Detrás de la máscara: el encubrimiento de Leslie Vernon
Título original: Behind the Mask: The Rise of Leslie Vernon
CALIFICACIÓN DE IMDb
6.7/10
27 k
TU CALIFICACIÓN
El próximo gran asesino y psicópata ha dado a un equipo de documentalistas, acceso exclusivo a su vida mientras planea su reino de terror sobre el tranquilo pueblo de Glen Echo.El próximo gran asesino y psicópata ha dado a un equipo de documentalistas, acceso exclusivo a su vida mientras planea su reino de terror sobre el tranquilo pueblo de Glen Echo.El próximo gran asesino y psicópata ha dado a un equipo de documentalistas, acceso exclusivo a su vida mientras planea su reino de terror sobre el tranquilo pueblo de Glen Echo.
- Dirección
- Guionistas
- Elenco
- Premios
- 5 premios ganados y 3 nominaciones en total
Kate Miner
- Kelly
- (as a different name)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I highly highly recommend this movie. It's a black comedy/mockumentary/horror movie that's bloody hilarious. I LOVED it. I can't recommend it enough!!! If you're a horror film junkie, or even if you're not (for example, my boyfriend doesn't particularly like horror films but is fond of intelligent comedy and was right beside me laughing for this one) you should DEFINITELY see this movie! It's so respectful of the genre at the same time that it plays with it... Nathan Baesel, who says he was inspired by Anthony Hopkins' Hannibal Lecter really pulls off charming and cheery -- not copying Lecter, but applying the influence to create a new and lovable serial killer (this is what makes him both funny AND creepy - it's impossible not to like him!).
I saw this at the Fantasia Film Festival. I have to admit the first act has some really funny moment, and the actor who portrays Leslie Vernon is great. That being said, the second part turns into a full-blown slasher. The break is WAY too rough to really make it believable, plus the slasher part does not deliver the suspense nor the action, nor the gore we would expect from that kind of movie, which makes it quite monotonous and basically, dull. The director did an okay job, alternating between hand-held video cameras for the documentary parts and stable HD cams for the slasher parts. The guys does have a respect for the genre, but that won't necessarily make the movie good. The cast is pretty solid, especially the guy who plays Leslie Vernon like I said earlier.
So the ''mockumentary'' part is pretty funny, but the ending is terrible. Watchable, but not amazing.
So the ''mockumentary'' part is pretty funny, but the ending is terrible. Watchable, but not amazing.
Behind the Mask is a film that's taken me more than a day to decide a fair reviewing score for, since it's such a wonderful idea that would be very difficult to execute perfectly. It sometimes feels kind of silly when it should feel serious, and yet sometimes feels a little too serious when it should feel silly, if you get me.
I enjoyed the movie. I thought it was funny and loved the actors. They truly do a fantastic job of portraying the individual personalities of the in-depth characters. Nathan Baesel plays an oddly likeable slasher, who treats his status like a job. Remarkably, he hasn't done much work outside of this film, which is kind of sad because he reminded me very much of a villainous Jim Carrey, but without ever seeming TOO over the top. He does a brilliant job of getting you to enjoy watching his character develop, making you care about him, whilst never letting you forget that he is a dangerous man.
The script is funny and for the most part well written. There were a few little bits here and there that I felt it could've done without as they made the plot feel a little uneven in bits, but for the most part it was enjoyable to watch. The film never really drags. It's also interesting how the first half of the film is presented as a mockumentary, whereas the second half is your standard climactic horror movie, where you get to see the cameramen who filmed the first half of the film. I enjoyed the transition and haven't seen many similar instances of this.
The film unfortunately suffers a little from obviously fake special effects and definitely won't appeal to anyone looking for a scare. It's comical all the way through and never takes itself too seriously. The ending feels a little incomplete and to be honest, kind of predictable. However, it's a good watch for anyone looking for a funny film with an interest in the classic slasher movies as the jokes and dialogue will be relatable to fans of these. Just don't expect to be frightened.
I enjoyed the movie. I thought it was funny and loved the actors. They truly do a fantastic job of portraying the individual personalities of the in-depth characters. Nathan Baesel plays an oddly likeable slasher, who treats his status like a job. Remarkably, he hasn't done much work outside of this film, which is kind of sad because he reminded me very much of a villainous Jim Carrey, but without ever seeming TOO over the top. He does a brilliant job of getting you to enjoy watching his character develop, making you care about him, whilst never letting you forget that he is a dangerous man.
The script is funny and for the most part well written. There were a few little bits here and there that I felt it could've done without as they made the plot feel a little uneven in bits, but for the most part it was enjoyable to watch. The film never really drags. It's also interesting how the first half of the film is presented as a mockumentary, whereas the second half is your standard climactic horror movie, where you get to see the cameramen who filmed the first half of the film. I enjoyed the transition and haven't seen many similar instances of this.
The film unfortunately suffers a little from obviously fake special effects and definitely won't appeal to anyone looking for a scare. It's comical all the way through and never takes itself too seriously. The ending feels a little incomplete and to be honest, kind of predictable. However, it's a good watch for anyone looking for a funny film with an interest in the classic slasher movies as the jokes and dialogue will be relatable to fans of these. Just don't expect to be frightened.
