Las aventuras de dos niños, Riley y Huey Freeman, que atraviesan un choque cultural cuando se mudan de Chicago a los suburbios para vivir con su abuelo.Las aventuras de dos niños, Riley y Huey Freeman, que atraviesan un choque cultural cuando se mudan de Chicago a los suburbios para vivir con su abuelo.Las aventuras de dos niños, Riley y Huey Freeman, que atraviesan un choque cultural cuando se mudan de Chicago a los suburbios para vivir con su abuelo.
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- 5 premios ganados y 6 nominaciones en total
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This show is "black" comedy in multiple senses of the term. Here is a memorable example. Grandad opens a restaurant featuring a menu high in fat, pork, sugar, and serving sizes. Huey comments that the food is "destructive" to those that eat it. Grandad asks him, "What's wrong with you boy, this is your culture." To which Huey responds, "well then the culture's destructive!" Now that's a point worthy of consideration coming out of the mouth of a small child in a cartoon. Personally, I think its worth watching several hours of this show just for the reward of being challenged to think about that one line, but others will not agree. My wife hates the show because, in her opinion "its simply not funny." I must agree, that the writing is bit uneven. Uncle Ruckus's trip to "white heaven" and King's speech at his political rally are absolutely priceless, while the entire episode "Let's Nab Ophrah" was a complete waste of time when Samuel L. Jackson's character wasn't talking. I strongly expect the reviews of this show to be highly polarized - you either love it or hate it. Watch a few episodes and make up your own mind.
This show is just what we people that aren't afraid to speak our minds need, and what all those PC wussies asked for!
Not only does this show pack a bit of a political punch, but it does it in such a humorous way that it's actually watchable... and I'm not political at all.
I actually thought that this show would be a real drag to watch... it turns out that if you give it a chance, you'll be hooked just like I am.
Aaron McGruder is an absolute genius. He has created a show that, as the site's show explanation puts it, represents the "much-needed foot in the ass of the man."
10/10
Not only does this show pack a bit of a political punch, but it does it in such a humorous way that it's actually watchable... and I'm not political at all.
I actually thought that this show would be a real drag to watch... it turns out that if you give it a chance, you'll be hooked just like I am.
Aaron McGruder is an absolute genius. He has created a show that, as the site's show explanation puts it, represents the "much-needed foot in the ass of the man."
10/10
10Agent10
Aaron McGruder is an admitted militant liberal, and his comic strip has provided quite an insight into his world view on politics and the lack of political tactfulness. But the television show has effectively upped up the ante, making even starker commentary on society and the racist ills that have fallen on it.
Some may attack McGruder for attacking African American culture by using the profane language and in his depiction of Riley, but what he has effectively provided is a sensible argument toward the ills of all cultural settings. He's effectively illustrating what people EXPECT from black culture.
McGruder has always been very critical of the "hip-hop" culture, calling it feminine and useless. In my opinion, McGruder's commentary is almost as powerful as Spike Lee's "Bamboozled," where he basically states hip-hop culture is just another form of black-face to entertain suburban white people. While the television seems to border more along the lines of cultural inequities and absurdities as opposed to the full-on political commentary of the strip, he still hammers home a lot of good points. Years from now, people will look at this show as a daring look at junk cultural paradigms and laugh at the absurdity of it all.
Some may attack McGruder for attacking African American culture by using the profane language and in his depiction of Riley, but what he has effectively provided is a sensible argument toward the ills of all cultural settings. He's effectively illustrating what people EXPECT from black culture.
McGruder has always been very critical of the "hip-hop" culture, calling it feminine and useless. In my opinion, McGruder's commentary is almost as powerful as Spike Lee's "Bamboozled," where he basically states hip-hop culture is just another form of black-face to entertain suburban white people. While the television seems to border more along the lines of cultural inequities and absurdities as opposed to the full-on political commentary of the strip, he still hammers home a lot of good points. Years from now, people will look at this show as a daring look at junk cultural paradigms and laugh at the absurdity of it all.
S1: Funny, wacky, underneath all the silliness lies a bigger pic, a bit far at times, quite consistent for the most part.
S2: Improved animation, I think this might be the best season, comedy not overdone, each episode had a purpose, great writing.
