CALIFICACIÓN DE IMDb
6.9/10
4.3 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaIt is a Korean boy who went to Japan and started to learn Karate from his brother.It is a Korean boy who went to Japan and started to learn Karate from his brother.It is a Korean boy who went to Japan and started to learn Karate from his brother.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 2 nominaciones en total
Kim Won-shik
- Boy
- (as Won-sik Kim)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
OK, first things first; this is NOT a martial arts kung-fu beat em up movie (If you want that, go watch Ong-Bak!). Throw those expectations OUT and prepare to enjoy a very gripping action/drama with some of the most beautiful filmwork i've seen in a while. To keep it simple, this movie is very exaggerated biography of Choi Baedal (Later changed his name to Mas Oyama), founder of Kyokushin karate, starting from before WW2. The fight scenes are not like standard kungfu flicks. They don't fight for 5 minutes. It's realistic in this sense. They trade a few blows and one or the other falls down in severe pain. This movie screams of a comic book feel. Fight scenes are stopped in mid-action to emphasize the form and the impact of the blows, the color and framing of each shot is reminiscent of comics as well. It emphasizes Choi Baedal's super-heroish qualities. The storyline is very interesting, although it runs a little long. Overall, its a very beautiful film to watch. Its great to see a movie really focus on the philosophies and ideas of martial arts rather than just the fighting itself. It also deals with the fears mindset of a fighter. Its VERY sad, and can sometimes come off as corny, but the overall emotional impact is there. Watch it, and remember, its NOT a pure kung fu beat em up movie and you will enjoy it.
I was impressed and satisfied with Fighter In The Wind. Most martial arts movies tend not to be very serious, but in terms of grit and realism, this was one of the few martial arts movies that maintained complete seriousness throughout.
Apparently, it is biographical of a real karate master, which I didn't realize until the end. It is also apparently based on a comic book version of the story, which in hindsight is easy to see in the colorful and visually well-arranged cinematography. Many different environments, landscapes and buildings are encountered in the course of the story, and they are all beautifully presented. The director is a master at his craft.
Baedal's geisha girlfriend, played by Aya Hirayama, is absolutely stunningly beautiful, and the movie is worth watching just for her. But it is a good movie in its own right, with a good portrayal of the Korean minority in Japan just after World War II. Although parts of the story and characters lack depth, I do find the movie generally satisfying, except in one respect: As the other commentators point out, it doesn't have a great deal of fighting, and the fights it does have are brief and relatively unimpressive - all the more so because Baedal apparently doesn't use any specific style. It doesn't ring true, either, that he gets to challenge every kind of martial arts school, from karate to judo and others. Would such schools accept challenges from someone with such an unspecific fighting style? I doubt it. But, I'm no expert on this.
In any case, despite these flaws, I think the overall style of the movie is very well made, and I enjoyed it a lot. I'd definitely recommend it to any fan of martial arts and action movies.
My rating: 7 out of 10.
Apparently, it is biographical of a real karate master, which I didn't realize until the end. It is also apparently based on a comic book version of the story, which in hindsight is easy to see in the colorful and visually well-arranged cinematography. Many different environments, landscapes and buildings are encountered in the course of the story, and they are all beautifully presented. The director is a master at his craft.
Baedal's geisha girlfriend, played by Aya Hirayama, is absolutely stunningly beautiful, and the movie is worth watching just for her. But it is a good movie in its own right, with a good portrayal of the Korean minority in Japan just after World War II. Although parts of the story and characters lack depth, I do find the movie generally satisfying, except in one respect: As the other commentators point out, it doesn't have a great deal of fighting, and the fights it does have are brief and relatively unimpressive - all the more so because Baedal apparently doesn't use any specific style. It doesn't ring true, either, that he gets to challenge every kind of martial arts school, from karate to judo and others. Would such schools accept challenges from someone with such an unspecific fighting style? I doubt it. But, I'm no expert on this.
In any case, despite these flaws, I think the overall style of the movie is very well made, and I enjoyed it a lot. I'd definitely recommend it to any fan of martial arts and action movies.
My rating: 7 out of 10.
This korean movie claims to be inspired by the life of Choi Bae-dal, who founded the kyokushinkaikan variation of Karate, and the film explores the prejudice between the Koreans and the Japanese back then.
The setting is in post-WWII Japan, with Yakuzas and American GIs abound, not to mention the influx of Korean immigrants. This film narrates the life of Bae-dal in a fairly straightforward way, following his path to fame amongst fighters - taking on karate, judo and even kendo exponents.
Somehow this film parallels Stephen Chow's KungFu Hustle, which also narrates the life of a nobody to a somebody, with a pretty babe in tow for good measure, except this one is without the slapstick comedy.
The first half plods on, as our protagonist is still a greenhorn in the martial arts world. Once you've gotten past the first hour, things start to pick up when he trains himself to be the best of the best, but towards the finale, it somehow hints of Tom Cruise's The Last Samurai. Probably no fault of its own, as it explores the same theme amongst all martial arts - honour and justice.
