Wives and Daughters

I found this mini-series extremely entertaining. The acting was excellent. Michael Gambon was particularly outstanding. Justine Waddell did a wonderful job with Molly. She could have been an insufferable prig, but Justine brought such sincerity and vulnerability to her that you took her to your heart. Francesca Annis touched all the right buttons with her characterisation of the social climbing wife and Bill Paterson's wry humour and warmth made his relationship with Molly all the more realistic. Every role was well performed and no-one struck an artificial note. The settings, of course, were superb. How can you fail with the wonderful wealth of historic houses and the countryside available in England. The costumes,too, were excellent. No detail was missed. This series is one you can watch several times and still find new facets in the characterisations. PLEASE let us have more of this quality. Highly recommended.

Anybody who loves a good adaptation of a book, lovely period detail, compelling storytelling and great writing and acting should find no real reason to not enjoy Wives and Daughters. As an adaptation, Wives and Daughters is hardly disappointing, some might be underwhelmed by the ending but the book's incompleteness does deserve some of the blame here but the adaptation does show loyalty to the book while telling it intricately and freshly. I however have always found it fairer to judge an adaptation on its own, and on its own Wives and Daughters is brilliant and you don't even have to have read the book to enjoy what is personally considered one of the best series the BBC has ever done. The scenery and locations are stunning and the costumes, hair(didn't have much of a problem with Rosamund Pike's in Episode 4) and make-up are true to period and a feast on the eye, which is always a great starting point for a period drama adaptation. The music is quirky yet at other times understated and is never obtrusive, letting the story speak for itself when needed. The dialogue is incredibly thought-provoking with splashes of humour, ranging from subtle and hilarious, and emotional impact, and the story has every nuance and detail of society at the time down-pat and spot on and the telling of it is done loyally while fresh and relevant and intricate while never dragging or being too staid or faithful. The characters are immensely engaging and are developed just fine, Gaskell's characters like George Eliot's and Charles Dickens's were quite flesh-and-blood-like and there is a sense of that here. You'd think that you'd be annoyed by characters like Lady Harriet, but actually you might find that she later becomes one of your favourites when she stands up for Molly. The acting is superb from all, especially from Michael Gambon who is gruff yet poignant and Francesca Annis who makes a formidable character genuinely beastly. Justine Waddell is excellent never comes across as too perfect considering her type of character and Keeley Hawes is incredibly charming and naturally. Bill Paterson is likable and admirably restrained and Tom Hollander, who plays a conflicted character most touchingly, and Anthony Howell, who is effortlessly dashing, provide the heart of the drama without problem. The beautiful Rosamund Pike is wonderfully feisty and forceful(the scene on the carriage is very funny) and also elegant and dignified, it's a fairly small role but Pike makes a lot out of it. All in all, a brilliant series and adaptations. 10/10 Bethany Cox

The BBC is well known for its high quality costume dramas and this is one of the best in recent years. Elizabeth Gaskell is not an author that I was familiar with except for her usually being known as 'Mrs. Gaskell', which immediately makes her work offer the prospect of being a bit staid. Well not a bit of it! This production is intelligent, witty and thoroughly charming throughout. When it was shown as a serial, I couldn't wait for the next episode! Every member of the cast is exceptional, but special praise for Justine Waddell and Francesca Annis. I defy anybody not to become thoroughly involved in the story of Molly and her family/friends. Elizabeth Gaskell never finished the novel, sadly dying before its completion, but I feel certain that she would have wholeheartedly approved of the BBC's ending which is absolutely heartwarming! Even if you dislike period drama, I urge you to give this one a try, I know that my DVD copy will be getting a lot of use in the coming years - many thanks BBC!

A treasure, really. I enjoy films portraying this period, but this is above all my favorite. The acting is incredibly touching. I was in awe with the portrayal of the story throughout its entirety.

Waddell portrayed the character of Molly so well, it made me ache for her. Her obvious childishness throughout the movie makes her eventual development so much more satisfying. She is one of the best dynamic characters I have seen on film. Paterson is all at once likable, firm, loving to his daughter, annoying, and trustworthy. Truly a real characters, full of depth, intricacies, and idiosyncrasies.

This movie reads like an excellent, cozy book. I highly recommend this to anyone who enjoys excellent acting and reading fine literature.

After some deliberation, I have decided that this miniseries is one of my favorite movies of all time. Why? Because I can make no complaints whatsoever about this film. First, the screenplay, written by the wonderfully talented Andrew Davies of "Pride and Prejudice" (my favorite film of all time) and "Middlemarch" fame (the latter is on my list of must-sees). "Wives and Daughters" is based on the novel of the same name written by Elizabeth Gaskell. It tells the story of young Molly Gibson (Waddell), who lost her mother at a young age, but is raised by her loving father, the town doctor. When Mr. Gibson remarries, Molly's world is turned upside down. Now she has to contend with her daft and, at times, conniving stepmother, Hyacinth (Annis), and her worldly stepsister, Cynthia (Hawes). Despite their vast differences in temper, Molly and Cynthia become fast friends, but a secret from Cynthia's past stands to stain Molly's impeccable reputation. Meanwhile, Mr. Gibson's old friend, Squire Hamley, has two sons, studious Roger, and tortured Osbourne. Osbourne, the family favorite, has a few secrets of his own, but it is the younger Roger who not only proves himself the most responsible of the two, but also wins the heart of Molly and also a piece of Cynthia's as well. Will Molly finally have some happiness of her own? Well, after 3 1/2 hours, you'll find out.

Now, the actors. Superb! Justine Waddell (Tess of the D'Urbervilles, Great Expectations) is excellent and totally convincing as the strongwilled yet innocent Molly. Keeley Hawes (Cater Street Hangman, Our Mutual Friend) is wonderful as always. Bill Paterson (Mr. Gibson) is perfect as Molly's doting and protective father. And how can I forget Roger, played by Anthony Howell in his first television role? Wow, not only is he amazingly easy on the eyes, but he is a superb actor, who hails from various theatre troupes in England. The supporting actors and actresses are splendid, as well. As for the scenery and costumes, perfection. Nothing more to add on that account. One of the most memorable scenes to look out for is when Molly catches Roger's eye at a party given in his honor. I don't want to get into a lot of detail, but let me say that fortunately I recorded W&Ds, and I rewound that scene and also the last half hour at least 10 times. The ending is perfect! Definitely no disappointments. Please see "Wives and Daughters" if you already haven't. Even if you don't like period dramas, make an exception in this case!