Sophie Scholl - Die letzten Tage

In 1943, in Munich, the siblings Sophie Magdalena Scholl (Julia Jentsch) and Hans Scholl (Fabian Hinrichs) distribute anti-Nazi pamphlets in the University of Munich. However, they are arrested by the Gestapo and Sophie is interrogated by Robert Mohr (Alexander Held).

Sophie becomes loyal to her ideal and to her comrades of The White Rose resistance group and pleads guilty of all charges to save them. In a couple of days, she is judged by a Nazi court with her brother Hans and their friend Christoph Probst (Florian Stetter ) and they are sentenced to death and beheaded.

"Sophie Scholl - Die Letzten Tage" recreates the last days of the twenty-one year-old Sophie Magdalena Scholl, who was a student of the University of Munich and leader of the Anti-Nazi resistance group The White Rose. This awarded film has great performances and direction, and the dialogs are awesome, specially the ideological discussion between Sophie and Mohr during the interrogation.

I am a big fan of German movies and for those who liked "Sophie Scholl - Die Letzten Tage", there is another good film about this resistance group named "Die Weiße Rose" (1982). My vote is eight.

Title (Brazil): "Uma Mulher Contra Hitler" ("A Woman against Hitler")

OK, first of all. This movie is absolutely not like "the Downfall" (Der Untergang). Sophie Scholl is way more demanding and exacting. Now, 3 days after I've seen this movie, I still got a feeling of guilt and concernment in my stomach. In my opinion Sophie Scholl is due to its precision more like a (replayed) documentary movie than a Drama, which makes it even more "shocking". This is for sure no light entertainment, and those, that don't like long conversations or even are not interested in history, should not watch this movie. This is the main reason, why Sophie Scholl won't make the transatlantic heap, because it's too "special". It's a part of German history and requires a willingness to cope with it.

Marc Rothemund does a very good job on directing this movie, and Julia Jentsch is very convincing. While watching this movie you don't have the feeling that the story is 60 years ago and can't touch you. It makes you feel like you're in the thick of it. And that's why I give a 9/10. Great Movie.

I saw this film on February 14th, 2006 in Indianapolis. I am one of the judges for the Heartland Film Festival that screens films for their Truly Moving Picture Award. A Truly Moving Picture "…explores the human journey by artistically expressing hope and respect for the positive values of life." Heartland gave that award to this film.

The place and time are Nazi Germany of 1942-43. Germany is starting to have serious war setbacks like their huge loss and immense casualties at Stalingrad, and the allies, consisting of England, the United States, and Russia, are united in the destruction of the Third Reich. Within Germany, the opposition to Hitler, the Gestapo, and fascism is laughably small. Students with mimeograph machines try to educate and motivate other students to rally and protest. These students have to do this clandestinely because their activities are considered high treason and there is no freedom of speech or assembly.

Sophie Scholl and her older brother Hans are caught distributing subversive, anti-Hitler literature. The film focuses on the 21 year old Sophie, and she is NOT the weaker sex. She is interrogated for days and she is a spectrum of people far beyond her years; i.e., young, afraid, conniving, brave, docile, belligerent, religious, tough, tender, mature, etc.

The film is shot in color, but the color is heavily muted and it looks almost black and white. That is appropriate because the film plays as much as a documentary and as it does as a fictional drama. In fact, this story is based on a true story.

We live in a time when the head of Iran thinks the Holocaust didn't happen. It is moving to see that at least some young people in Germany during World War II were ashamed and disgusted by their country's murder of Jews, the mentally ill, gypsies, and women and children of occupied countries.

Sophie's religious beliefs were inspiring. She did not blame her God and she did not feel forsaken. God was simply her strength that she humbly called upon when she needed it most.

This film appears to have been made with a low budget. But, the impact is as powerful as large-budgeted films with similar themes like "Schindler's List" and "A Man For All Seasons." It has been nominated for an Oscar as Best Foreign Picture this year. And…it deserves the nomination.

FYI – There is a Truly Moving Pictures web site where there is a listing of past Truly Moving Picture Award winners that are now either at the theater or available on video.

As a person who spent many years 'making art', I could not be more amazed reading some of the comments. I've just been to a preview of Sophie Scholl in Manchester, England; and I am not only glad that this movie has been made, but also that it is done at the time when young people are happier to do 'whatever' rather than have any principles.

There is no point debating historical accuracy. As it followed from the Q&A session with Marc Rothemund following the preview, not only the filming took place at the original locations that are still there, but the crew went at great length doing things 'right', including getting the weather reports for February 1943. Yes, there is this strange feeling of looking at the film's title, which sounds like the title for a documentary. But then I didn't gather the impression that Rothemund's goal was to poeticise the story of Sophie Scholl. I think it is quite enough that in Germany she is perceived as a martyr. What Sophie Scholl - Die Letzten Tage does successfully is it shows a person behind the image, a young girl (younger than myself), who was prepared to die for her idea, but desperately loved life.

I read critical comments, and mine was in part sparked by them. Far from trying to debate their correctness, I'll do exactly what I always do on these occasions. Guys, those of you who decide to write next dismissive drag, instead tell us how you would direct in Rothemund's place. Or how would you act in place of Julia Jentsch? If you have really valid suggestions, we'll all be happy to hear.

A war is being waged by a mad man, who fans the flames of conflict where he can, in Germany and abroad, he slashes with his sword, but the tide begins to turn against his plan. The University of Munich takes the stage, where a group of students publish their outrage, covertly they dispense, argue against armed offense, it's a war of words and wisdom on a page. But the powers that have stolen all free speech, hail down upon the message that you preach, incarceration and then court, corrupted state gets what it sought, but there is solace in the strength of your outreach.

The powerful and inspirational story of Sophie Scholl as she's arrested, tried and punished for being part of The White Rose movement during WWII with a great central performance from Julia Jentsch.