Una joven sin confianza en sí misma es maldecida con un cuerpo envejecido por una bruja odiosa. Su única oportunidad de romper el hechizo es un joven brujo en un castillo ambulante.Una joven sin confianza en sí misma es maldecida con un cuerpo envejecido por una bruja odiosa. Su única oportunidad de romper el hechizo es un joven brujo en un castillo ambulante.Una joven sin confianza en sí misma es maldecida con un cuerpo envejecido por una bruja odiosa. Su única oportunidad de romper el hechizo es un joven brujo en un castillo ambulante.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 14 premios ganados y 20 nominaciones en total
Chieko Baishô
- Sophie
- (voz)
Takuya Kimura
- Howl
- (voz)
Mitsunori Isaki
- Page
- (voz)
Yô Ôizumi
- Turnip Head
- (voz)
- …
Akio Ôtsuka
- King
- (voz)
Daijirô Harada
- Heen
- (voz)
- …
Haruko Katô
- Suliman
- (voz)
Jean Simmons
- Grandma Sophie
- (English version)
- (voz)
Christian Bale
- Howl
- (English version)
- (voz)
Lauren Bacall
- Witch of the Waste
- (English version)
- (voz)
Blythe Danner
- Madame Suliman
- (English version)
- (voz)
Emily Mortimer
- Young Sophie
- (English version)
- (voz)
Josh Hutcherson
- Markl
- (English version)
- (voz)
Billy Crystal
- Calcifer
- (English version)
- (voz)
Jena Malone
- Lettie
- (English version)
- (voz)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Reviewers say 'Howl's Moving Castle' highlights Miyazaki's signature themes of magic, strong female leads, and detailed worlds. Sophie's transformative journey and self-discovery are central. The animation is lauded for its breathtaking visuals and meticulous detail. However, some find it less original, with familiar elements and a simpler plot than Miyazaki's earlier films. Nonetheless, it is appreciated for its imaginative narrative, engaging characters, and the director's unique fusion of fantasy and reality.
Opiniones destacadas
A very cinematically beautiful film with characters you just fall in love with. I won't lie, the plot is very hard to follow. If you've read the book, you can tell that miyazaki focused less on following the plot, more on making the film beautiful to watch, and as a result we are left with a story that has huge chunks missing and frankly doesn't make a lot of sense in places. But I'm not mad, because it is very, very beautiful to watch.
Howl's Moving Castle is as marvelous and magical as Miyazaki's other great work. Something in Disney's advertising or the description I read gave the false impression that it was going to be sub-standard work meaning it was still going to be better than anything DreamWorks Animation was doing (Madagascar was sooo pedestrian).
While not as awe-inspiring as Spirited Away or action-packed as Mononoke, it does work on the level of Kiki's Delivery Service as a girl is forced to be better than she thinks she can be (well, that's not a big surprise, that's all his films). And as with all Miyazaki stories, the story teaches without being preachy. And the lessons learned are represented in character changes and in the character's physical appearance as well. It's that same attention to detail that has made Pixar so great.
The animation is wonderful. The castle is itself is a mesh-mash of so many haphazardly arranged pieces that an engineer would have an aneurysm just sorting them all out and yet it works. Through magic, of course. The magic being Howl's and the authoritative hand of Miyazaki's direction. The airships (wow, airships in a Miyazaki film? Who would have thunk?) are great variations of one's he's used before and there are some rather dark and beautiful scenes of a world at war.
Most of the voice work was very strong including Christian Bale (Howl) and Emily Mortimer (as the young version of the heroine, Sophie). The voice that surprised me was Billy Crystal as Calcifer, the little flame that could. He's the heart of the castle and only annoyed at his first few scenes then becomes a very likable character.
There a few clunky moments in the plot line where transitions between story points weren't very strong, but overall it's another outstanding film from Studio Ghibli. Even my 40 year old partner, who had spent the day mountain biking, was dead tired and had never seen a Miyazaki film stayed awake for the entire 2 hours. When we left at 3:30 in the morning still jabbering away about all the imagery and meaning, we realized we had seen true art.
