La película narra las tendencias de surf y skate que se originaron en Venice, California, durante la década de los 70.La película narra las tendencias de surf y skate que se originaron en Venice, California, durante la década de los 70.La película narra las tendencias de surf y skate que se originaron en Venice, California, durante la década de los 70.
- Premios
- 1 premio ganado y 7 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I am not a fan of surfing or skateboarding (although learning to surf is on my bucket list), but I decided to watch this film due to some of the names on the cast list such as Emile Hirsch, Heath Ledger, and a small appearance by Jeremy Renner. (Heath Ledger... what talent!)
The film begins as a surfing movie, then transitions into skateboarding, but the execution is amazing. I hardly watch movies without checking the time left, due to my incessant need to know everything, yet I didn't feel inclined to do so during this film. What that means is that the film has a perfect flow, it will keep you interested throughout the entire film.
It's a fictionalized film of "The Z-Boys" and how they revolutionized the sport of skateboarding. The film has much to do with skateboarding, but the main scenes are coming-of-age related and it really shows the simplicity of life that we take advantage of. There's many things you can take from this film: from fame, fortune, and success to humbleness, health, and friendship.
I thought this film would be a somewhat decent, but I was so wrong, it is an inspirational and interesting piece of art. I highly recommend this film if you have an open mind. If you aren't moved by the end, then you aren't human.
The film begins as a surfing movie, then transitions into skateboarding, but the execution is amazing. I hardly watch movies without checking the time left, due to my incessant need to know everything, yet I didn't feel inclined to do so during this film. What that means is that the film has a perfect flow, it will keep you interested throughout the entire film.
It's a fictionalized film of "The Z-Boys" and how they revolutionized the sport of skateboarding. The film has much to do with skateboarding, but the main scenes are coming-of-age related and it really shows the simplicity of life that we take advantage of. There's many things you can take from this film: from fame, fortune, and success to humbleness, health, and friendship.
I thought this film would be a somewhat decent, but I was so wrong, it is an inspirational and interesting piece of art. I highly recommend this film if you have an open mind. If you aren't moved by the end, then you aren't human.
Although there has been much controversy about whether the movie has really portrayed 'Dogtown' and the z-boys accurately, i feel this is not even necessary. If you feel unsatisfied with what you have learnt about the z-boys and Dogtown go and watch Peralta's documentary Dogtown and Z-boys. Lords of Dogtown has the intention of entertainment and i personally exetremely enjoyed it. Lords of Dogtown tells the story of how a group of Venice street kids changed the face of skateboarding (and, to some degree, youth) culture in the mid- to late 1970s. The adolescent adopted the Zephyr Shop, a surf store run by Skip Engblom (Heath Ledger), as their home away from the own dysfunctional homes. Engblom recruited the best skaters for the Zephyr Team. Including: Tony Alva (Victor Rasuk), responsible Stacy Peralta (John Robinson) and troubled bad-boy innovator Jay Adams (Emile Hirsch). With the introduction of urethane wheels (revolutionary for the boys skating style as now the wheels gripped, they could "climb walls")and the timely South Cal drought meaning swimming pools were to be emptied, giving the boys perfect locations to practice their gravity-defying maneuvers, Zephyr became the be-all-end-all of the skateboarding scene.
"Lords of Dogtown" follows the rise and inevitable fall of the team, efficiently conveying the events with a flat accuracy that emphasizes history over character development. Director Catherine Hardwicke ("Thirteen") does an outstanding job of re-creating the seedy '70s atmosphere so much so that you could be forgiven for assuming you were watching archival outtakes from "Z-Boys." Hardwicke really nails that sense of post-Vietnam, rejection of authority of SoCal.
Hardwicke also understands the thrilling nature of speed for these kids. She employs a point-of-view camera from a skateboard's wheel to convey the rush. Hardwicke's most important achievement, however, was how she portrayed that skating was indeed these boys life. You really could see how skating for character Jay Adams was an outlet for the psychological pain he was experiencing. Hardwicke was very devoted to her character's individual portrayals. She has 3 contrasting personalities of main characters and shows this also through camera techniques. Jay being the more kinesthetic, hard, "go-go-go" character has many hand held shots and the zoom is employed more, creating a rough, jerky portrayal. Stacey Peralta being the strangely responsible one with a job has straight on, clean cut shots. Tony Alva, however, our most competitive Z-boy by far is filmed often from below, giving him a larger than life presence.
The movie was composed exceptionally and not too 'Hollywood' ( that is focusing on unrealistic character relations and excruciatingly social-analytical). It moved just fast enough to stop you from being potentially bored by the many skating scenes if you did not fit that demographic. However, even there i felt Hardwicke handled this amazingly too. I have never thought in my life i would ever watch a skating movie but i simply adored this one. Character relations were conveyed so realistically. The boys relationships were almost to real, you could feel the unspoken tension between them as the Zephyr team starts to go their separate ways. Hardwicke shows that true, stereotypical male bonding, that is that their love of skateboarding in the end is what brings them together.