I saw this on the recommendation of a friend. I had never heard of it, but I was assured it was a good movie. Understanding the premise helps a lot, because this is a great movie and excellent concept. The beginning of the movie sets up the second half. In the first part, we see Leslie as human. He sometimes says creepy things, like when they begin to discuss his library of text books, mostly medical and anatomy. He makes a joke of this, saying these are necessary for the trade. He always refers to his need to kill as a profession and even has a mentor. Through them we see the world as if it were a game. The mockumentary parts are not only hilarious, we get to see the monsters side of things. The door that won't stay open? Probably rigged. Those ever-so-creepy newspaper articles the main character always seems to find at just the right moment? Those require more effort then the viewers might consider.
The second half of the movie is when we get to see Leslie in action. Because we have seen him as human in the first half, seeing him as a monster in the second isn't as scary as one might expect. It is not supposed to be. Leslie Vernon has become a person we know, who made us laugh, who keeps pet turtles. He is not some random resurrected guy with an axe to grind. He is a guy at work, albeit disgusting and immoral work, he is still a guy at work. Set up this way, it is a bit like watching two movies. The two parts play off each other very well.
This movie is darkly funny. No one wants to laugh as scary things happen, but when things work out just as Leslie predicts they will, even the "documentary" crew gets very enthusiastic.
Robert Englund (Freddy Kreuger) read this script and was impressed. being a big name in horror, he admittedly gets swamped with scripts. This movie interested him enough that he accepted the role. If you can't decide if you should watch it, remember that. And then rent it, with friends.
Everyone needs someone to look up to. Leslie realized he will never reach the fame of Mike (Meyers), Chuckie or Freddy, but he is trying.
The second half of the movie is when we get to see Leslie in action. Because we have seen him as human in the first half, seeing him as a monster in the second isn't as scary as one might expect. It is not supposed to be. Leslie Vernon has become a person we know, who made us laugh, who keeps pet turtles. He is not some random resurrected guy with an axe to grind. He is a guy at work, albeit disgusting and immoral work, he is still a guy at work. Set up this way, it is a bit like watching two movies. The two parts play off each other very well.
This movie is darkly funny. No one wants to laugh as scary things happen, but when things work out just as Leslie predicts they will, even the "documentary" crew gets very enthusiastic.
Robert Englund (Freddy Kreuger) read this script and was impressed. being a big name in horror, he admittedly gets swamped with scripts. This movie interested him enough that he accepted the role. If you can't decide if you should watch it, remember that. And then rent it, with friends.
Everyone needs someone to look up to. Leslie realized he will never reach the fame of Mike (Meyers), Chuckie or Freddy, but he is trying.
Leslie Vernon, a highly-enthusiastic wannabe "supernatural" serial killer, along the lines of Halloween's Michael Meyers or Friday the 13th's Jason, invites a film crew along to document his initial spree this original horror comedy that allows you to see a killing spree from the point of view of the killer. The film crew soon finds itself rooting for the likable Leslie, well-played by Nathan Baesel, who has planned his spree to the last detail. The crew slowly moves from documenting the events to aiding and abetting them, but it has second thoughts as the reality of the events overwhelm them. They discover too late that Leslie isn't exactly who he claims to be, and he has worked out everything, including their last minute hesitations, into his meticulous plan.
The documentary approach gives the filmmakers enough distance from the events to successfully spoof the conventions of slasher genre. However, the filmmakers managed to restore genuine tension by limiting that distance by making the witnesses, the filmmakers, into participants. That's why this film succeeded where other spoofs and "found footage" failed. It delivers both narrative perspective and intimacy.
Well done.
The documentary approach gives the filmmakers enough distance from the events to successfully spoof the conventions of slasher genre. However, the filmmakers managed to restore genuine tension by limiting that distance by making the witnesses, the filmmakers, into participants. That's why this film succeeded where other spoofs and "found footage" failed. It delivers both narrative perspective and intimacy.
Well done.
¿Sabías que…?
- TriviaAt the beginning, Taylor is standing in front of the Red Rabbit Pub. This is a reference to the Red Rabbit matchbook found by Dr. Loomis in Halloween (1978).
- ErroresAt the beginning of the film, a title says "Glen Echo, Maryland." Later, a microfiche copy of the local newspaper says "Glen Echo, Oregon."
- Créditos curiososThe Credits say "Only one animal was killed during production" as a spoof of the normal practice of saying that no animals were killed during production.
- ConexionesFeatured in Flirting with Danger: Power & Choice in Heterosexual Relationships (2012)
- Bandas sonorasMoonlight With The Stars And You
Written by Reginald Connelly, Jimmy Campbell and Harry M. Woods (as Harry Woods)
Performed by Ray Noble and His Orchestra (as The Ray Noble Orchestra)
Courtesy of EMI Film & Television Music
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Behind the Mask: The Rise of Leslie Vernon
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 69,136
- Fin de semana de estreno en EE. UU. y Canadá
- USD 38,500
- 18 mar 2007
- Total a nivel mundial
- USD 69,136
- Tiempo de ejecución
- 1h 32min(92 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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