CALIFICACIÓN DE IMDb
6.3/10
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TU CALIFICACIÓN
Un sargento de policía debe reunir a policías y prisioneros para protegerse en la víspera de Año Nuevo de unos policías corruptos que han rodeado la comisaría para matarlos.Un sargento de policía debe reunir a policías y prisioneros para protegerse en la víspera de Año Nuevo de unos policías corruptos que han rodeado la comisaría para matarlos.Un sargento de policía debe reunir a policías y prisioneros para protegerse en la víspera de Año Nuevo de unos policías corruptos que han rodeado la comisaría para matarlos.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 2 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I saw this remake last night and must say that it was an extremely enjoyable two hours right from the get-go. The opening of the story is one of the best I've seen in years, and throughout the acting is solid which wasn't surprising with this cast, but the dialogue was great all the way through, which you don't usually get in films anymore, and the action and building of tension was done very well by the director, his choreographers, and the composers. Top notch performance from Ethan Hawke, Laurence Fishburne, John Leguizamo, and Brian Dennehy. Very solid leading lady turn for Drea DeMatteo, as well as from Maria Bello. And the casting of Gabriel Bryne as the villain is genius although I would have liked to have seen him do a bit more on screen with Hawke and Fishburne. Overall, a solid 9 out of 10 for giving me some things in a film that I'll remember simply because there unexpected and done really well. Go see this film if you like good action filled thrillers, I promise as a filmmaker myself, it won't disappoint.
Jean Richet's remake of the Carpenter thriller Assault on Precinct 13 is surprisingly entertaining. Assault on Precinct 13 (2005) loses the Carpenteresque weirdness and soundtrack, and tells the story of a remote, run-down police precinct under assault using more conventional cinematography and production. This is an achievement, but not because of the difficulty of following in the footsteps of Carpenter - because the film entertains without doing so, and because the narrative - just like all of Carpenter's films- manages to keep going without regard for the improbability of the plot. In other words, the Director kept a straight face and made the film entertaining enough to allow for a certain amount of suspended disbelief.
Strong, fast, characterization - part of the legacy of Carpenter's film - makes a big difference early on. The cast is uniformly excellent and the main characters - unusual for this genre - are all unique, believable and consistent. Fishburn plays a big bad guy incarcerated by fiat in the small, run-down Precinct 13. Hawke is the Sergeant in charge of the precinct - a man with psychological and drug problems associated with a traumatic event which opens the film. These two improbable allies must pool their resources to defend the precinct against... who?
The film is first and foremost an action film. The action is typical for the genre as of 2005 - i.e. - much of what takes place is only believable because of its entertainment value and internal consistently. Suspense is well constructed throughout the film, and the pace of the film reaches a frenetic level about 1/3rd of the way through, never letting up. The cinematography is surprisingly dissimilar to the original. Richet's film is more of a standard suspense thriller than anything bearing Carpenter's signature.
Recommended for its entertainment value, solid cast, and well-constructed (though somewhat ridiculous) plot.
Strong, fast, characterization - part of the legacy of Carpenter's film - makes a big difference early on. The cast is uniformly excellent and the main characters - unusual for this genre - are all unique, believable and consistent. Fishburn plays a big bad guy incarcerated by fiat in the small, run-down Precinct 13. Hawke is the Sergeant in charge of the precinct - a man with psychological and drug problems associated with a traumatic event which opens the film. These two improbable allies must pool their resources to defend the precinct against... who?
The film is first and foremost an action film. The action is typical for the genre as of 2005 - i.e. - much of what takes place is only believable because of its entertainment value and internal consistently. Suspense is well constructed throughout the film, and the pace of the film reaches a frenetic level about 1/3rd of the way through, never letting up. The cinematography is surprisingly dissimilar to the original. Richet's film is more of a standard suspense thriller than anything bearing Carpenter's signature.
Recommended for its entertainment value, solid cast, and well-constructed (though somewhat ridiculous) plot.
Now, before you criticize me, I have never seen the original John Carpenter version of this film. Being a huge fan, I really should see it, and after seeing this remake, I will definitely track down the original to see if it is as good as this film. I had a blast!
New Years in Detroit, a cold winter's morning as Precinct 13 prepares to close it's doors and move to a new building. There are only three people in the building on New Year's Eve, and as a storm draws closer, a criminal being transported to a maximum security center is re-routed to the deserted precinct. Only, there are some other people that would like to get closer to the villain.
Very exciting story and excellent acting by both Ethan Hawke and Laurence Fishbourne take this action over the edge. Some people may find the film ultra violent, but violence on the big screen never bothered me, so I enjoyed it quite a lot! Definitely worth a look for action fans, and fans of the original who are curious. However, those that are disturbed by violent images, would like to steer clear of this film.
New Years in Detroit, a cold winter's morning as Precinct 13 prepares to close it's doors and move to a new building. There are only three people in the building on New Year's Eve, and as a storm draws closer, a criminal being transported to a maximum security center is re-routed to the deserted precinct. Only, there are some other people that would like to get closer to the villain.
