexy bomb", thou.
You just can't compare it with "Austin Powers"! I agree with Amazon's D. Hartley (Seattle, WA) on it being respectful to the genre.
Which is your favourite scene? One of my favourite scenes is the "fight of the chickens" with the masked villain. But the truly perfect one is when chatting at the cocktail with his contacts, how they all mutter platitudes with confidence... This scene alone makes the comedy genre worthwhile.
I just saw this film last night, and I have to say that I loved every minute. If taken in the spirit of a parody of Bond-esquire films, it's truly superior. The true comedy of the film is in its blatant disregard for political correctness. The misogyny, cultural insensitivity, and almost laughable macho-ism of the films of this genre are used for major comic effect. It also calls the illogic and formulaic elements to task, with Agent OSS 117 constantly learning difficult things insanely quick (such as Arabic and how to play a traditional instrument) while missing some pathetically obvious clues. Some of the lines from the film left me laughing for hours after the movie was finished...and I have to say I have learned some...interesting...French vocabulary that would probably have my Professors quite exasperated with me were I to use. All in all, I thought this film excellent. Intensely funny and the first film I've ever seen that truly parodies all aspects of the spy film.
¿Sabías que…?
- TriviaThe German title of this film, "OSS 117 --- Der Spion, der sich liebte," is a prank on the James Bond film 007: La espía que me amó (1977). It literally means "OSS 117 --- The Spy Who Loved Himself."
- ErroresWhen OSS 117 learns to count in Arabic, Larmina coaches him: "Wahed, Jouj...". She should be counting in Egyptian Arabic, but instead she uses Moroccan Arabic. An Egyptian would not use (or understand) "Jouj" for two. The word is "Itnayn".
- Citas
Moeller: Mr. Bramard... a cigarette?
Hubert Bonisseur de La Bath, alias OSS 117: Thanks. I'm trying to start.
- ConexionesFollowed by OSS 117 : Rio ne répond plus (2009)
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- How long is OSS 117: Cairo, Nest of Spies?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- OSS 117: Cairo, Nest of Spies
- Locaciones de filmación
- Devant l'hôtel Mamora, avenue Hassan II, Kenitra, Morocco(Moeller joins OSS to take him to the pyramids)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- EUR 14,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 303,543
- Fin de semana de estreno en EE. UU. y Canadá
- USD 31,418
- 11 may 2008
- Total a nivel mundial
- USD 23,055,884
- Tiempo de ejecución1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was OSS 117: Le Caire, nid d'espions (2006) officially released in India in English?
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