Kinsey, el científico del sexo

One of the mid-20th century sexologists, Alfred C. Kinsey, is brought to life through a stellar performance by Liam Neeson. Screenplay writer & director, Bill Condon, who should have won an Oscar for "Gods and Monsters," uses an enticing technique of switching between B&W scenes & color ones. In the former, Kinsey is depicted as a subject, in a clinical setting, responding to his own sex survey questions. In the latter, Condon takes us through flashbacks of choice intimate events during Kinsey's younger life. This combination of screenplay & direction movement between the past in color & the present in B&W seems contradictory. However, it is quite effective to draw out the importance of how significant, if not 'colorful', Kinsey's upbringing was while living in his father-preacher's (John Lithgow) anti-sexual & puritanical home.

Kinsey's sexology includes so many open-ended questions that they leave room for respondents to elaborate upon their true sexual experiences. Their thousands of responses included in Kinsey's research {published as "Sexual Behavior in the Human Male (1948) & "Sexual Behavior in the Human Female (1953)} are anything but black & white! It is to Kinsey's credit, his passion, the effectiveness of his research techniques, that sexology discovered US respondents were eager to speak about sex. Since Kinsey's findings are not what the US public expected to learn, his research became controversial. For instance, the first book found males had many more same-gender sexual experiences than anyone imagined. The second book really rocked the world when Kinsey's research showed that females shared the same sexual desires as males! From the start of the film to the end it is loaded with sexological words: in other words, the clinical names for genital body parts & sexual activities. Sexual activities are spoken of scientifically & sometimes depicted. This is not by any means a pornographic motion picture. It is about the science of sexology. But, most especially, it is a fine film that aptly portrays both the research & intimate passions of the world famous US sexologist, Kinsey.

It's not necessarily an adults-only film; depending upon how well prepared & educated teens are in studies of human sexual behavior. I feel Condon masters the topics of sexology & sexualities.

Just as the focus of "Kinsey" thought he was being objective about a topic that had only been treated subjectively, the film is not an objective bio-pic.

For the first half of the movie, the exquisite production design, costumes and make-up effectively recreate middle America before World War II, as Kinsey's rigid upbringing and equally rigid scientific life as a zoologist are established.

Laura Linney as first his student then his wife adds an earthy and warm element and her excellent acting adds womanliness beyond the script to the movie that is missing otherwise. Their gradual move into teaching and studying sexuality is shown convincingly in contrast to the prigs around them, with, ironically surely, Tim Curry playing his puritanical academic rival.

Accurate details include showing and reading from a popular marriage manual, Theodoor H. van de Velde's "Ideal Marriage: Its Physiology and Technique;" when I ran a used book sale at my local synagogue we would get many unread copies donated from now elderly couples who had received it as part of pre-marital rabbinical counseling and it was hilarious how sexist and inaccurate it was.

But writer/director Bill Condon takes considerable interpretive leaps as he moves on to "the inner circle," as T. Coraghessan Boyle terms it in his fictionalized interpretation, when Kinsey hires, trains, works and lives closely with male assistants for his first research project on men.

Peter Sarsgaard is the stand out in the trio, as outstanding as his role in "Shattered Glass" and as all holds barred as in "The Center of the World." But his characterization leans toward a cavalier attitude towards women that is emblematic of this film until literally the last minute. I don't see why his character would be jealous to the point of fisticuffs of the attentions Timothy Hutton's flirtatious assistant would be paying to his wife when he seemed to condescend to marriage only for appearance's sake anyway.

The film dwells on gay men and skips through the research done to produce the second tome on women, pointing out mostly Kinsey's corrective biological information, therefore gliding over how it was the revelations about women that shocked the nation and led to difficult political and other consequences, though Margaret Sanger and Emma Goldman had promulgated similar information about women decades earlier (and had been hounded out of the country for their efforts). The Kinsey Institute's FAQ on their Web site point out the active partnership of female research assistants for this work, who simply don't exist in the film. (And the Congressional investigations of foundations in the 1950's didn't just focus on the Rockefeller Foundation's funding of Kinsey, but they haven't yet posted their correctives on their Web site.)

Similarly, as Kinsey is shown taking the leap from taxonomy to adviser as an avatar of the coming sexual revolution, the psychological component of relationships, let alone sex, only comes up once such that Liam Neeson's characterization ultimately seems naive. But Condon is more interested in the political component, as he clearly sees a similar tide of conservative criticism rising across the land again.

