Un solterón de avanzada edad que normalmente se interesa solo por chicas mucho más jóvenes se enamora de una exitosa mujer de su misma edad.Un solterón de avanzada edad que normalmente se interesa solo por chicas mucho más jóvenes se enamora de una exitosa mujer de su misma edad.Un solterón de avanzada edad que normalmente se interesa solo por chicas mucho más jóvenes se enamora de una exitosa mujer de su misma edad.
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- Nominado a 1 premio Óscar
- 8 premios ganados y 13 nominaciones en total
Vanessa Trump
- Beauty
- (as Vanessa Haydon)
Jennifer Siebel Newsom
- Younger Woman in Market
- (as Jennifer Siebel)
- Dirección
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- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
10JR01
I kept thinking, while watching this movie, "I wish I could write a screenplay as good as this." Jack was Impeccable Jack. Diane was delightful and sexy and a wonderful role model for older women. Keanu showed more range than people give him credit for, and did an excellent job playing the role he was cast as - a supporting character, who is not supposed to outshine the lead roles, but rather enhance them (which he did). I was very pleased with this movie! It did have "several endings" which, actually, didn't detract but instead made me think, "Well, that's closer to the reality of what might happen," instead of being annoyed. As Jack's character says, "Finally, closure," and I was happy. It was a good movie and I liked it quite a lot. It'll be on my mind and in my thoughts for a while, which is the sign of an impactful movie.
Diane Keaton gives the performance of her career in 'Something's Gotta Give,' writer/director Nancy Meyers' smart and savvy take on middle-age romance. Keaton plays Erica Barry, a 50-something playwright living on her own in a swanky beach house in the Hamptons. Although she has achieved enormous success in her career, her personal life leaves much to be desired.
Erica, though brilliant and attractive, has pretty much shut herself off from the dating scene since her divorce a number of years ago. Erica's life runs like a well-oiled machine, with each element both personal and professional - fitted neatly into place, with no room left over for spontaneity or passion. One fateful day, Erica stumbles upon a strange man rummaging through her refrigerator, a 63 year-old professional bachelor named Harry Sanborn who, Erica discovers to her horror, is dating her 30 year-old daughter, Marin (Harry is, actually, a notorious bachelor, having been profiled as such in a number of tony New York magazines). Even though Erica is disgusted by the situation, she is forced to take care of Harry after he suffers a heart attack while staying at her place. Despite their diametrically opposed outlooks on love and romance, Erica and Harry spend quality time together, discover their ultimate compatibility, and eventually fall in love.
Meyers has written a witty, sophisticated screenplay that offers insights into any number of 'battle of the sexes' issues. She has outrageous fun exploring the phenomenon of middle-aged men cavorting with women half their age. Jack Nicholson, known in real life for doing just that, has a great time poking fun at his own public image while, at the same time, providing a richly textured portrait of a man who may not be quite as shallow as his persona would suggest. When he so unexpectedly finds his head turned by a vibrant, attractive and intelligent woman in her 50's, Harry, a middle-aged Lothario who finds he needs Viagra to help him keep pace with his youthful 'conquests,' is forced to re-evaluate what has hitherto been the defining philosophy of his personality and lifestyle. Nicholson is magnificent at showing us the profound confusion his character undergoes as he takes those much belated but faltering steps into adult maturity.
Nicholson is, however, only one half of this extraordinary couple. As the other half, Keaton, having been handed what is clearly the role of a lifetime, has never seemed so natural and self-assured on screen. She makes of the character a capable, no-nonsense woman who has allowed her passions to lie dormant far too long. Though, on the surface, she appears confident and in control of her life, Erica is, underneath it all, a woman wounded by past experience and intimidated by a culture that expects women to be put out to pasture the moment they reach middle age. It is this combination of strength and vulnerability that makes Erica such a complex, recognizable individual and it is the very quality that Keaton captures so exquisitely in her performance. The chemistry generated between Keaton and Nicholson in this film is so glowing and palpable one wonders why no filmmaker ever saw the potential of this dynamic duo until now.