Featuring a great soundtrack - including much Jimi Hendrix, David Bowie and the classic Wish You Were Here, i gave this movie a real thumbs up.
"Lords of Dogtown" follows the rise and inevitable fall of the team, efficiently conveying the events with a flat accuracy that emphasizes history over character development. Director Catherine Hardwicke ("Thirteen") does an outstanding job of re-creating the seedy '70s atmosphere so much so that you could be forgiven for assuming you were watching archival outtakes from "Z-Boys." Hardwicke really nails that sense of post-Vietnam, rejection of authority of SoCal.
Hardwicke also understands the thrilling nature of speed for these kids. She employs a point-of-view camera from a skateboard's wheel to convey the rush. Hardwicke's most important achievement, however, was how she portrayed that skating was indeed these boys life. You really could see how skating for character Jay Adams was an outlet for the psychological pain he was experiencing. Hardwicke was very devoted to her character's individual portrayals. She has 3 contrasting personalities of main characters and shows this also through camera techniques. Jay being the more kinesthetic, hard, "go-go-go" character has many hand held shots and the zoom is employed more, creating a rough, jerky portrayal. Stacey Peralta being the strangely responsible one with a job has straight on, clean cut shots. Tony Alva, however, our most competitive Z-boy by far is filmed often from below, giving him a larger than life presence.
The movie was composed exceptionally and not too 'Hollywood' ( that is focusing on unrealistic character relations and excruciatingly social-analytical). It moved just fast enough to stop you from being potentially bored by the many skating scenes if you did not fit that demographic. However, even there i felt Hardwicke handled this amazingly too. I have never thought in my life i would ever watch a skating movie but i simply adored this one. Character relations were conveyed so realistically. The boys relationships were almost to real, you could feel the unspoken tension between them as the Zephyr team starts to go their separate ways. Hardwicke shows that true, stereotypical male bonding, that is that their love of skateboarding in the end is what brings them together.
Featuring a great soundtrack - including much Jimi Hendrix, David Bowie and the classic Wish You Were Here, i gave this movie a real thumbs up.
10adavin65
I grew up in California and this movie REALLY brought me back to the 70's and what was happening in the skateboard world. The actors were totally on mark with their portrayals of these guys and how things were back then in California at that time. I'm a girl and I was into skateboarding at that time. I saved my own money to buy my own boards. I even remember my mom came home one day and gave me an article from a magazine about Alva. I met him later in the 80's and he's a very down to earth guy. If you grew up in Cali at this time, you will LOVE this movie and if you didn't you will get the true idea of what it was like then. Awesome job guys on this film! A definite classic!
Because I work with Swedish subtitles I had the chance to see this movie a while ago. I liked it. Lords of Dogtown has a great cast such as Heath Ledger, Emile Hirsch, Victor Rasuk, John Robinson, Nikki Reed, Michael Angarano, Johnny Knoxville and Rebecca De Mornay among others.
In the mid 1970's, a group of teenage surfers from a tough neighborhood known as "Dogtown" in Venice, California pioneered a revolutionary new style of skateboarding. Riding the waves at the Pacific Ocean Park pier, the Z-Boys, known for their aggressive style and hard street attitude, combined the death-defying moves of surfing with the art of skateboarding and became overnight sensations and local legends. With empty pools as their canvas, the Z-Boys paved the way to what is now referred to as "extreme sports," and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon. But all of this fame would take its toll on the friendships that they thought would last a lifetime as the sport that started out as an afternoon hobby turned into big business.
Everyone was good, especially Heath Legder. He stars as Skip, the Z-Boys' party-animal ringleader whose money-hungry ways tear the boys apart. The director Catherine Hardwicke was not the first in mind of making this movie, she took over after David Fincher decided to leave the project for another feature. She did a great job creating the life among skateboarders, surfers and party animals in the 70's California. It's about the Z-Boys. They made skateboarding an art form, infusing it with the death-defying grace of surfing. I think this movie is worth a 7/10.
In the mid 1970's, a group of teenage surfers from a tough neighborhood known as "Dogtown" in Venice, California pioneered a revolutionary new style of skateboarding. Riding the waves at the Pacific Ocean Park pier, the Z-Boys, known for their aggressive style and hard street attitude, combined the death-defying moves of surfing with the art of skateboarding and became overnight sensations and local legends. With empty pools as their canvas, the Z-Boys paved the way to what is now referred to as "extreme sports," and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon. But all of this fame would take its toll on the friendships that they thought would last a lifetime as the sport that started out as an afternoon hobby turned into big business.