One also gets the feeling that someone either read the script or saw a working print of the film and had to gently point out to Condon that women simply get short shrift, so suddenly an extremely poignant coda is added, with Lynn Redgrave as a very moving interviewee on how Kinsey's work affected her life directly.

The aging make-up and cinematography are beautiful in indicating the passage of time, matching seasonal passings and making early discussions seem to have been documented in black and white.

The casting of the many research subjects is wonderfully varied and the New York metropolitan area locations, recognizable only to the cognoscenti, stand in very well for varied cities, academic and sylvan locales.

The closing credits are surrounded by fun period songs and zoological interactions.

I read some of the reviews on IMDb before I went to see the movie. And I was struck by some of the negative comments it received. Even in this day and age, there is a double-standard on "moral values".

Hypocrisy vs. common sense. The movie cleverly reveals that Kinsey helped us along the way, to become open about such a basic but non-the-less extremely vital part of our existence. True, some of his subjects were pedophiles or engaged in sex practices that most people would find offensive. However, the knowledge that he as a scientist derived from his studies, is immeasurable - it enables intimate insight into the human psyche, and with that, possible treatments for those that are sexually victimizing others.

And this is the key point: the law should protect life, the innocent (under-aged and animals) and of course, the non-consenting. Other than that, sex is something between consenting adults and no-one should have the right to outlaw what you do in the bedroom. If you listen closely, the movie will give you the same message.

My only complaint is perhaps that on the subject of "perversion" they barely scratched the surface on Kinsey's personal response. It was clear that as a scientist, he would continue on the path of knowledge, however dark it may have been. I would probably agree that the movie version of his life and work was toned down to a "pill small enough to swallow" - still, I feel it shows the audience enough to get a picture of who this man was.

Don't expect "adult entertainment" when going to this movie. There is little that will cause an open-minded, sexually in touch with him-/herself adult embarrassment or even excitement. It's more like a documentary.

The acting was superb on everybody's part, and Academy Award Nominations will be forth-coming - no doubt. Hopefully they will take some wins home.

Sexual intercourse was something that was perfunctory for purposes of procreation, and was left intact under those circumstances until a person named Sigmund Freud came along. Freud's rudimentary experimentation with psycho-analytical behavior relevant to sex, as well as other intense emotions, brought on copious mores of conscious thoughts pertinent to the individual's taboo elements of their constitution such as the libido and the id!! By the late 1920's in America, Freud's elementary findings on sexual behavior motivated Alfred Kinsey to initiate research that purported the yearnings of many people nationwide about exposing their intimate desires concerning sex!! The revelation of such proclivities made Kinsey a phenomenon in sexual research after World War II!! Many people were mesmerized and intrigued by the Kinsey Report!!! Alfred Kinsey, a biologist by trade, was determined in his desire to attain a grass roots recognition of the myriad of actions that were predicated on impetuousness!! This movie's basic plot revealed Kinsey's desire for the exposure of the lewd endeavors and double entendre habits which afflicted many "different" people!! Such a depiction of this individual known as Alfred Kinsey sparked a milestone in sexual knowledge to the mainstream American public!!

Liam Neeson did a tremendous job of acting as the role of Kinsey!! The entire film evoked a candid admission concerning lustful desires. If there were no such thing as desires about sex with so many people, Kinsey's research would not have been considered a breakthrough!! The film also points out that Kinsey's ideological binges with his research were often times halted by a lack of funding!!! Much of Kinsey's findings resonated to hedonistic wishes, much of them also translated to blatant intimacy!! Novice excursions with sexual deviancy made Kinsey and his wife educationally curious!! Attaining knowledge through various experimentation that both Kinsey and his wife engaged in, transcended infidelity and callous fruition, and relegated the two of them to the precarious plight of the ultimate guinea pigs!! These were emotions that were not sanctioned by love, rather, they were motivated by capricious lust!! Intellectual rumination on the motives of socially adverse carnality invoked a plethora of academic findings for Kinsey!! The end result of such research made Kinsey an unmitigated madman for the acquisition of perverted information!!

