CALIFICACIÓN DE IMDb
7.1/10
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TU CALIFICACIÓN
Dos policías compiten por la misma promoción y muy pronto se vuelven como los criminales que persiguen.Dos policías compiten por la misma promoción y muy pronto se vuelven como los criminales que persiguen.Dos policías compiten por la misma promoción y muy pronto se vuelven como los criminales que persiguen.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 10 nominaciones en total
Valeria Golino
- Camille Vrinks
- (as Valéria Golino)
Opiniones destacadas
I really wanted to like 36. It opens slick and energetic and it retains those two qualities throughout. The problem is that it picks up no other qualities along the way.
The promising looking cast are a let down. The plot veers all over the place. By the end of the film I found it impossible to care why anyone was chasing around doing whatever it was they were doing.
36 isn't awful. It is a pacey and at times very entertaining thriller, but it falls far short of its lofty target.
If you want a cop versus cop thriller watch Heat. If you want a French thriller watch The Beat That My Heart Skipped. If 36 happens to be on the telly one evening, well, you could do worse.
The promising looking cast are a let down. The plot veers all over the place. By the end of the film I found it impossible to care why anyone was chasing around doing whatever it was they were doing.
36 isn't awful. It is a pacey and at times very entertaining thriller, but it falls far short of its lofty target.
If you want a cop versus cop thriller watch Heat. If you want a French thriller watch The Beat That My Heart Skipped. If 36 happens to be on the telly one evening, well, you could do worse.
As usual, Olivier Marchal offers us an excellent thriller with a Homeric duel between Léo Vrinks and Denis Klein, two Parisian cops coveting the same promotion, i.e. the office of their common boss. They know and despise each other, making the competition fiercer. This movie rhymes globally with excellency, thanks to a dark atmosphere, an excellent knowledge of the French national police, Olivier Marchal being a former inspector, and an ineluctable fatalism, ... and despite the caricatural character of Denis Klein who is a a well-known alcohol abuser cruelly lacking of dignity and integrity, conferring a poor image of the national police. De facto, the film's realism is diminished, at least I hope so. In this respect, the final scene between Daniel Auteuil and Gérard Depardieu is disappointing and disturbing, Denis Klein's soliloquy being surrealistic with a mix of madness and megalomania.
The whole cast, the script and the dialogues are globally excellent. Daniel Auteuil and Gérard Depardieu are awesome.
The whole cast, the script and the dialogues are globally excellent. Daniel Auteuil and Gérard Depardieu are awesome.
A couple of days ago I saw the trailer of "36 Quai des Orfèvres" and I decided to buy the DVD. What a powerful movie it is, probably the best police story that I have recently seen. The dramatic and amoral story is a contemporary film-noir, with action, betrayal, shootings and hooks the attention from the beginning to the end. There is a great duel between two titans: Gérard Depardieu, in the role of a scum detective, and Daniel Auteuil, playing a detective with non-conventional procedures, and they both deserved nomination to the Oscar for such brilliant performances. The music score, with the song "Don't Bring me Down", is also wonderful. The grandiosity of "36 Quai des Orfèvres" recalled me 1995 "Heat", one of the best police stories of the 90's. I really do not understand why there are negative reviews for such great film. My vote is nine.
Title (Brazil): "36"
Title (Brazil): "36"
Cop turned director is a new one on me but there's always a first time I guess. One thing's sure Marchal has a lot of balls in titling his film as he has and so inviting direct comparison with the only other film to employ as its title the address of the Police headquarters in Paris, Henri-Georges Clouzot's 1947 classic called simply Quai des orfevres without the number which is superfluous. Clouzot's movie is well over 50 years old and featured a more sedate form of detection - Louis Jouvet was not exactly Monsieur Hard Man and, like the man said, the times they are a changing. Marchal, who began taking acting lessons when he was still a cop (so that's how they perfect the good cop/bad cop routine) and went on to play in several TV crime series, has based his story on a real situation, the internicine rivalry in the eighties between the BRI and the BRB, both working out of the Quai. Co-scriptwriter Dominique Loiseau was a player and this is partly his story. The film is dominated by two lions in winter, Gerard Depardieu and Daniel Auteuil recalling Duke Wayne and Bob Mitchum in El Dorado, two ageing pros if not yet over the hill certainly at the summit, so these two craggy bears, polar bears if you will, polar being the French name for gangster/caper/crime films, light up the screen no question about it as the respective heads of the BRB (Brigade de Repression du Banditisme, that's Major Heists to you and me) and BRI (Brigade de Recherche et d'Intervention (we're Gangbusters, Man). There's a history between these two, we're never QUITE told the full story which is a masterstroke, but it involves Vrink's (Auteuil) wife, who may have once been Klein's (Depardieu) girl. To sweeten the pot Mancini (Andre Dussollier) head honcho announces his retirement leaving his job up for grabs; both are equally qualified but it's an open secret that the first guy to nail a particularly violent gang will become the new chief. Auteuil is our Dirty Harry kind of cop, often worse than the villains he's after but he DOES usually get them in the end, Depardieu is a tad choosier but not TOO good to live. To say more wouldn't really add much, I found myself a little intrigued by the long, black leather coats worn by both Brigades, resembling nothing so much as the outfit of choice of the Stasi in East Germany and I HOPE this is an oblique comment on the fact that (England at least) is slowly becoming a Police state. All in all an enjoyable romp and well worth 8 stars.
I discovered this one in a cinema magazine where 36 Quai Des Orfèvres was presented as a hot thriller coming out on DVD. I read first the reviews on this site and the rating and then I didn't hesitate to order it. Wow, I am happy I bought it because I spent a wonderful entertaining Saturday evening watching a big thriller with my wife. I will add it no doubt to my best of DVD collection. My congratulations to all the stuff for this super job with lot of plots, intrigues and twists. The main characters were well developed and played by the great actors Daniel Auteil and as usual Gérard Depardieu. I am surprised what the french film scene presented recently to the audience with good thrillers as for example CRIMSON RIVERS I and II, L'EMPIRE DES LOUPS and the funny ones L'ENQUETE CORSE and TAIS-TOI. Standing ovations and I have my great respect for all. These movies are much more better than the last thrillers I saw from Hollywood. The running time was not long in respect of the similar US-thriller HEAT that was too long and not so hot as 36 Quai Des Orfèvres. For all theses reasons I give with my wife a solid 7/10 that matches nearly the actual vote of 7.2 on IMDb. Don't miss it, you won't regret.
¿Sabías que…?
- TriviaDirected by a former policeman.
- ErroresTowards the end of the film, when Vrinks hands Klein a Colt 1911 to urge him to commit suicide, he says "If the first one misses you, there's another 13 in the magazine." A Colt 1911 only holds 7 to 8 rounds, and Vrinks would have known about it.
- ConexionesRemade as Biseuteo (2019)
- Bandas sonorasDon't Bring Me Down
(Sia (as Sia Furler) / Blair Mackichan)
© 2003 EMI Music Publishing Ltd / S&A Music / BMG Music Publishing Ltd c/o BMG Music Publishing France
© 2003 Systematic Limited / Go Beat
With the kind authorization of EMI Publishing France, BMG Music Vision, Universal Music Projets Speciaux
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- 36 Quai des Orfèvres
- Locaciones de filmación
- Rue de Harlay, Paris 1, París, Francia(two policemen steal a street name sign and flee on a motorbike)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- EUR 13,580,000 (estimado)
- Tiempo de ejecución
- 1h 51min(111 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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