Después de la muerte de su amo, un escudero campesino, alimentado por su deseo de comida y gloria, se crea una nueva identidad como caballero.Después de la muerte de su amo, un escudero campesino, alimentado por su deseo de comida y gloria, se crea una nueva identidad como caballero.Después de la muerte de su amo, un escudero campesino, alimentado por su deseo de comida y gloria, se crea una nueva identidad como caballero.
- Dirección
- Guionista
- Elenco
- Premios
- 4 premios ganados y 13 nominaciones en total
- Christiana
- (as Berenice Bejo)
- Simon the Summoner
- (as Steve O'Donnell)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Chronologically, historically and geographically incorrect.
Full of innumerable inaccuracies and made up of a cast who talk as though they are not from the same continent, let alone the same country! What more can I say?
I tell you what I can say, I thoroughly enjoyed it!!! I laughed from beginning to end and was enraptured by the sense of friendship that these people displayed.
I only wish we could all be like them!
I loved it.
I've now seen this film about six times, and though I can't say that I see something new in it every time (it's just not that complicated), I can say that I have enjoyed it each and every time. The characters, though relatively uncomplicated, are very lovable and the casting is quite excellent all around. Before Brokeback Mountain, William Thatcher was Heath Ledger's most memorable role. He's a poor boy from London's Cheapside who wants to change his stars and to become an honored knight. Travelling from tournament to tournament with his fellow indentured servants, his liege passes on, and William seizes the moment - taking his armor and his horse to become Sir Ulrich Von Liechtenstein of the Gelderland.
He is joined by the other now-free indentures, and eventually, by Chaucer and a female Farrier played by the wonderful Laura Fraser. Eventually, William falls in love with a princess and is challenged by a rival for her affections with a lot more experience, money and political clout. The love story, which could have easily become a distracting annoyance, in fact, comes to dominate and drive the story very nicely.
Special kudos to Ledger, Alan Tudyk, Rufus Sewell, Paul Bettany and James Purefoy for their awesome performances. And extra special kudos to Director Brian Helgeland for pulling off an impossible task - taking a fairy tale, making us want to believe it, and yet retaining some wonderful elements of silliness often missing in the fairy tale genre. This would make a wonderful romantic living-room double feature with The Princess Bride.
Recommendation: Definitely worth seeing.
Heath Ledger is excellent as the peasant who wants to be a knight and, upon meeting a homeless writer, who turns out to be Chaucer, offers to forge papers so that Ledger can bluff his way into the annual jousting competition to prove his worth as a knight and finds romance along the way.
This film has everything - action, adventure, comedy, romance and rock songs. It's feel good entertainment and Helgeland's unique approach still feels fresh, sassy and on point. Ledger is surrounded by a good supporting cast of Paul Bettany, Rufus Sewell, Mark Addy, Shannyn Sossamon and James Purefoy.
It's the perfect mix of a smart witty script, solid acting and an off kilter approach that really works. Baz Luhrmann pulled a similar trick with both Romeo & Juliet (1996) and Moulin Rouge (2001) by mixing up period pieces with modern songs to serve the narrative in an unconventional way.
All HUGE heart, loyal friendship and REAL character WITH real characters. And a whole lot of fun and good laughs.
Just, love it for what it is.
¿Sabías que…?
- ErroresThis is a satirical romance, not a historical documentary. While nominally set in the middle of the 14th century (when Edward the Black Prince and Geoffrey Chaucer were active), it freely amalgamates the costume, custom and slang of many different centuries to create a unique world. The Chaucer character (who mentions his signature Canterbury Tales) bears almost no resemblance to his historical counterpart. Matte replicas of the London Eye and the Eiffel Tower are included to drive home the anachronistic intentions.
- Citas
Chaucer: You're good. You're very good. My lords, my ladies, and everybody else here not sitting on a cushion!
[crowd roars]
Chaucer: Today... today, you find yourselves equals.
[crowd roars]
Chaucer: For you are all equally blessed. For I have the pride, the privilege, nay, the pleasure of introducing to you to a knight, sired by knights. A knight who can trace his lineage back beyond Charlemagne. I first met him atop a mountain near Jerusalem, praying to God, asking his forgiveness for the Saracen blood spilt by his sword. Next, he amazed me still further in Italy when he saved a fatherless beauty from the would-be ravishing of her dreadful Turkish uncle.
[crowd, boo]
Chaucer: In Greece he spent a year in silence just to better understand the sound of a whisper. And so without further gilding the lily and with no more ado, I give to you, the seeker of serenity, the protector of Italian virginity, the enforcer of our Lord God, the one, the only, Sir Ulllrrrich von Lichtenstein!
[crowd roars]
Chaucer: Thank you, thank you, I'll be here all week.
- Créditos curiososAfter the credits finish, Roland, Wat, Kate, and Geoff have a flatulence contest/drinking game. Wat loses, but Kate is the obvious winner.
- Versiones alternativasThere is a slight difference between the UK cinema version and the UK DVD release. In the cinematic release, the queen/Robbie Williams version of We Are The Champions starts playing when William and Jocelyn kiss just before the credits, whereas the DVD release has a different song play. However, We Are The Champions still plays over the last half of the credits.
- ConexionesFeatured in HBO First Look: The Making of 'A Knight's Tale' (2001)
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- A Knight's Tale
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 65,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 56,569,702
- Fin de semana de estreno en EE. UU. y Canadá
- USD 16,511,391
- 13 may 2001
- Total a nivel mundial
- USD 117,487,657
- Tiempo de ejecución
- 2h 12min(132 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1