Very exciting story and excellent acting by both Ethan Hawke and Laurence Fishbourne take this action over the edge. Some people may find the film ultra violent, but violence on the big screen never bothered me, so I enjoyed it quite a lot! Definitely worth a look for action fans, and fans of the original who are curious. However, those that are disturbed by violent images, would like to steer clear of this film.
When they first announced there was a remake of John Carpenter's "Assault on Precinct 13" in progress, my immediate reactions were a little something like: "What?...Why?... This is blasphemy! ... This movie doesn't need to be remade!... etc etc" John Carpenter's original definitely was a revolutionary cult film. It was shocking, disturbing and politically incorrect and they simply can't make movies like that anymore nowadays, no matter how cliché that sounds. Therefore it was impossible for this remake by Jean-François Richet (never heard of him) to improve over the 1976-version. The good news, however, is that Richet never really tries to steal Carpenter's thunder and he surely delivered the best possible movie he could. Assault '05 is an A-budgeted movie that often has the charm of a B-movie and hangs together by adorable clichés, stereotypes and very explicit violence. On new years eve 2004, moments before the transfer towards a brand new police precinct, the old and abandoned precinct 13 is besieged by a gang of heavily armed and well-trained police officers. The reason? Top-gangster Marion Bishop, who was arrested earlier that night, has too much knowledge regarding the corrupt cop Marcus Duvall and his unit. In order to save their own careers, they have to eliminate Bishop before dawn, but also the innocent cops and random people who're in the precinct, because they know too much too now. The film offers quite a lot of suspense, good acting performances (by an impressive cast) and hard-boiled action. The setting (Chicago during a severe blizzard) adds to the tension. John Carpenter's original (which was, in fact, already a sort of remake of "Rio Bravo") will always remain one of the coolest, groundbreaking action movies ever (if it were only for that brutal and hugely controversial ice cream-truck sequence alone), but this film is a neat tribute.
The picture deals with an assassin (Laurence Fishburne) along with a group of delinquents (J.A Rule , John Leguizamo) are led to prison by security policemen (Kim Coates and Dorian Harewood) and during a snowstorm find shelter in a sleepy police station and almost locked out due to demolition . Precinct is commanded by a sergeant (Ethan Hawke) and there are an old police (Brian Dennehy) , a secretary (Drea De Matteo) and a psychologist (Maria Bello). Police station in ghetto district 13 is suddenly under siege and itself surrounded by violent gangmen heavily super-armed with technological weapons and helicopter . The opponents attackers sworn revenge about the murderer now inside the precinct 13 .
Film captures the special excitement or mood of paranoia that those under siege live for the night . Psychosis abounds when the policeman and prisoners are attacked from all sides and can see no way out making desperate tryings to flee . Film has maximum tension , noisy action , emotion and thriller from the subsequents attempts by the violent stalkers to enter in the station and the besieged to survive or getaway for prevention of the seemingly inevitable final . From the initiation of the movie to the end action-packed and suspense is unstopped . A very exciting storyline by James De Monaco though much-copied and superb casting make this one of the best thrillers made in that year . The picture is an adaptation of the semi-acclaimed John Carpenter film with the same title what also was a rendition of Howard Hawks's ¨Rio Bravo¨ and the remakes the ¨Dorado¨ and ¨Rio Lobo¨ ,that were developed in a besieged jail defended by a tough John Wayne and helped by a misfit bunch . Flick will appeal to action movies lovers . Rating : Above average.
Film captures the special excitement or mood of paranoia that those under siege live for the night . Psychosis abounds when the policeman and prisoners are attacked from all sides and can see no way out making desperate tryings to flee . Film has maximum tension , noisy action , emotion and thriller from the subsequents attempts by the violent stalkers to enter in the station and the besieged to survive or getaway for prevention of the seemingly inevitable final . From the initiation of the movie to the end action-packed and suspense is unstopped . A very exciting storyline by James De Monaco though much-copied and superb casting make this one of the best thrillers made in that year . The picture is an adaptation of the semi-acclaimed John Carpenter film with the same title what also was a rendition of Howard Hawks's ¨Rio Bravo¨ and the remakes the ¨Dorado¨ and ¨Rio Lobo¨ ,that were developed in a besieged jail defended by a tough John Wayne and helped by a misfit bunch . Flick will appeal to action movies lovers . Rating : Above average.
¿Sabías que…?
- TriviaIn the original movie, Bishop was the police officer and the Caucasian actor was the criminal.
- ErroresAfter Roenick comes in from the fight he had with the guy in the bus, he has a bloody lip. After this point, it appears and reappears through out the movie, until it eventually is gone altogether.
- ConexionesFeatured in HBO First Look: Assault on Precinct 13: Caught in the Crosshairs (2005)
- Bandas sonorasWinter Wonderland
Written by Felix Bernard and Richard B. Smith
Performed by Dean Martin
Courtesy of Capitol Records, Inc.
Under License from EMI Film & Television Music
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- How long is Assault on Precinct 13?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Assault on Precinct 13
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 30,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 20,040,895
- Fin de semana de estreno en EE. UU. y Canadá
- USD 7,000,000
- 23 ene 2005
- Total a nivel mundial
- USD 35,294,470
- Tiempo de ejecución
- 1h 49min(109 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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