El justiciero

Denzel Washington is just great and The Equalizer belongs like the John Wick (Keanu Reeves) and Taken (Liam Neeson) movies to the new masterclass of revenge/vigilante movies. The Equalizer is a true to the heart successor of our former (or still) heroes of long gone times like Mr. Eastwood and Mr. Bronson: the king is dead, long live the king, so to say.

The Equalizer is great stuff - if you like your action spiced up with a good shot of violence.

Cliched and done to death formula! But still fun to watch on a night when you don't want to be bothered with something cerebral. Denzel Washington is good as ever & the Russian Mafia doesn't stand a chance in hell anyway! Am gonna hit the sequel next folks...

Rooting for a badass hero with a kickass attitude has never been as satisfying as watching Denzel Washington dish out some brutal punishment. This is exactly what you get in The Equalizer, an action thriller based on the late 80's TV series of the same name, but amped up with ultra-violent realism.

Reunited after their collaboration in Training Day, Washington (received his first Academy Award in a leading role) and director Antoine Fuqua are back in this simple yet deadly effective action film. Using a Mark Twain quote about people who find their true purpose late in life, Washington plays Robert McCall, a loner and tragic widower with a mysterious past. On the surface, he is an amiable home depot worker who keeps to himself, indulging in conversations only when spoken too, and slave to some sort of OCD while remaining invisible to people around him. After befriending a Russian teen escort called Alina, (Chloe Grace Moretz all grownup), and discovering she is the victim of sexual abuse, McCall's nice-guy demeanor melts away to expose an aura reverberating layers of darkening complexity. There's a tightly restrained compassion in McCall's eyes, fighting a father-figure compulsion to do what he must, while Alina's is a muted plea for deliverance. This scene takes place in a diner they frequent in Boston, and it's the first of two powerful moments in the film. What follows is the film's first action sequence in a Tarantino-styled dialogue first, and blood splatter later, McCall dispatches Alina's Russian pimp and his goons. When news reaches Moscow, mob kingpin Pushkin sends Teddy (Marton Csokas), to clean up the mess. Covered with satanic tattoos, Teddy is anything but the moniker he goes by and with half the Boston PD on his payroll, it's just a matter of when and where McCall is eliminated. Or so they think.

Having previously scripted The Expendables 2, Richard Wenk's story here is nothing new when considering McCall's proverbial 'set of skills', a comparison if you must, to certain characters Liam Neeson has played. On the other hand, there is a mechanism in place, partly due to the aforementioned OCD, allowing McCall a brief study of the situation before striking with lethal accuracy. While that sounds like a knock-off version of combat tactics employed by Guy Ritchie's titular hero in Sherlock Homes (2009), the payoff is watching McCall take out bad guys with improvised weaponry. It gets a bit hokey towards the end, with McCall using all manner of booby traps to slice, dice and blow up Teddy's dumber-by-the-minute henchmen. Having said that, it is still rewarding to watch Washington demolish enemy after enemy and this is largely due to Csokas' terrific portrayal of Teddy's loathsome nature. To that effect, the best scenes in the film are when Teddy and McCall are face-to-face and denting each other's armour with nothing but well written dialogues. One such scene is a powerful dinner table battering-of-wits, a taut reimagining of that iconic scene in Heat (1995).

While humour and drama throw some light on Boston's mob controlled dirty cops, McCall's relationships with his colleagues, and even a short segment that suggests his origins as a trained killer, The Equalizer really shines with Fuqua's deft handling of action scenes. But topping it off is Washington in a vigilante role that is the best we've seen in years. Fans of Man on Fire (Washington opposite Dakota Fanning) and Léon: The Professional (Jean Reno opposite Natalie Portman), both films about male heroism influenced by female protégés, are in for a visual treat. Heck, who needs improbable superheroes when you have an average Joe with extraordinary capabilities and all without hiding behind a mask or costume? Although compelled to use the N-word, I'll just say – Ma man Denzel. . .doesn't disappoint and neither does The Equalizer.

In terms of an action movie I gave the equalizer a 7 but soon after felt the need to watch it again and then upped it to an 8. Why? We'll it's an action movie but yet there's no crazy car chases, there's no bombs or heavy big explosions every where. Really the only action scenes are the fight scenes and even they don't come that often. But when they do come they deliver. Denzel is as awesome as ever in these scenes and the creativity in these scenes are what sets it apart from every other action movie. The main character Robert McCall in an ex specialist of some sort, you don't know what at first but know that he's highly trained in something and is now working as an ordinary man working at Home Depot or home Mart as it is in the movie. He looks like just your every day man but can kill you with just about any everyday weapon. And he does this so calmly that big crazy car scenes and explosions would rake away from his character. A man that takes the bus to come kill a whole gang is pretty bad ass by any standard.

As always I don't want to give spoilers but I do recommend this as a good wholesome action movie.

An intense and towering performance from Denzel Washington as one of cinema's best-acted action heroes is what makes THE EQUALIZER stand out from the crowd, although as a film it's also a very decent thriller. It's supposedly a big screen version of the '80s TV series with Edward Woodward, although think of it as your usual vigilante movie and you'll be closer.

Let's be honest here: the plotting in THE EQUALIZER is nothing special, and the Russian mob make for clichéd villains. It's the execution where this film excels. It's not an action filled movie, but when the action hits it's hard and heavy, not shying away from crowd-pleasing violence meted out to the villains. The extended set-piece ending might be described as 'DIE HARD in B&Q' and loses the realism a little but, but until that point this is tough and gritty film-making.

Aside from the excellent Washington, we get a fine bad guy performance from Martin Csokas, equally intense and the finest I've seen from him, and Chloe Grace Moretz is wisely kept off-screen for most of the running time, which I was fine with. The final shout-out goes to director Antoine Fuqua, whose effortless style makes this a graceful and thoroughly entertaining viewing experience.