Tristán e Isolda

There are love stories,and then there are love stories that pack a powerful punch.Tristan and Isolde indeed falls in the latter category. I must confess to not being an avid watcher of romance films,and was expecting not to enjoy much,if any of this film at all.I came away pleasantly surprised,as this film has a power that is hard not to acknowledge.It is two love stories in one.An English warrior is torn between the love of a woman from a country with which they are at war, and the man to which he owes his very life.The problem is,his two loves are sworn to one another,though not by the lady's choosing.The story is told well,and the film beautifully done.As of this writing,it is still in theaters and is worthy of the admission price,not to mention a worthwhile future rental.

Like "Romeo and Juliet," "Tristan and Isolde" is a tale of forbidden love set in the Middle Ages (although it far predates Shakespeare's work both in setting and in origin). In this case, the two young lovers are separated along national lines, with Tristan a young Briton, and Isolde nothing less than the princess of Ireland. As their two countries do battle against one another, the benighted couple tries desperately to make their love work in a bitterly hostile world.

This is a handsome, well-crafted film, glorious to look at but tedious to sit through. Since we've seen so many of these tales already, it's a little hard for us to work up much passion for this one - even if, as we're told, the fate of an entire kingdom hangs on this relationship. Moreover, there is such a profusion of Angles, Saxons, Irish etc. running around on screen that it is often difficult to distinguish one from the other and to know just who is fighting whom (or who is allied with whom) at any given moment.

James Franco and Sophia Myles make for a fairly bland, conventionally modern young couple, but Rufus Sewell provides a subtle, sympathetic performance as the man who both raises Tristan and marries Isolde.

If Medieval romances are your cup of tea, by all means check out "Tristan and Isolde," but there are far better tales of unrequited love around than this one.

I must say that I didn't even originally plan on going to this movie, but after I was asked by a friend to see it on its opening night, I said that sure, I would go. I figured that it would be alright, nothing more than mediocre at the most, but this movie was amazingly wonderful.

I have heard many people's comments on how they didn't like it because "Myles' accent was completely wrong," "the chemistry between Franco and Myles was horrible," "it didn't even follow the original story," and many other miscellaneous things. While the story line was changed a little from the original story, I believe that it was still good. And come on, how many times does Hollywood actually stick to the original story anyway? I think that the way the story went was much easier for people who were not familiar with the story of Tristan and Isolde to follow.

Further, I thought that Myles did a wonderful job with her accents. I found it very easy to differentiate between the Irish and the English.

And lastly, I found the chemistry between Myles and Franco to be simply wonderful. They really showed me that the characters were truly in love; it was compelling and deep, put together for a very good movie.

I can honestly say that this is one of the best movies I have seen in a while; it was not the watered-down relationship kind of thing that comes from Hollywood most of the time. From the battles to the most intimate of scenes, it stayed simple; not the high-tech kind of thing that you would usually see. There were some parts meant to be funny, some meant to be sad, and the movie averaged out to give you the best of both. I will tell you that in its opening weekend I saw it more than once, something that I would usually never do. It's a movie that gets better and better each time you see it; one where you pick out things each time that you had not seen before.

Simply put, this is a wonderful movie. I loved it, but I would not recommend going if you're just going because you think that James Franco is hott! I know some people who didn't like it, I won't lie, but if you come to the movie with an open mind and know that some things are going to be different, you will absolutely love it, as I did.

In response to comments disparaging this film for neglecting to use music from the opera-- that hardly seems relevant. This story was written long before Wagner's work existed, and it would be foolish to demand that his music be a part of the film. It seems to be of greater significance that the film neglects certain elements of the original texts, although as an entirely different art form, the film has every right to take its liberties. It is unfair to credit or discredit any film based on its relationship to other works of art. It is important to appreciate and discredit this film within the context of the art form in which it functions.

Tristan (James Franco) was orphaned as a boy. Irish warriors interrupted a dinner in Cornwall, which his parents were attending, and killed many, including the lad's father and mother. Brave Uncle Marke (Rufus Sewell) saved his nephew, losing a hand in the process. Now, Tristan is grown and a fine swordsman himself. Yet, the Irish and the clans of Britain are still at odds. In another skirmish, after a valiant fight, Tristan is wounded by a poisonous sword. Thinking him dead, his grieving uncle and other men put him in a boat and release him to the waves. This is the burial ceremony of the times. But, by a twist of fate, the boat crosses the sea and lands in Ireland. Spying the vessel is beautiful Isolde (Sophia Miles), the daughter of the king. Realizing the man is alive but gravely, sickened, this beautiful princess and her lady in waiting nurse Tristan back to health in a secret cove. Before long, Isolde is deeply in love with her patient, although she gives him a false name for herself, and he is in love with her. But, danger lurks, due to his heritage. Just as the Irish are about to discover the secrets, Isolde releases Tristan in his boat, telling him their love can never be. Both are shattered inside. When Tristan arrives back in Cornwall, his uncle is overjoyed. Before long, the Irish king offers his daughter to the knight who can defeat all others in a tournament. Tristan vows to win a wife for the never married Marke. Sure enough, Tristan wins the contest. But, horror indeed when the lady's veil is lifted and it is his dear love. No matter, Isolde must marry Marke, for all parties are bound by honor. Yet, can Tristan really forget his love for Isolde or can she truly love her husband? In addition, if they give into their past feelings, what will be the consequences in the near future? This timeless tale of a love triangle is a legend that came before King Arthur himself. One could probably say it influenced the later story. As such, it is just as beautiful and tragic. Franco, Sewell, and Miles are a most lovely and talented threesome while the lesser actors are equally well chosen. The sets and costumes, which depict a time long ago, are wonderful to behold while the script and direction fulfill the story's telling well. Yes, there is some violence but it is muted; even so, those who shiver at sword fights and such should be advised accordingly. Nevertheless, this is a stellar two hours of entertainment.