Terror en Amityville

The Lutz family (Ryan Reynolds, Melissa George, Jesse James, Jimmy Bennett, Chloë Grace Moretz) finds a big house for a surprising price. The reason for the low price is a grisly murder suicide in its history. When the family moves in, strange things start happening.

The biggest mistake is using the wrong POV. Ryan Reynolds shouldn't be the one to lead the movie. Melissa George should be the lead. She can be afraid of Reynolds. She can be conflicted about the new man as a father for her children. There are all kinds of avenues this could have taken.

The creepiest thing that happened is the super sexy babysitter (Rachel Nichols) for the kids. Would any parents really just walk off without a second look when the babysitter is dressed like that? And it gets super awkward with the sex talk.

If you completely ignore anything and everything that has to do with the Amityville stories, then this is a pretty decent horror flick. Ryan Reynolds turns in a very effective performance, reminiscent of Jack Nicholson in "The Shining." By the end of the flick, i was scared of the dude. The rest of the cast was solid, as well. Lots of scares throughout the film, but a little too much of the "MTV style" editing, especially in the last fifteen minutes or so. But all in all, a decent effort, just like i said.

HOWEVER.

If you're going into this expecting any resemblance WHATSOEVER to the book, the original film, or any of the stories told over the years, you're going to be severely disappointed. The filmmakers have pretty much left out the events that transpired in the novel and the previous film, and instead they take an extreme amount of liberty with the story and turn it into a series of stylized Hollywood scare tactics. Don't get me wrong, this is still effective, but if you're going to release a movie and promote it as "Based on the True Story" then you might wanna make sure that the movie at least RESEMBLES the original story.

In fact, George Lutz is currently in litigation with MGM films over the content of the movie, claiming that it shows his family in a potentially damaging light. When you see the flick, you'll understand why he's upset. I can't fault the guy.

If they had left the Amityville name off of this one and just released it as some generic haunted house movie, then i wouldn't have so many issues with it. But to even associate it with anything Amityville-related just seems wrong to me, because they have completely screwed it up. I would still recommend the film, and just caution potential viewers to forget everything you've ever seen or heard about Amityville. Otherwise you'll walk out of that theater just as annoyed as i was.

"Houses don't kill people. People kill people."

The film debut of the then eight-year-old Chloë Grace Moretz is a remake of the 1979 film of the same name. This is an average "haunted house" horror, based on true events. Decently done and moderately entertaining, it stands out only with the performance of little Chloë, and especially the scene on the roof, which is the only thing that remains etched in my memory even after five years.

6/10

A remake of the film by the same name from 1979, which was based on Jay Anson's book about a supposedly "true" haunting, Amityville Horror begins in familiar territory by showing us Ronald DeFeo, Jr. (Brendan Donaldson) murdering his family. A year later, newlyweds George (Ryan Reynolds) and Kathy Lutz (Melissa George), with three kids from her previous marriage in tow, buy the vacant house at a steal, although they hesitate a bit once they learn why it's so cheap. Strange occurrences begin not long after they settle in. George becomes increasingly impatient and hostile, daughter Chelsea (Chloe Moretz) begins seeing the dead DeFeo girl, and so on. The film recounts their very brief but tumultuous stay at the home the Lutz's believed would be their dream home, but which turned into a nightmare.

After seeing the remake of The Texas Chainsaw Massacre (2003), which had the same production team, principal scriptwriter and visual effects team, and which I loved--I gave it a 10--I was completely psyched for the Amityville Horror remake. After all, unlike my view of the original Texas Chainsaw Massacre (1974), which I also gave a 10, I think the 1979 Amityville has more than its share of problems. I like the original in spite of that, but producer Michael Bay and crew had plenty of opportunity for improvement. Unfortunately, although some aspects of this remake are better in my view, it suffers from a host of new problems. Like the first, the assets are good enough to transcend the flaws so that it squeaks by with a very low "B", or an 8.