In addition to these two outstanding performers, the film boasts excellent supporting work from Frances McDormand as Erica's pragmatic, clear-headed sister; Amanda Peet as Erica's level-headed daughter; and Keanu Reeves as Harry's handsome young doctor who finds himself smitten by Erica's mature beauty and charm.
'Something's Gotta Give' is that rare romantic comedy that not only acknowledges the romantic inclinations of people over forty, but also recognizes the emotional complexities of their relationships. Because both Erica and Harry have been around the block a few times, they bring a lifetime of baggage to their burgeoning attachment. Thus, unlike in the vast majority of romantic comedies, which are clearly geared to the younger generation, the lovers here have a depth not often encountered when the focus is on two inexperienced neophytes. It takes the experience that comes from living to make a person interesting, after all.
Thanks to the quality of the writing and the performances, 'Something's Gotta Give' takes its place among the great romantic comedy/dramas like 'Two For the Road,' 'Annie Hall,' 'When Harry Met Sally' and 'The American President.' That's mighty august company indeed.
Erica, though brilliant and attractive, has pretty much shut herself off from the dating scene since her divorce a number of years ago. Erica's life runs like a well-oiled machine, with each element both personal and professional - fitted neatly into place, with no room left over for spontaneity or passion. One fateful day, Erica stumbles upon a strange man rummaging through her refrigerator, a 63 year-old professional bachelor named Harry Sanborn who, Erica discovers to her horror, is dating her 30 year-old daughter, Marin (Harry is, actually, a notorious bachelor, having been profiled as such in a number of tony New York magazines). Even though Erica is disgusted by the situation, she is forced to take care of Harry after he suffers a heart attack while staying at her place. Despite their diametrically opposed outlooks on love and romance, Erica and Harry spend quality time together, discover their ultimate compatibility, and eventually fall in love.
Meyers has written a witty, sophisticated screenplay that offers insights into any number of 'battle of the sexes' issues. She has outrageous fun exploring the phenomenon of middle-aged men cavorting with women half their age. Jack Nicholson, known in real life for doing just that, has a great time poking fun at his own public image while, at the same time, providing a richly textured portrait of a man who may not be quite as shallow as his persona would suggest. When he so unexpectedly finds his head turned by a vibrant, attractive and intelligent woman in her 50's, Harry, a middle-aged Lothario who finds he needs Viagra to help him keep pace with his youthful 'conquests,' is forced to re-evaluate what has hitherto been the defining philosophy of his personality and lifestyle. Nicholson is magnificent at showing us the profound confusion his character undergoes as he takes those much belated but faltering steps into adult maturity.
Nicholson is, however, only one half of this extraordinary couple. As the other half, Keaton, having been handed what is clearly the role of a lifetime, has never seemed so natural and self-assured on screen. She makes of the character a capable, no-nonsense woman who has allowed her passions to lie dormant far too long. Though, on the surface, she appears confident and in control of her life, Erica is, underneath it all, a woman wounded by past experience and intimidated by a culture that expects women to be put out to pasture the moment they reach middle age. It is this combination of strength and vulnerability that makes Erica such a complex, recognizable individual and it is the very quality that Keaton captures so exquisitely in her performance. The chemistry generated between Keaton and Nicholson in this film is so glowing and palpable one wonders why no filmmaker ever saw the potential of this dynamic duo until now.
In addition to these two outstanding performers, the film boasts excellent supporting work from Frances McDormand as Erica's pragmatic, clear-headed sister; Amanda Peet as Erica's level-headed daughter; and Keanu Reeves as Harry's handsome young doctor who finds himself smitten by Erica's mature beauty and charm.