While not as awe-inspiring as Spirited Away or action-packed as Mononoke, it does work on the level of Kiki's Delivery Service as a girl is forced to be better than she thinks she can be (well, that's not a big surprise, that's all his films). And as with all Miyazaki stories, the story teaches without being preachy. And the lessons learned are represented in character changes and in the character's physical appearance as well. It's that same attention to detail that has made Pixar so great.
The animation is wonderful. The castle is itself is a mesh-mash of so many haphazardly arranged pieces that an engineer would have an aneurysm just sorting them all out and yet it works. Through magic, of course. The magic being Howl's and the authoritative hand of Miyazaki's direction. The airships (wow, airships in a Miyazaki film? Who would have thunk?) are great variations of one's he's used before and there are some rather dark and beautiful scenes of a world at war.
Most of the voice work was very strong including Christian Bale (Howl) and Emily Mortimer (as the young version of the heroine, Sophie). The voice that surprised me was Billy Crystal as Calcifer, the little flame that could. He's the heart of the castle and only annoyed at his first few scenes then becomes a very likable character.
There a few clunky moments in the plot line where transitions between story points weren't very strong, but overall it's another outstanding film from Studio Ghibli. Even my 40 year old partner, who had spent the day mountain biking, was dead tired and had never seen a Miyazaki film stayed awake for the entire 2 hours. When we left at 3:30 in the morning still jabbering away about all the imagery and meaning, we realized we had seen true art.
10surenm
I think this is possibly Miyazaki's most intriguing movie. All of his other films are very linear and even though their highly varied worlds may be visually stunning and highly creative, I feel the dreamy world of Howls Moving Castle is by far the most captivating, bizarre, and imaginative of all the worlds Miyazaki has ever envisioned.
What I love about this movie is that it's highly emotional without a great deal of logic or plot or story to get in the way. In this way the film is simple, pure, and extremely beautiful. It is as if the characters go from one emotion to the next, in a world that is as random as one's own dreams. Some people have complained about the lack of plot or story or serious character development, but even though the characters are fairly static, their emotions and the physical changes they undergo as they go through these emotions brings out a higher truth that is seldom given such artistic and natural freedom.
I think this is a very smart movie in many subtle ways and it's one that I look forward to watching again on the big screen and then on DVD. Although it flirts from theme to theme to theme with a kind of animated attention deficit disorder, the landscapes and utter unabated surrealism left me stunned and never bored.
Also, from a quizzical character design perspective, Howl is certainly one of if not the most beautiful characters that Miyazaki has ever created. Howl is an interesting departure from Miyazaki's more classical wabi-sabi anime style that most of his heroes and heroines are drawn in as Howl is definitely a very contemporary bishonen.
If you're looking for quaint settings, dynamic characters and a very involving character or plot driven story, you're not going to necessarily find them here, but you will find an equally stunning and pleasing movie if you let yourself go and enjoy this passionate, heartfelt and surreal Miyazaki dream.
What I love about this movie is that it's highly emotional without a great deal of logic or plot or story to get in the way. In this way the film is simple, pure, and extremely beautiful. It is as if the characters go from one emotion to the next, in a world that is as random as one's own dreams. Some people have complained about the lack of plot or story or serious character development, but even though the characters are fairly static, their emotions and the physical changes they undergo as they go through these emotions brings out a higher truth that is seldom given such artistic and natural freedom.
I think this is a very smart movie in many subtle ways and it's one that I look forward to watching again on the big screen and then on DVD. Although it flirts from theme to theme to theme with a kind of animated attention deficit disorder, the landscapes and utter unabated surrealism left me stunned and never bored.
Also, from a quizzical character design perspective, Howl is certainly one of if not the most beautiful characters that Miyazaki has ever created. Howl is an interesting departure from Miyazaki's more classical wabi-sabi anime style that most of his heroes and heroines are drawn in as Howl is definitely a very contemporary bishonen.
If you're looking for quaint settings, dynamic characters and a very involving character or plot driven story, you're not going to necessarily find them here, but you will find an equally stunning and pleasing movie if you let yourself go and enjoy this passionate, heartfelt and surreal Miyazaki dream.