In my view, there are two primary problems, with at least one a bit ineffable. The more effable problem is that relative newcomer director Andrew Douglas (his previous effort was 2003's relatively little-known documentary Searching for the Wrong-Eyed Jesus) instructs cinematographer Peter Lyons Collister to shoot the film using way too much close framing. I repeatedly felt the urge to take a couple steps back so I could better discern the action, the settings, the staging of scenes, and so on.

The second problem lies more in the realm of writing and editing--the film just doesn't seem to flow right. The transition from scene to scene often feels almost arbitrary. Even though Reynolds does a great job in his transformation as George Lutz (and the acting is superb all around), there was a sense of buildup in the original that this remake is missing. Further indicative of the transition problems, although seemingly minor, is the fact that the date, or the day of the Lutz' stay at the home, is sometimes given as a title and sometimes not. It seems like they just forgot to add the day titles for half of the scenes. Overall the final cut gives an impression of being hastily put together.

And that's a shame, because there is a lot of potential here. The house itself is impressive, as it needs to be, and the overall style of the film is nicely atmospheric. I was also impressed with the production design by Jennifer Williams, which among other assets tends to have the period setting spot-on. For example, I was a huge Kiss, Alice Cooper, etc. fan during this era (and I'm still a fan). Williams has a number of Kiss and Cooper images in the film. She very carefully ensures that none are anachronistic.

Even though scriptwriter Scott Kosar disappointingly expressed a lack of enthusiasm for Anson's book and the original film, he reintroduces a number of elements from the book that work well, but which were left out of the original film. He also introduces new scenarios that in some cases are among the best material of the film--such as a breathtaking sequence on the roof of the home, and the extension of the mythology behind the "haunting". He also greatly improves on sequences such as the babysitter. But on the other hand, he inexplicably changes core elements of the story, like the kind of being that Jody is.

Anyone frustrated with the typical horror style of the later 1990s and early 2000s may find this remake troublesome. As one might expect with Michael Bay producing, Douglas is encouraged to use "MTV-styled" cinematography and editing. There are a number of extended techniques that have become somewhat clichéd in recent years. Douglas has characters do that fast headshaking movement ala Jacob's Ladder (1990). There are sections shot in a cinema vérité style. There are instances of quickly changing film stocks and processing methods, and so on. Even though I usually love all of that stuff, and I'm actually a fan of Bay's work, I have to agree that it's not exactly the most natural fit in this case. But for me, it's not something I would subtract points for either.

Maybe the most surprising fact is that this version of Amityville Horror is so close, structurally, to the original. There is nothing here that is a big surprise, and anyone who has seen the 1979 film a number of times will know exactly what's coming next, or close enough to it. Whether this is positive or not depends on your opinion of the original film, and just how highly you cherish originality for its own sake. Big Amityville fans and big haunted house film fans will probably enjoy the film enough. Everyone else should approach with more caution.

A family(Ryan Reynolds,Melissa George and sons)moves to Long Island where is purchased a Victorian home ,their house of dreams but they find only devilish horror.Longtime ago,there occurred a grisly mass killing based on an allegedly real life occurrence in Amityville. And now a possessed father is plunged by demonic forces into supernatural attitude driving him to mistreat and beat the kiddies.He is attempting to find out the bottom of events by ways of the cellar.Meanwhile a exorcist(Philip Baker Hall)tries praying to vanquish the malignant spirit.

The film contains restless terror and great loads of gore and blood and usual poltergeists phenomenon caused by the curse as pipes and wall ooze stuff,flies swarm,doors suddenly slam ;it is recreated with high grade special effects which are frightening and horrifying the spectator.It's actually halfway decent terror movie that will like to ghostly and eerie occur fonds. The original¨Exorcist¨film(Friedkin) spawned a wave of demonic possessions movies that continues unabated today ¨Changeling¨,¨Amytiville ¨(Stuart Rosemberg) are two further examples of this sub-genre ,following a great number of sequels directed by Damiano Damiani,Richard Fleischer,Sandor Stern(authentic film's screenwriter),Anthony Hitchcock... .Although this is a new version from previous film, it's one of the highest earning horror movie of the last years.The motion picture is well directed by Andrew Douglas