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This film shows without any quibbling just how bright the star of Heath Ledger was. He is luminous in this; beautiful, funny, physical and engaging. He plays excellently against the stunning Shannyn Sossamon, who fits perfectly into the modern medieval setting of this film. Set in the C14th a man of poor birth but sharp intellect rises through the ranks of page-dom with the desire to become a nobleman for food, fame, glory and love.

An impressive ensemble cast including the superior Paul Bettany (Chaucer - you can see he had fun with this rather exposing (!) role), Rufus Sewell, Mark Addy, Christopher Cazenove, James Purefoy and Alan Tudyk provides a film that is nigh-on flawless for cinematography that is exciting and gripping, the screenplay - the script - is amazing, laugh out loud funny all the way through. It's one of those films which require certain intelligence to get all the asides and witticisms, or numerous viewings to pick up on all of them, otherwise its still a funny and enjoyable film. With something for everyone this film is a joy to watch again and again, it's also attractive visually - many points to the costumers who mixed historical fashion with a modern edgy almost punk twist. Ditto the soundtrack - mixing in modern music was a clever touch, similar to Romeo and Juliet (Baz Luhrmann), and also an interesting look at fame and the cult of celebrity.

A great viewing experience which sometimes even brings a tear to my eye. If you don't enjoy this film, there's something wrong with you. Ignore the haters, it's not supposed to be historically accurate or high-brow! Sometimes a feel-good, comfortable, Disney-esque story arc is just what you want.

I'd read that Brian Helgeland had been soured by the movie industry due to his mistreatment on his film, "Payback." I use "his film" in the most liberal sense here, as star Mel Gibson wrestled control of the film from Helgeland and imposed his own view on the final editing process. With this situation in mind, I fully expected "A Knight's Tale" to be a creative response to that negative filmmaking experience, a fun and free film that thumbed its nose at tradition and set style and which allowed the director's true vision to shine through with no outside interference. And my friends, that's exactly what I got when I first sat down to watch in back in 2001. "A Knight's Tale" celebrates the classic and vastly misused/underused genre of medieval movies, while at the same time knocking the genre on its ear by instilling the film with modern themes, attitudes and a classic rock score. Sadly, it was these elements which repelled most viewers and led to "A Knight's Tale's" lackluster performance at the box office. Were these people just a little more open minded, they would have allowed themselves a wonderful movie-going experience that celebrates individuality, love, and above all else, friendship. Though the music is crucial to the uniqueness of this film (and a brilliant addition, I might add), it's the relationships amongst the characters that gives this film its heart. William and Jocelyn are the perfect couple: bickering, floundering, and absolutely in love with one another. Wat, Roland, Kate and Geoff, wonderful characters unwilling to be fopped off as simple comic reliefs, show genuine love and loyalty to William, and do as much to contribute and carry the story along as William and the other two leads accomplish. Count Adamar, the film's villain, is a wonderful foil for William. He is cunning and cruel, and even in his moments of defeat, a character to respect. In many cases, such a villain would be made to seem wimpy or, at his moment of defeat, clumsy. Not so here, as Adamar is, throughout the film, a force to be reckoned with. I suppose part of why I love "A Knight's Tale" is my ability to relate to it so personally. I've certainly had my share of challenges, and aspired to be more than what I currently was. And I've also known friendships so loyal and loving that fiction could never invent. Most significantly, I've lived the pursuit of true love and, like William, have obtained it with no small amount of satisfaction. Everyone to some degree or another has also had these experiences in their lives, and its these experiences that built the foundation of "A Knight's Tale," which is exactly what makes it such a wonderful film, more than worthy of a second chance by those who previously doubted it, and much more than worthy of a spot in any fan's movie collection.

Brian Helgeland's A Knight's Tale is a hugely entertaining medieval romp set to modern rock classics such as Queen's 'We Will Rock You' and Thin Lizzy's 'The Boys are Back in Town'. The movie urges you to join in the fun with recognisable songs that is a jarring juxtaposition to the 14th century goings on at first but you soon get used to the idea.

Heath Ledger is excellent as the peasant who wants to be a knight and, upon meeting a homeless writer, who turns out to be Chaucer, offers to forge papers so that Ledger can bluff his way into the annual jousting competition to prove his worth as a knight and finds romance along the way.

This film has everything - action, adventure, comedy, romance and rock songs. It's feel good entertainment and Helgeland's unique approach still feels fresh, sassy and on point. Ledger is surrounded by a good supporting cast of Paul Bettany, Rufus Sewell, Mark Addy, Shannyn Sossamon and James Purefoy.

It's the perfect mix of a smart witty script, solid acting and an off kilter approach that really works. Baz Luhrmann pulled a similar trick with both Romeo & Juliet (1996) and Moulin Rouge (2001) by mixing up period pieces with modern songs to serve the narrative in an unconventional way.

But it is mine.

All HUGE heart, loyal friendship and REAL character WITH real characters. And a whole lot of fun and good laughs.

Just, love it for what it is.

This wonderfully uplifting little film has a great big heart, good humor, and a classic message about love and honor, and the rarity and preciousness of those who practice both with style. I went to see this with my spouse and a good friend of ours because THEY (the spouse and the friend) wanted to see it. I am a non-fan of comedies, and had been annoyed by the stream of trashy Connecticut Yankee in King Arthur's Court films that had been coming out since the 1980s. My spouse had also informed me that I would be seeing Jousting performed to Bachman Turner Overdrive. My reaction was to reach for the nearest bottle of hard liquor. I didn't need it.

I've now seen this film about six times, and though I can't say that I see something new in it every time (it's just not that complicated), I can say that I have enjoyed it each and every time. The characters, though relatively uncomplicated, are very lovable and the casting is quite excellent all around. Before Brokeback Mountain, William Thatcher was Heath Ledger's most memorable role. He's a poor boy from London's Cheapside who wants to change his stars and to become an honored knight. Travelling from tournament to tournament with his fellow indentured servants, his liege passes on, and William seizes the moment - taking his armor and his horse to become Sir Ulrich Von Liechtenstein of the Gelderland.

He is joined by the other now-free indentures, and eventually, by Chaucer and a female Farrier played by the wonderful Laura Fraser. Eventually, William falls in love with a princess and is challenged by a rival for her affections with a lot more experience, money and political clout. The love story, which could have easily become a distracting annoyance, in fact, comes to dominate and drive the story very nicely.

Special kudos to Ledger, Alan Tudyk, Rufus Sewell, Paul Bettany and James Purefoy for their awesome performances. And extra special kudos to Director Brian Helgeland for pulling off an impossible task - taking a fairy tale, making us want to believe it, and yet retaining some wonderful elements of silliness often missing in the fairy tale genre. This would make a wonderful romantic living-room double feature with The Princess Bride.

Recommendation: Definitely worth seeing.