S3: Animation looks great, writing is as good as the second season, a bit weaker in terms of purpose, more comical then second season, but basically as good as the second season. Character development is the best in this season.
S4: Not bad, a bit better than S1, a bit of reused things, feels like it's missin something, best animation out of the 4 seasons.
The voice acting, music, and everything else was superb. Alot of cool and wacky characters that are unique in their own rights.
Overall it was quiet an enjoyable series.
Memorable: Sort of, Rewatchable: Likely..
S2: Improved animation, I think this might be the best season, comedy not overdone, each episode had a purpose, great writing.
S3: Animation looks great, writing is as good as the second season, a bit weaker in terms of purpose, more comical then second season, but basically as good as the second season. Character development is the best in this season.
S4: Not bad, a bit better than S1, a bit of reused things, feels like it's missin something, best animation out of the 4 seasons.
The voice acting, music, and everything else was superb. Alot of cool and wacky characters that are unique in their own rights.
Overall it was quiet an enjoyable series.
Memorable: Sort of, Rewatchable: Likely..
This is Adult Swim's most socially conscious and possibly most clever show. It's loaded with parallels to real world events. (A convenience store robbery works as a perfect metaphor for the early stages of Iraqi Freedom.) There are also heavy doses of Eastern influences, with references to Japanese cinema (Zatoichi, specifically) and action scenes comparable to what you'd normally only see in anime. The heavy dosage of quality hip hop is also refreshing. Aaron McGruder is man with good tastes, and they help to make his material so brilliant.
And yes, it is damn funny. John Witherspoon is incredible, and Regina King's voice grows on you after an episode. Also, frequent appearances by Samuel L. Jackson and Charlie Murphy as a couple of rich white boy gangstas lend an unequaled comic value to the show.
Now, onto the controversy factor.
Not to sound like a broken record, but this show is not racist. It does not lampoon black people, nor does it lampoon white people. This show specifically makes fun of just plain ignorant folks. Regardless of race. If you are a viewer who gets offended by the show, or thinks it's just an excuse for Adult Swim to prominently feature the "n-word," then you are exactly who this show is making fun of. (That's not to say that you have to like the show. If you are not offended but still do not like the show, that's your own prerogative.) I always thought that any show that always has to include a moral message must be a crappy family sitcom or kid's show. Not so in the case of Boondocks. Not to sound to preachy, but racial tensions still exist, even if the most common result is a white person being awkward and overly friendly when meeting a black person, saying things like "So, you hear the new Jay-Z?See the new Spike Lee?" This show is just what society needs. ***** out of *****
And yes, it is damn funny. John Witherspoon is incredible, and Regina King's voice grows on you after an episode. Also, frequent appearances by Samuel L. Jackson and Charlie Murphy as a couple of rich white boy gangstas lend an unequaled comic value to the show.
Now, onto the controversy factor.
Not to sound like a broken record, but this show is not racist. It does not lampoon black people, nor does it lampoon white people. This show specifically makes fun of just plain ignorant folks. Regardless of race. If you are a viewer who gets offended by the show, or thinks it's just an excuse for Adult Swim to prominently feature the "n-word," then you are exactly who this show is making fun of. (That's not to say that you have to like the show. If you are not offended but still do not like the show, that's your own prerogative.) I always thought that any show that always has to include a moral message must be a crappy family sitcom or kid's show. Not so in the case of Boondocks. Not to sound to preachy, but racial tensions still exist, even if the most common result is a white person being awkward and overly friendly when meeting a black person, saying things like "So, you hear the new Jay-Z?See the new Spike Lee?" This show is just what society needs. ***** out of *****
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- TriviaEd Wuncler III and Gin Rummy are based on George W. Bush and Donald Rumsfeld. Ed wears a medallion that says "W" which is Bush's nickname and "Rummy" is Rumsfeld's nickname. In the first episode, Ed Wuncler I says of his grandson, "In 30 years that boy will be the President of the United States... and he'll still be a fucking idiot."
- Citas
Huey Freeman: Vision? What do you know about my vision? My vision would turn your world upside down, tear asunder your illusions, and send the sanctuary of your own ignorance crashing down around you. Now ask yourself, Are you ready to see that vision?
- ConexionesFeatured in Behind the Boondocks: The Making of an American Classic (2008)
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