Everyone was good, especially Heath Legder. He stars as Skip, the Z-Boys' party-animal ringleader whose money-hungry ways tear the boys apart. The director Catherine Hardwicke was not the first in mind of making this movie, she took over after David Fincher decided to leave the project for another feature. She did a great job creating the life among skateboarders, surfers and party animals in the 70's California. It's about the Z-Boys. They made skateboarding an art form, infusing it with the death-defying grace of surfing. I think this movie is worth a 7/10.
This film charts the rise of the legendary "Z-Boys" of California: Tony Alva (Victor Rasuk), Stacy Peralta (John Robinson), and Jay Adams (Emile Hirsch). After they go to work for board designer Skip Engblom (Heath Ledger), they pioneer a new style of skateboarding that wins them lots of success and acclaim. Of course, as is often the case, this fame is not without some costs. Stacy (who wrote the screenplay) emerges as the most even-keeled of the trio, while Tony gets a fairly swelled head.
"Lords of Dogtown" will surely resonate most for those people who came of age and forged their friendships in the 1970s, as well as all aficionados of the sport of skateboarding. For this viewer, it took a while to really grab hold, because it suffered from some excess. There's more footage than is really necessary of characters indulging in various forms of bad behaviour. Fortunately, as we actually see some humanity and humility from some of the principals, the story becomes more engaging. The hyperactive camera-work and quick cuts are distracting at first, but it's hard to argue with a soundtrack as cool as this one. There's one great rock song of the era after another. The moves performed by the actors' stunt doubles do provide some pretty good thrills.
The cast is fine and full of familiar faces: Rasuk, Robinson, and Hirsch are very well supported by Ledger, whose colourful performance is most welcome, and performers such as Rebecca De Mornay (always nice to see her in anything), Johnny Knoxville, William Mapother, Julio Oscar Mechoso, Nikki Reed, Pablo Schreiber, Elden Henson, Michael Angarano, Mitch Hedberg, America Ferrera, Sofia Vergara, Charles Napier, Bai Ling, Shea Whigham, Joel McHale, and Alexis Arquette. The real Tony Alva, Stacy Peralta, and Jay Adams have cameos, as does Tony Hawk; Jeremy Renner appears unbilled.
Overall, a decent snapshot of the L.A. skateboarding and surfing scene throughout the 1970s, with text at the end telling us what became of the principals.
Peralta also directed the documentary feature "Dogtown and Z-Boys".
Seven out of 10.
"Lords of Dogtown" will surely resonate most for those people who came of age and forged their friendships in the 1970s, as well as all aficionados of the sport of skateboarding. For this viewer, it took a while to really grab hold, because it suffered from some excess. There's more footage than is really necessary of characters indulging in various forms of bad behaviour. Fortunately, as we actually see some humanity and humility from some of the principals, the story becomes more engaging. The hyperactive camera-work and quick cuts are distracting at first, but it's hard to argue with a soundtrack as cool as this one. There's one great rock song of the era after another. The moves performed by the actors' stunt doubles do provide some pretty good thrills.
The cast is fine and full of familiar faces: Rasuk, Robinson, and Hirsch are very well supported by Ledger, whose colourful performance is most welcome, and performers such as Rebecca De Mornay (always nice to see her in anything), Johnny Knoxville, William Mapother, Julio Oscar Mechoso, Nikki Reed, Pablo Schreiber, Elden Henson, Michael Angarano, Mitch Hedberg, America Ferrera, Sofia Vergara, Charles Napier, Bai Ling, Shea Whigham, Joel McHale, and Alexis Arquette. The real Tony Alva, Stacy Peralta, and Jay Adams have cameos, as does Tony Hawk; Jeremy Renner appears unbilled.
Overall, a decent snapshot of the L.A. skateboarding and surfing scene throughout the 1970s, with text at the end telling us what became of the principals.
Peralta also directed the documentary feature "Dogtown and Z-Boys".
Seven out of 10.
¿Sabías que…?
- TriviaThe real Skip Engblom wanted Heath Ledger to play him.
- ErroresWhen a fight breaks out in a nightclub, one of the band members can be seen wearing a Black Flag shirt. This scene occurs in either 1976 or 1977, but Black Flag did not actually take the name Black Flag until 27 January 1979 (from 1976-1978 the band's name was Panic). Additionally, the song that is playing is a cover of the song Nervous Breakdown by Black Flag, which was not released until 1978.
- Créditos curiososThe TriStar Pictures logo gets "Locals Only" spray-painted across it.
- Versiones alternativasAlso released on DVD as an "Unrated Extended Cut".
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Los amos de Dogtown
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 25,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 11,273,517
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,623,373
- 5 jun 2005
- Total a nivel mundial
- USD 13,411,957
- Tiempo de ejecución
- 1h 47min(107 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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