Napola - Elite für den Führer

Napola is a disturbingly intellectual movie. The more you think on the message; the more disturbing it becomes. It is actually very scary the normality of the 'education', and shows the ease to which the standard human being can be nurtured into whatever the government wishes to instill. Very poignant in todays current affairs!

The movie itself has a lot in common with 'Dead Poet's Society', ergo the journey of self-discovery and one's place amidst the strict paradigm of expectancy. Complete with tragedy and the strong hint of insidious cruelty, Napola is not a superficial standardised 'Hollywood' outing (thank goodness).

The facts at the end of the movie were amazing in their ability to encapsulate the futility and warn against brainwashing of a nation. May more people be aware of this practice so the 'real' terror be rightfully and publicly rebuked.

In a world of Nazi madness most people follow the leaders... regardless of their values. When a Nazi officer sees his son's critical of the system, he thinks he is too weak. This sums it up. In his mind those who kill more people, who follow the Nazi ideals are the strong ones. There's no room for the "weak ones". His son has become aware of the lies and the lack of human values of those who order them kill Russian unarmed kids trying to escape, and has realized they're becoming evil like his father. Going against the system is extremely difficult and painful, requires strength of character...

This movie painfully opens our eyes to why a whole country looked the other way when atrocities happened and makes us think whether or not we would've been any different had we been in their shoes. The story was told in a very simple, yet sensitive manner, with excellent acting and beautiful, photography.

BEFORE THE FALL ('NAPOLA') is a brilliantly made film that addresses the blind hopes of youth in becoming a success as a man, a factor that allowed and allows dictators to entice young men into the realm of warriors under the guise of applauded bravery and the golden promise of achieving glory for a great cause. This story just happens to be about Hitler and his 40 Napola (training camps for the elite German youths in 1942) and the young boys and men who trained in these National Political societies. It could be found in many places and in many times...

Friedrich Weimer (handsome and talented young Max Riemelt) comes from the lower class in Germany (his father is aiming him toward factory work) and is a fine young boxer. His talents are noted by some representatives from the Nazi party and he is asked to report for enrollment in a Napola, an important means of education and training that Friedrich sees as being his way to become something special, someone important. His father is anti-Nazi and refuses to let Friedrich go, but Friedrich is determined and runs into the night to join the Napola. Once there he is admitted, groomed as a boxer for the Napola, and introduced to the Hitler's youth movement. His fellow classmates vary from the very wealthy to other fine Arian lads. They are trained, observed, and brainwashed as to the glory of the Thousand Year Reich. Problems begin to arise when Friedrich gets to know his fellow classmates: Siegfried (Martin Goeres) is a bed wetter and is humiliated publicly for his problem; Albrecht (Tom Schilling) is a poet and writer whose father is one of the governors of the Napola and Albrecht is anti-war; other lads seem on the surface to be obedient yet most have hidden reservations about what they are doing.

Being 1942 some changes are occurring in the Nazi dream and the Senior class is sent out on a mission to fight the enemy. And one night Friedrich's class is called out of bed and sent into the woods to find Russian soldiers who are 'threatening' their security. The boys open fire on the Russians only to find that they have killed a number of unarmed Russian boys. This profoundly disturbs them all, but Albrecht in particular. Friedrich continues to observe the manner in which he and the other boys are used and slowly his best friends find ways to martyr themselves and ultimately Friedrich does the same in his only way - by changing the way he approaches the Napola expectations of his boxing.

Max Riemelt as Friedrich is outstanding: not only does he have the solid extraordinary good looks but he also can act, satisfying every nuance of this challenging role. The remainder of the cast - both young boys and the adults running the Napola - are superb. The cinematography is subtly beautiful, ranging from the tough interiors inside to the vistas of a Germany before it was destroyed by the not too distant fall. Director Dennis Gansel, who co-wrote the script with Maggie Peren, is a young man (the featurette with the DVD has an enlightening conversation between Gansel and Riemelt) knows exactly how to capture both the wide-eyed innocence of youth and the slowly crumbled ideals of young men. This is an outstanding film to see and experience. Its lessons are terrifying and intense. In German with English subtitles. Grady Harp

I just watched Napola at the Montreal World Film Festival and I was pleasantly surprised. This choice of a random movie turned out to be a real cinematographic gem.

Set during World War II, this movie is about the dilemma and choices of some German teenagers who attend a napola - a special institution for gifted boys to turn them into the Nazi elite. Their days consist of military training and indoctrination; they are forced to lose all pity and become ruthless servants of the Fuhrer.

The story follows the entrance of Friedrich into a napola, the changes that he undergoes and the choices that he makes. Admitted because of his boxing skills, he seizes it as an opportunity to escape his poor working class situation. His best friend at the napola is the Governor's son - sensitive, caring, humane and opposed to Nazi dogma, he is obviously in the wrong place but has no choice but to fulfill his dad's wishes. As their friendship develops, Friedrich struggles between the ideology that the napola is forcing upon him and his friend's pacific beliefs.

This powerful film with excellent acting culminates on the boxing ring as Friedrich fights against the champion from another napola. The scene of the morning practice on the frozen lake left me breathless, while the ending of the grenade throwing session shook me with its passion, despair, and horror.

Another reason why I liked this movie so much is that it is made by Germans; indeed one would expect Hollywood to come up with such a story and that the outcome would be a highly emotional melodrama. I could feel the director disagreeing strongly with the Nazis, but rather than feeling shameful for what his countrymen did 60 years ago, he denounced it. Indeed, Friedrich's ultimate choice should be the choice of the new Germany.

My rating: 9/10

The subject matter is not unfamiliar - a decent German (in this case a talented young boxer) fights to retain his humanity in the face of Nazi pressure to lose it as a bad habit. At heavy cost to himself he refuses. And thinking back to the beginning of the movie we should not be surprised: to accept the invitation to attend an elite academy he must defy his father. To maintain his self-respect later on he must defy the surrogate fathers he has acquired at the academy.

This a superbly produced, directed film. The young actors' performances are believable and affecting. And for people who care about such things, Max Riemelt as Friedrich, the young, virile, gorgeous protagonist is a very easy guy to look at. Jim Smith