I found this movie to be very consciously significant...It was very socially sensitizing, especially in terms of the comprehension of the dogged tenacity Kinsey had to expose the perplexing facts about sex!!! A critical component to unearthing facts about an issue such as sex was merely to talk about the issue of sex!! This film depicts Kinsey's determination to attain knowledge about the historical importance of research and development germane to human sexual behavior which altered the lifestyle patterns of American living!! The cinema accommodated provision to the movie audience for Kinsey's findings that were in fact revolutionary floodgates that opened the formulation of the attitudes people have today!! The introductory dialog to this film is outstanding, and excellent performances by Liam Neeson and Chris O'Donnell make this film worth watching over and over again!! Bottom line, See this movie at least once!!

Liam Neeson is a terrific actor, and Dr. Alfred Kinsey is his character. After seeing "Kinsey" I can't imagine anyone else better for the role. People usually say that, I know, but you couldn't possibly imagine anyone else playing the part, ever. I think Neeson has a strong chance at winning an Oscar this year; as does Laura Linney, playing Kinsey's wife, a terrifically kind, warm woman trying to keep up with Kinsey's life, which moves along pretty fast. Too fast for her at times. These two performances are awesome, two of the actors' best, the Academy, and every other awards show, would have to be insane not to mention them.

Unfortunately, I don't think the rest of the movie is really up to par with the performances. Not to say it's bad, just that it fails to really interest us when Neeson or Linney aren't on screen (which, fortunately, doesn't happen much). The movie is about Alfred Kinsey, who pioneered the research on human sexuality. Neeson shows him as a strong man, but one with as many flaws as the gall wasps he collected, all buried deep beneath his drive and focus.

Kinsey's studies proved some things, and let a lot of homosexuality and other deviances from the norm at the time out into the open. I'd just like to say that I agree with some of his studies, I like that he unlocked the way uptight supposed "morality" of the masses think that any sexual behavior other than the missionary position is both unhealthy and immoral. How they thought that I don't know, but I admire Kinsey for proving them wrong. Other things I do not agree with, like Kinsey's studies on the time it takes really young children to reach orgasm…and Kinsey's way of thinking that sex on its basic level should have no emotional attachment; I think I can say that these things are ethically wrong without feeling ignorant.

But I won't be biased against the quality of the film because of this. I will speak of the technique of how it was made: the writing, the directing, etc. I liked how the movie began: with a black and white practice interview between Kinsey, his wife Clara, and their students. It is inter-cut with scenes from Kinsey's youth: Kinsey facing temptation with masturbation, and having trouble with his insanely strict father (John Lithgow).

Lithgow's first scene, where he speaks of the temptation and evil caused by zippers, electricity and ice cream parlors is the film's first problem. It doesn't show both sides of Kinsey's argument, it merely dismisses Lithgow – and those like him – as a laughing stock, instead of considering any validity in points that they're making.

This problem is carried throughout the movie, and Lithgow is seen as such a monster that we feel no sympathy for his character in a later scene showing his inner weakness and tragic past, the scene feels thrown in and very foreign to the rest of the movie.

I think the opening scenes, with Kinsey and Clara first falling for each other, and his proposal and collection of gall wasps, are the movie's best, I believe. Once Kinsey starts his research on sex I think the movie becomes a bit conventional. We get the usual scenes such as Kinsey alienated from his family, Kinsey receiving trouble from his financial backers, Clara feeling alienated from Kinsey, and so on. Of course, most of the time we watch eagerly, because Neeson and Linney are awesome, but we still have that itching feeling that the film isn't as special as Ebert says.

What I mean is, after decades of biopics, especially this year; a biopic has to be more than conventional. Unless the lead character is amazing and extremely watchable, like in "Ray", the film needs to show us something new. I mean, when you see a biopic, you pretty much know the lead is going be alienated from his family, obsessed with his work and full of inner demons. So give us something else, please.

Problems also arise with the introduction of Kinsey's staff, including bisexual Clyde Martin (Peter Sarsgaard), Wardell Pomeroy (Chris O'Donnell) and Paul Gebhart (Timothy Hutton). The problem is, we hardly know any of these characters, so we are bored when they get into arguments because we don't feel that we know anything about them. When we find out that Martin is bisexual it comes as a surprise, but we react with a shrug. Sarsgaard's performance is surprisingly flat; that he's getting any buzz for awards surprises me.

I'm giving the movie a seven simply because of the professionalism Neeson and Linney display on screen. They are the acting pros; they wash the floor with the rest of the cast. The Academy voters will all be struck by lightning if either isn't mentioned. So see it for them, and about the rest, well, shrug.

7/10