Agua turbia

"Don't let the rain come down" goes the old song. Not since Mike Nichols liberally used water as an ambivalent motif in The Graduate has water had such a psychological impact as it does in Dark Water, a thriller that abundantly uses horror story techniques but goes further to expose the tender nerve endings of a single mom, Dahlia, caught in a cheap Roosevelt Island apartment that drenches her and her young daughter, Ceci, incessantly both inside and out with leaking ceilings and flooding floors that promise drowning both real and figurative.

Outside the obligatory ghost, incompetent apartment super, and conflicted dad lies the awful reality of vulnerable women being forced to live in substandard housing, dangerous to health because separation leaves separating wife and husband with no means to do better. Jennifer Connelly as Dahlia has the right blend of intelligence and helplessness to bring off what might have been just another distraught 30-year old mom with seriously disturbing images of her own mother abandoning her early in life. The parallel legend of an abandoned little girl turned ghost and befriending Ceci emphasizes the universal problems faced by single mothers everywhere.

Director Walter Salles knows how to make Roosevelt Island look bleaker than an abandoned Riker's Island, more foreboding than Manhattan at dusk in a dirty winter, and yet as desirable as the nearest suburb given the astronomical rents on Manhattan Island in any year. The socially conscious Salles also hints at the secret lives of other Roosevelt detainees: a lawyer who lies about his domestic life and an apartment manager whose blather about the advantages of the decrepit apartment hides the horrors of leaking ceilings are just a few of the menaces the lonely mother faces.

Salles suggest the sacrifices a mother might have to make for her child are never gone, about as bleak as the island itself on its rainy days. Find a similar sense of abandonment and horror in The Others (2001). Any film that makes Manhattan warm by contrast is scary itself. The marginalized life of a distressed young mother has never been so well expressed as in this film, where islands are metaphors for people.

"Oh, it 's a snug little island! A right little, tight little island." Thomas Dibdin (1771-1841): The Snug Little Island.

I have never posted a review on this site, but I feel that I should inform some people on "Dark Water".This is NOT a horror film.Yes,it's being marketed that way but it's not.This is a drama about a mother and daughter trying to make it on their own with a bit of a ghostly twist.Jennifer Connelly is amazing and has become one of my favorite actresses.In this,she is strong and fragile.She almost made me cry once or twice as she tried to hold things together and convince herself that she is not crazy.The little girl playing her daughter is sublime;The next dakota fanning maybe. This film is slow paced,there are NO big scares,no blood-just tension and mystery under the surface.The pace brings you to really care about the characters and not root for dahlia because it's Jennifer Connelly,but because it's Dahlia.It has one of the saddest yet hopeful endings I've seen in a while.This stands head and shoulders above "The Ring" (which I liked) and "The Grudge".Give it a try if you're looking for a good drama.

What Dark Water lacks in thrills, it does make up for in mood and wonderful performances, especially from Jennifer Connelly as the stressed out single mother trying to keep her wits about her after learning her apartment is haunted by a child's ghost. Expect less of a horror film and more of a drama and you'll be in the right headspace.

This is a Remake of the 2002 Japanese Horror Movie. The plot is pretty simple , a mother who is fighting custody over her daughter moves with her to a new apartment. The people in the building are strange, there's are leakage in their room and her daughter finds an imaginary friend soon....

The good aspects of the film is that it doesn't have any CGI ghosts or any evil looking spirits and yet it has an creepy feeling throughout. It is slow moving yet engaging. We have real middle class people with real problems which gives it more of a human drama than a typical horror stuff. Performances are good . There's more emotional connect than scary scenes. However the film could have been short, some scenes are absolutely no need especially the dream sequences are very unnecessary. There's not much to complain about ....it not an awesome film but it's pretty good for what it is and what it tries to be and is definitely an underrated horror drama .... Definitely worth a watch...

After separation her husband (Dougray Scott) and taking custody her daughter (Ariel) , Dahlia (Jennifer Connelly , though Jennifer Love Hewitt turned down this role) attempts to do a new start . The apartment she moves alongside her daughter seems perfect at first . Dahlia carries her daughter to nearly school where the teacher (Camyn Manheim) teaches her and she , subsequently , hires a lawyer (Tim Roth) for the divorce . Soon , though , weird things start happening into house . Huge water stains appear on the ceiling and drip constantly , more water and oozing liquid into the rooms everyday . She calls the doorkeeper (Pete Postlehwaite) and the landlord (John C. Reilly) but they refuse to make anything about it . A child's red bag shows up in odd places and soon the child herself starts appearing and causing usual poltergeists phenomenon recreated with high grade special effects . Dahlia then discovers the origin of the specter .

This new version of Hideo Nakata film is plenty of screams , fear , suspense , thriller and results to be quite entertaining . The terror moments are delivered compactly and quietly with no fuss . The script copies exactly the Japan original movie without surprises . While the look is suitable atmospheric and eerie , the plot stretches plausibility to the breaking point . Nice acting by Jennifer Connelly , she turned down the role of Paige in ¨House of wax¨ (2005) , another horror remake , in order to appear in this one . Colorful cinematography by Alfonso Beato , usual cameraman of Salles , and creepy musical score fitting to horror movie by Angelo Badalamenti (Twin Peaks) . The motion picture was well realized by Walter Salles , in spite of little originality . Salles is the number one producer (City of God , Lower city) and director (Motorcycle diaries , Central Station , Behind the sun) from Brasil and recently making an American career . The flick will appeal to terror cinema buffs, well worth seeing.