Un relato de suspenso sobre las injusticias del sistema judicial inglés del siglo XIX.Un relato de suspenso sobre las injusticias del sistema judicial inglés del siglo XIX.Un relato de suspenso sobre las injusticias del sistema judicial inglés del siglo XIX.
- Ganó 2 premios Primetime Emmy
- 24 premios ganados y 44 nominaciones en total
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Opiniones destacadas
For me to put finger to keyboard so to speak takes something pretty darned unusual! Bleak House is just that. It is probably the best television I've ever seen and I've seen quite a lot.
I cannot praise this adaptation and the actors highly enough. The production sparkles and one is immediately involved with the story and the characters. I'm writing this with the series almost finished and now wish I'd kept all the recordings I'd made of it. Repeats on the whole are very run of the mill and disappointing but they can repeat this one as often as they like! I too would like it on DVD so I can watch the whole thing over again. Well done BBC..fantastic
I cannot praise this adaptation and the actors highly enough. The production sparkles and one is immediately involved with the story and the characters. I'm writing this with the series almost finished and now wish I'd kept all the recordings I'd made of it. Repeats on the whole are very run of the mill and disappointing but they can repeat this one as often as they like! I too would like it on DVD so I can watch the whole thing over again. Well done BBC..fantastic
Bleak House is one of my favorite books and the BBC televersion strikes me as wonderful. I disagree, though, with those who feel that the wonderful actress who plays Esther Summerson rescues "a tiresomely one-dimensional character in the book" - rather, I think she awesomely expresses what Dickens meant us to understand her to be, in the book. His clues to her non-stereotypical character and feelings are expressed, though, through references that are no longer easy to decode without special historical knowledge - some of it pretty, well, specialized. I suspect that if the person who wrote my quoted bit - which was part of an excellent comment and is itself beautifully put - went back to the book after seeing the BBC production, more of the book would reveal itself. Yet, even to him or her - probably not everything! The production doesn't take it on, for example, to explain why everybody at Bleak House calls Esther "Dame Trot" - but there *is* a reason!
Bleak House is not a book I have read. I was however aware that the central story concerned the never-ending courtroom litigation of Jarndyce versus Jarndyce. As a child, this book, I decided was way too boring to read. How wrong I was. I never dreamt that a Dickens novel could become such an obsession in later life.
This dazzling adaptation is serialised in the same way that Dickens serialised his masterpiece in the popular press. Each half-hour episode ends on a cliff-hanger. We, the viewers, are forced to count the days until the next episode is screened. ( and there is only 6 more to go!!!) It is impossible to find fault with the production. The characterisations and directing are the best I have seen from the Drama Department of the BBC. They have managed to capture the gloom, grime and squalor of the late 19th century convincingly.
Each actor is ideally cast. Charles Dance as the lawyer Tulkinghorn is evil personified. Gillian Anderson as Lady Dedlock, totally unrecognisable from her X-File days, is fragile and enigmatic. Particularly noteworthy in the host of Dickensian eccentrics are Pauline Collins as Miss Flite, Johnny Vegas as Krook and Philip Davis as "Shake me up Judy" Smallweed and Burn Gorman as Guppy. However it is invidious to single anyone out of such a stellar casting.
I cannot give this drama a higher recommendation
This dazzling adaptation is serialised in the same way that Dickens serialised his masterpiece in the popular press. Each half-hour episode ends on a cliff-hanger. We, the viewers, are forced to count the days until the next episode is screened. ( and there is only 6 more to go!!!) It is impossible to find fault with the production. The characterisations and directing are the best I have seen from the Drama Department of the BBC. They have managed to capture the gloom, grime and squalor of the late 19th century convincingly.
Each actor is ideally cast. Charles Dance as the lawyer Tulkinghorn is evil personified. Gillian Anderson as Lady Dedlock, totally unrecognisable from her X-File days, is fragile and enigmatic. Particularly noteworthy in the host of Dickensian eccentrics are Pauline Collins as Miss Flite, Johnny Vegas as Krook and Philip Davis as "Shake me up Judy" Smallweed and Burn Gorman as Guppy. However it is invidious to single anyone out of such a stellar casting.
I cannot give this drama a higher recommendation
I've just watched the first episode, and I thought it was the best classic adaptation on British television for years. (I have been tiring of costume-drama-by-numbers, and of Andrew Davies's superficial adaptations in particular, but they've got this one right, in my opinion). The directing is excellent, producing uniformly good performances from the actors - even from the likes of Johnny Vegas - and particularly from Charles Dance as Tulkinghorn and from the actress playing Esther Summerson (a tiresomely one-dimensional character in the book).
The camera moves around in response to characters' actions in an interesting way, and scenes open and close with swooshing sounds of the sort used these days in sci-fi feature films, keeping things vibrant. Since the early parts of the book are the least successful, I'm sure this serial can't help but go from strength to strength.
My favourite scene was Guppy's hilarious proposal of marriage to Esther.
The camera moves around in response to characters' actions in an interesting way, and scenes open and close with swooshing sounds of the sort used these days in sci-fi feature films, keeping things vibrant. Since the early parts of the book are the least successful, I'm sure this serial can't help but go from strength to strength.
My favourite scene was Guppy's hilarious proposal of marriage to Esther.
PBS is broadcasting "Bleak House" as an initial 2-hour segment, followed by 1-hour segments on subsequent weeks, for I believe 5 weeks: a total of 6 broadcasts. Now, halfway through, I have to say that this is some of the best, if not the best, television I have ever seen. The actors are incredible. The cast is perfect. Every single one of them is a master at his or her craft. Nothing finer! The tele-film is superb from the grimy lighting and atmosphere to parallel Dickens' own description of his times. The only thing I can find fault with is the soundtrack. The "whooshing," "clanging" transitions I find off-putting, but to me a minor flaw in this otherwise outstanding rendition of one of Dickens' most daunting novels.
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- TriviaAlthough a single season of fifteen (15) episodes was aired, some video streaming services list only eight (8) episodes. Aside from the first episode which was an hour in length, the following episodes are only a half-hour each. In most instances, two half-hour episodes are streamed as a single episode, accounting for the discrepancy between some streaming services, databases, and review sites and the number of episodes listed. S01E01 (aired as E01 with one hour length) S01E02 (aired as E02 and E03) S01E03 (aired as E04 and E05) S01E04 (aired as E06 and E07) S01E05 (aired as E08 and E09) S01E06 (aired as E10 and E11) S01E07 (aired as E12 and E13) S01E08 (aired as E14 and E15) This was created to perhaps clear up some confusion regarding the "missing episodes" of E09 through E15. However, it should be noted that the 8-episode version has been significantly edited down from the original. Much dialogue has been cut, and scenes have been shortened or omitted. The total run-time of approximately 425 minutes is more than an hour shorter than the original (15-episode) version.
- Versiones alternativasOn Tubi in 2024 this series airs in 8 double episodes of 55 minutes each.
- ConexionesFeatured in Screenwipe: Episode #1.1 (2006)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- La casa desolada
- Locaciones de filmación
- Luton Hoo Estate, Luton, Bedfordshire, Inglaterra, Reino Unido(Exterior, interiors: Krook's shop/Snagsby's shop)
- Productoras
- Ver más créditos de la compañía en IMDbPro
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