Michael Collins, el precio de la libertad

I saw this first in the now defunct Capitol Cineplex in Cork. I was surprised to see so many senior citizens in the cinema. The cineplex was so scummy it had to be something special to draw them in. Some of them might have been old enough to remember the civil war or at least to have had a close family member killed in it. Many of them were clearly moved by it particularly the end with its archive footage. It is a moving film, but you have to be careful.

One should never confuse history with entertainment and this is not a history lesson. All the major events are there, but there is a horrible bias from the director. I don't like DeValera or what he stood for, but what was hinted at the end in this movie is a travesty. If such a thing is true, you have to prove it, you can't slyly hint at it. There are other insidious things such as mortars and car-bombs which are clear reference to the 1970s-90s Northern conflict. Such weapons did not exist in 1916. To me this is an oblique way of implying that the Provos are somehow the legitimate heirs of the IRA in 1916 which of course they are not.

Despite this I enjoyed the movie a lot. The production values and acting was so good, it really felt like a timewarp. Neil Jordan is a great director, Neeson and Rickman are superb in their parts. Rickman looks so much like DeValera it is uncanny. I even liked Julia Roberts. It looks like she made a fair attempt at a Dun Laoghaire accent and of course it sounded phony. Southside Dublin accents all sound phoney to me anyway so I didn't mind. The best moment was the scene where Collins starts the civil war sitting behind a howitzer aimed at the Four Courts and fires. You can see a huge explosion and bits coming out portico. I actually felt scared that they had damaged this famous Dublin landmark. This won't mean much to someone from overseas, but anyone familiar with the Four Courts and the resident lawyers (sorry "barristers") in their eighteenth century costumes would surely enjoy firing an artillery piece at the overpaid clowns. I wish I had a howitzer like that.

I didn't know if Hollywood was distorting history but someone who knows the story of Michael Collins assured me this was a pretty accurate portrayal of him in here, which makes this film go even higher in my ratings, because it's definitely entertaining and is spectacularly photographed. There is more blue color in here - beautiful blue - than in any movie I've ever seen. It looks just gorgeous on DVD.

Liam Neeson's charismatic portrayal of Collins keeps you riveted to the screen, even though it's a fairly long movie. Julia Roberts and Alan Rickman seemed a bit miscast. Being American and British, respectively, they weren't quite believable as Irishmen, perhaps because I'm used to hearing them as they normally talk. I also don't like to hear the Lord's name in vain so often as what was in here, but that seems commonplace among the Irish, at least in all the movies I've seen and books I've read (and my relatives, half of whom are Irish!)

Anyway, this is a very interesting story with a nice combination of drama, action and romance. Very much recommended regardless of anyone's stance on Irish-English relations.

This movie is an excellent portrayal of the brutal and often non-conventional Irish freedom struggle. The movie has several great strengths. The biggest strength is Liam Neeson in his tour-de-force. His acting in this movie is as good as it gets. His personality changes subtly throughout the movie, becoming increasingly affected by the changes of the world around him. The supporting cast is also excellent, with Rickman in one of his best roles.

Cinematography is very nice, capturing everything from the hopelessness of the defeats in the ashy cities to the beauty of the Irish landscapes. The pacing is very good as well.

If you saw this movie with no opinion on the Irish history, you will have one when you leave the theater. This shows to me how powerful this movie is. After all, Michael Collin's tactics were not pretty, everything from car-bombings to mob-style executions. Yet we still care for him, we want him to succeed, even if he himself isn't sure he wants to.

Without it's politics, this movie is still excellent. It's a great piece of movie-making, it's involving, sad, funny and sometimes tense. One of the movies I consider classic.

Anyone interested in history especially that pertaining to how Ireland broke away from the United Kingdom and became it's own country definitely should check out this movie.

Liam Neeson was born to play Michael Collins, can't think of any other actor who would've been appropriate to play this role. Aidan Quinn and Alan Rickman were both also great in their roles. Julia Roberts gets way too much hate for her role in this movie. She was perfectly fine in her role and if anyone else without the attention that she brings had been in that role it wouldn't have gotten all the negative reaction that it had gotten.

In 1916 Dublin, Michael Collins (Liam Neeson), Harry Boland (Aidan Quinn), and Éamon de Valera (Alan Rickman) are among the captured rebels in the Easter Rising. After being released, they are politically active. De Valera and the political leadership get arrested. Collins is tipped off by double agent police detective Ned Broy (Stephen Rea). Collins goes into hiding with his best friend Boland. He meets his love Kitty Kiernan (Julia Roberts). Collins and Boland lead a guerrilla war against the British forces. De Valera takes Boland with him to work diplomatically. Eventually, the Brits relent and De Valera sends Collins to negotiate. Collins returns with home rule and splitting off Northern Ireland with De Valera opposing him. In 1922, the Anglo-Irish Treaty is approved. De Valera and his men resign taking Boland with them. They start their own revolt against the Irish Free State Army headed by Collins.

This is an expansive epic historical drama. Liam Neeson leads this with his powerful presence. He looms over this movie like the leading man that he is. The actors are all great although Julia Roberts does stick out a little. It would have been more fitting to have an Irish lass. The movie does try to fit a lot into two hours. Some of it can feel a bit disjointed. Liam Neeson is big enough to tie it all together. It would also be nice for him to have a constant foil. Whether or not he deserves it historically, the movie seems to make De Valera Collins' foil. It would be great to fully embrace the conflict and give De Valera more screen time. Make this Collins versus De Valera.