The fight scenes, which looked spectacular in the trailers, actually offers nothing new. Most of it are quick cuts and slow motion, and given the premise, could've offered more in terms of actual fights.
This should appeal to those who wanna know more about the myth behind Kyokushinkaikan Karate. If you're looking for real Kung-Fu action, you'll probably be better off with a Jet Li martial arts movie.
The setting is in post-WWII Japan, with Yakuzas and American GIs abound, not to mention the influx of Korean immigrants. This film narrates the life of Bae-dal in a fairly straightforward way, following his path to fame amongst fighters - taking on karate, judo and even kendo exponents.
Somehow this film parallels Stephen Chow's KungFu Hustle, which also narrates the life of a nobody to a somebody, with a pretty babe in tow for good measure, except this one is without the slapstick comedy.
The first half plods on, as our protagonist is still a greenhorn in the martial arts world. Once you've gotten past the first hour, things start to pick up when he trains himself to be the best of the best, but towards the finale, it somehow hints of Tom Cruise's The Last Samurai. Probably no fault of its own, as it explores the same theme amongst all martial arts - honour and justice.
The fight scenes, which looked spectacular in the trailers, actually offers nothing new. Most of it are quick cuts and slow motion, and given the premise, could've offered more in terms of actual fights.
This should appeal to those who wanna know more about the myth behind Kyokushinkaikan Karate. If you're looking for real Kung-Fu action, you'll probably be better off with a Jet Li martial arts movie.
6Ky-D
I was pretty excited when this hit theaters. There was a lot of buzz floating around about it being the next great martial arts film. Unfortunately, for everything it does right, it does equal wrong.
For starters, this is a martial arts film, so you would assume there would be lots of fighting. And there is fighting, just not all that much. Most of the film is littered with lengthy dialogue scenes that are intended to deepen the characters, but this fails as well. Character motivation seems to be limited to "spur of the moment" reasoning and the ultimate plot is nothing more than standard fight-film fare (boy gets beat up a lot, boy trains, boy beats up everybody).
This isn't to say that the film doesn't have some positive aspects. The film is gorgeous; color, cinematography, lighting, all handled with expert flare. As for the fights (when the film gets around to them), they are excellent. Eskewing the modern trend penchant for treating fights like elaborate dance sequences, here instead we get some real hard-hitting brawls that also maintain a look of grace.
If only the filmmakers had put as much effort into the writing as they did into the look of the film, this could easily have been one of the top martial art films, instead of mild entertainment destined to be forgotten.
Score: 6/10
For starters, this is a martial arts film, so you would assume there would be lots of fighting. And there is fighting, just not all that much. Most of the film is littered with lengthy dialogue scenes that are intended to deepen the characters, but this fails as well. Character motivation seems to be limited to "spur of the moment" reasoning and the ultimate plot is nothing more than standard fight-film fare (boy gets beat up a lot, boy trains, boy beats up everybody).
This isn't to say that the film doesn't have some positive aspects. The film is gorgeous; color, cinematography, lighting, all handled with expert flare. As for the fights (when the film gets around to them), they are excellent. Eskewing the modern trend penchant for treating fights like elaborate dance sequences, here instead we get some real hard-hitting brawls that also maintain a look of grace.
If only the filmmakers had put as much effort into the writing as they did into the look of the film, this could easily have been one of the top martial art films, instead of mild entertainment destined to be forgotten.
Score: 6/10
i cant believe the comments made about this movie!this has to be Korea's best output in the martial arts genre since musa!!the fights certainly pull no punches you can hear heads and bones crunching!!i suggest you take another look and as you will see this a fine movie!!acting is good,the locations brilliant as the camera takes you around ghetto's to the wondrous scenes in the mountains,the training he puts him self through would make rocky balboa blush!!!the ice climb is excellent,you also get a feel for the period,this guy took no prisoners i can tell you,don't be put off from some reviews see this as a ruff n tumble session of extreme!!the last shot has to be seen to be believed!!!10/10 for a real gem of the martial arts kind!!!
¿Sabías que…?
- TriviaThis movie is based on the true life story of Choi Yeong-eui (who later changed his name to Masutatsu Oyama), the founder of Kyokushin Karate. Choi was born in South Korea in 1923, immigrated to Japan in 1938, and founded the Kyokushin Karate organization in 1953. Currently, Kyokushin Karate is practiced by more than 12 million practitioners in over 120 countries around the world.
- ConexionesFeatured in WatchMojo: Top 10 Underrated Martial Arts Movies (2017)
- Bandas sonorasIllusive Consensus
Lyrics by Simone Simons
Music by Mark Jansen, Ad Sluijter, Coen Janssen Simone Simons
Performed by Epica
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Fighter in the Wind
- Locaciones de filmación
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 6,000,000 (estimado)
- Total a nivel mundial
- USD 1,518
- Tiempo de ejecución2 horas
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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