'Something's Gotta Give' is that rare romantic comedy that not only acknowledges the romantic inclinations of people over forty, but also recognizes the emotional complexities of their relationships. Because both Erica and Harry have been around the block a few times, they bring a lifetime of baggage to their burgeoning attachment. Thus, unlike in the vast majority of romantic comedies, which are clearly geared to the younger generation, the lovers here have a depth not often encountered when the focus is on two inexperienced neophytes. It takes the experience that comes from living to make a person interesting, after all.
Thanks to the quality of the writing and the performances, 'Something's Gotta Give' takes its place among the great romantic comedy/dramas like 'Two For the Road,' 'Annie Hall,' 'When Harry Met Sally' and 'The American President.' That's mighty august company indeed.
It's an enjoyable story with interesting characters who were all spoiled by over-acting. And then there's the times where it's got more cheese than Switzerland.
The teaming of Jack Nicholson and Diane Keaton in Warren Beatty's "Reds" back in 1981 was only given a minute glimpse. The glimpse though turned out to be some of the best parts of a very excellent movie. A film with these two living legends was destined for greatness and that prediction comes to reality in writer/director Nancy Meyers' "Something's Gotta Give". Nicholson is a brash and sometimes quietly obnoxious success from New York who has made a life out of chasing 20- and 30-something year-old girls. He and his newest girlfriend (Amanda Peet) get along really well. They decide to go out to Peet's mother's (Keaton) beach-house outside of the city to consummate their relationship. Of course just as everything looks perfect, Keaton (a noted playwright) and younger sister Frances McDormand (in another wonderful turn) barge in and spoil the fun. All seem a little uncomfortable and you can cut the tension between Nicholson and Keaton with a knife. Before you know it, Nicholson suffers a heart attack and all hell breaks loose. He is rushed to the doctor in the nick of time, but now Keaton has to nurse him back to health at her home. Nicholson's doctor (a good performance by Keanu Reeves, getting away from his stupid "Matrix" films) soon falls in love with Keaton who is totally oblivious to his feelings. And before you know it Keaton's warmth, smile, personality, heart and intelligence eventually wins Nicholson over as well. But you all know about Nicholson's relationships with women (in real life and the movies). Is he ready to fall in love for the first time in his life and make a true commitment? Or will his antics end up making matters worse for all involved (Keaton in particular, who becomes someone you don't want to see get hurt)? "Something's Gotta Give" is a film I really liked a lot. The old-time Hollywood style of the 1940s is very prevalent here in a 2000s package. Nicholson and Keaton, what can you say? They are arguably the two finest performers living today and they do end up feeding off each other's astronomical talents throughout. Sometimes something eventually gives in Hollywood these days, but I am happy to say that it never happens with this product. 4.5 out of 5 stars.
¿Sabías que…?
- TriviaWhen Erica kisses Harry in the scenes outside the restaurant in New York City, it was an improvisation by Diane Keaton. Writer and director Nancy Meyers liked it so much that she decided to use it in the final cut of the movie.
- ErroresSomeone trained in CPR would know that you don't start compressions or mouth to mouth on an awake person who clearly is breathing and has a pulse.
- Citas
Julian Mercer: When something happens to you that hasn't happened before, don't you at least have to find out what it is?
- Créditos curiososJack Nicholson sings "La Vie en Rose" during the closing credits.
- ConexionesFeatured in Siskel & Ebert & the Movies: Big Holiday Movies (2003)
- Bandas sonorasButterfly
Written by Seth 'Shifty Shellshock' Binzer, Bret Mazur, Flea (as Michael Balzary), John Frusciante,
Anthony Kiedis and Chad Smith
Performed by Crazy Town
Produced by Josh Abraham
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
Contains a sample of "Pretty Little Ditty"
Performed by Red Hot Chili Peppers
Courtesy of EMI Records
Under license from EMI Film & Television Music
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- How long is Something's Gotta Give?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Something's Gotta Give
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 80,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 124,728,738
- Fin de semana de estreno en EE. UU. y Canadá
- USD 16,064,723
- 14 dic 2003
- Total a nivel mundial
- USD 265,328,738
- Tiempo de ejecución2 horas 8 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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