What an amazing achievement! This is by far the best example I have ever seen of animated characterization. The expressions and the nuances and the emotion captured in this film are truly breathtaking. I love all of Miyazaki's work, but in Howl's Moving Castle he has managed to take it to a level that to me sets the standard.
It has all of the classic stunning Miyazaki panoramas, rich settings, exciting and unusual machinery, and brilliantly conceived creatures that are often humorous and fanciful. The characters are all very expertly crafted and developed, but what really enchanted me were their expressions and the subtle but powerful ways that he chose to elaborate on their connections and emotions. It is very difficult to describe, but they come to life in such a powerful way as to seem entirely real and unique.
He achieves this within the medium - not by really imitating or parroting film or live action, but by artfully exploiting the medium to enhance and capture the subtle interactions that make up relationships. He shows his audience what his characters are thinking and feeling by carefully chosen gestures and facial expressions, rather than relying always on dialog, etc. I was completely swept away by this skillful use of animation - I have never anywhere else seen anything that begins to come close to it.
The story is fantastic - I haven't read the novel, but it had all of the elements I have come to enjoy in Miyazaki's work - there is the humour, the lighthearted moments, the strong, insightful, loyal, and honourable characters, the lyrical drama and action sequences. The pace is perfect - it flows nicely and is always exciting, suspenseful - I got very caught up in the characters and their struggles and hopes. The themes were expertly handled with Miyazaki flair - and always richly meaningful and perceptive.
I can hardly wait to see what this brilliant artist creates next!
It has all of the classic stunning Miyazaki panoramas, rich settings, exciting and unusual machinery, and brilliantly conceived creatures that are often humorous and fanciful. The characters are all very expertly crafted and developed, but what really enchanted me were their expressions and the subtle but powerful ways that he chose to elaborate on their connections and emotions. It is very difficult to describe, but they come to life in such a powerful way as to seem entirely real and unique.
He achieves this within the medium - not by really imitating or parroting film or live action, but by artfully exploiting the medium to enhance and capture the subtle interactions that make up relationships. He shows his audience what his characters are thinking and feeling by carefully chosen gestures and facial expressions, rather than relying always on dialog, etc. I was completely swept away by this skillful use of animation - I have never anywhere else seen anything that begins to come close to it.
The story is fantastic - I haven't read the novel, but it had all of the elements I have come to enjoy in Miyazaki's work - there is the humour, the lighthearted moments, the strong, insightful, loyal, and honourable characters, the lyrical drama and action sequences. The pace is perfect - it flows nicely and is always exciting, suspenseful - I got very caught up in the characters and their struggles and hopes. The themes were expertly handled with Miyazaki flair - and always richly meaningful and perceptive.
I can hardly wait to see what this brilliant artist creates next!
The most beautiful anime film I have ever seen, Studio Ghibli proved to me that it is the undisputed best anime studio, the story of the film was very beautiful and the projections of the film were excellent, the characters of the film were beautifully written, especially the character of Hauru, it started narcissistic and ended completely differently, I liked the romantic relationship between Sophie and Hauru were awesome, and the film ending was so beautiful, I highly recommend watching it
¿Sabías que…?
- TriviaUpon seeing El viaje de Chihiro (2001), Christian Bale immediately agreed to play any role in this film. He didn't expect to get the titular role.
- ErroresSophie's top ribbon doesn't always reappear when she transforms back into her younger self.
- Citas
Howl: I feel terrible, like there's a weight on my chest.
Young Sophie: A heart's a heavy burden.
- ConexionesEdited into Miyazaki Dreams of Flying (2017)
- Bandas sonorasSekai no Yakusoku
(Promise of the World)
Lyrics by Shuntarô Tanikawa
Music by Yumi Kimura
Arranged by Joe Hisaishi
Performed by Chieko Baishô
Courtesy of Tokuma Japan Communications
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Howl's Moving Castle
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 24,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 9,173,958
- Fin de semana de estreno en EE. UU. y Canadá
- USD 427,987
- 12 jun 2005
- Total a nivel mundial
- USD 241,028,585
- Tiempo de ejecución
- 1h 59min(119 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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