Chantal

Mundae's portrayal of Chantal, a sweet innocent girl from a small town trying to become a movie star in Hollywood hits all the right clichés.

In fact the whole movie fit all the stereotypes of how Hollywood eats young girls like Chantal up and spits them out.

But a little different than the soft-core porn Mundae became infamous for, this tale has some enduring moments but I think it rides the line of erotic drama and pornographic parody too strong.

It was a good way for Mundae to show she's more than "visual material" for those "many lonely nights", but the movie itself is a little too dark for that "activity", unless you're really into the ideal of a bright eyed innocent, spiraling down a dark path that gets very surreal as it goes.

Definitely something for real deal Mundane fans but I would stick with the movies that Julie Strain starred in rather than this one which she made a cameo in.

Good effort but takes what it is too seriously.

I liked thoa one and as always Erin Brown was good ,pretty good indie flick.

Do not miss Tony Marsiglia's stunning remake which features an utterly superb central performance from Misty Mundae as the innocent, wide-eyed titular character who dreams of becoming a movie star. However, she soon finds that far from being laced with tinsel, Hollywood is loaded with manipulative predators all too eager to lend a helping hand.

In some ways, this is Marsiglia's most straightforward film in terms of storytelling. There's none of the confusing narrative that characterized his previous release, Sinful, or the more dreamlike sequences in the excellent Lust for Dracula (Director's Cut). However, there are one or two moments of weirdness. For example, having been turned away from her first port of call, Chantal decides to lower her sights and enters the bowels of a decrepit hotel presided over by the creepy Pablo (Tony Marsiglia). On finding that she doesn't have enough money for a room even in this hell-hole, Pablo offers her a deal: he'll keep her suitcase and belongings with him, but he'll allow her to take two items with her. "Not the pink ones," he rasps excitedly like an obscene phone caller in imminent danger of a heart attack.

There are fine performances from the supporting cast. Darian Caine as an aggressive lesbian photographer gives perhaps her best performance to date with Marsiglia favorite, Andrea Davis, as her co-defiler. They subject the witless Chantal to their forceful attentions in a powerful scene that is harrowing to watch. Julian Wells also turns in a fine performance. Here, she plays an actress wannabe who's already been put through the wringer and is now reduced to turning tricks on the street.

Also present on the DVD are a behind the scenes featurette and an interesting audio commentary from Marsiglia and producer, Michael Raso. However, the icing on the cake is a fascinating, separate audio commentary from Tony Marsiglia and Misty Mundae. Aside from the business of 'Chantal', Misty speaks about her decision to stop making softcore films. She admits with refreshing honesty that since making Masters of Horror: Lucky McKee - Sick Girl, offers of acting work that she's been willing to undertake have not been numerous.

'Chantal', for me is a ten star film, but the extra features give this package a twenty star rating. Misty Mundae fans should consider it a must-have.

I watched the "Tubi cut" of this junk. Apparently most of the sex and a lot of the nudity was removed from this version. This leaves exactly nothing of value or interest. Really, given the lack of talent in direction, cinematography and screen writing, coupled with the abysmal cast, we really can't be missing much.

The actors are horrible. The dialog is laughable and the whole thing is shot in closeups, apparently with a hand held Betamax camera.

This intended to be soft core entertainment. If that's what you are looking for, there are myriad better options. Don't waste your time. You can easily do WAY better.

I really liked this movie. It's a remake of the 1968 Chantal and, like most art house films, it's a bit rough. Was it Citizen Kane? No. Was it a fun distraction? Yes. Was I in it? Yes. Did I have fun making it? Yes. This movie is a gem of an era that has passed us by. It was actually shot on film and I doubt that we'll ever see many more movies that are actually shot on film. I was involved on two shoots. The first was somewhere in Hollywood. I can't remember where but it was my outdoor scene outside an old, abandoned ballroom. The second location was at a place called Glaxo studios, which was a burned out building in downtown LA. (They're not there anymore.) Seriously, the entire upper floor of the "studio" had been burned out but we still filmed up there. The lower level was a nightclub set and I spent most of my time there. And I take umbrage with the previous reviewer. I have a degree in theater and have awards for my acting. I'm not Olivier, but I'm damn good! Just ask Lana Wood. But Trolls gotta Troll.