Sintonía de amor

Sleepless in Seattle is manipulative and unashamedly so. The fact that it is somewhat old-fashioned is not a bad thing at all, in fact it is done wonderfully. In general, Sleepless in Seattle is just a charming romantic comedy, co-scripted and directed by When Harry Met Sally writer Nora Ephron.

The idea to keep Tom Hanks and Meg Ryan apart for most of the movie is a dangerous one, but guess what, I found that it worked! Strictly speaking, Sleeping in Seattle is made up of two story lines, one is about a recently widowed man who moves to Seattle and does nothing but grieve. The other is features a woman journalist from Baltimore, who overhears the broadcast with Hanks's son pouring his heart out about his concerns for dad and decides to track him down.

The scenery is striking, the soundtrack is very welcoming, the direction is solid and the script has heart and wit. In terms of acting, both Tom Hanks and Meg Ryan give marvellous lead performances, while Ross Malinger is a nice surprise as Hanks's son. The climax at the top of the Empire State Building takes its inspiration from the 1950s weepie An Affair to Remember(with Cary Grant and Deborah Kerr), and is very effective.

Overall, a charming and enjoyable film. Hanks, Ryan and Ephron teamed up again for You've Got Mail, which is inferior but still worthwhile. 8/10 Bethany Cox

After his wife's funeral, Sam (Tom Hanks), an architect, moves from Chicago to Seattle with his son, Johna (Ross Malinger) so he can stay away from all those things that remind him of his beloved wife, which he just can't bear any longer.

In Baltimore, Annie (Meg Ryan), a newspaper journalist, is engaged to Walter (Bill Pullman) and is looking forward to getting married. But when Annie's mother talks about the 'magic' that she instantly feels when Annie's father holds her hand, Annie cannot comprehend the meaning. One evening, Annie hears Johna on a national radio show, saying his dad is lonely and sad, still cannot forget his late wife and Johna thinks his dad needs a new wife to make him happy. Thousands of women across the country write to Sam, among them is Annie. Her letter in the rubbish bin is sent out by her good friend Becky (Rosie O'Donnell).

So Annie travels all the way to Seattle in hope to meet Sam, but it doesn't work out fine. However, when Johna reads the letter from Annie, he knows she's the right one and he replies on his father's behalf for meeting each other on the roof of the Empire State Building...

This is a refreshing, quite light-hearted story. It's slow but I'm sure many people would like it. It's funny that, when Sam first sees Annie, he somehow feels that he has met her before...rather funny, isn't it? Tom Hanks and Meg Ryan are great on the screen together and the flick is perfect for relaxing. With a delightful soundtrack.

I won't lie to you-this movie is a CHICK FLICK! Though I never saw it with a guy, it is definitely a chick flick. That said, it's a high-end chick flick, which probably a few guys might enjoy, unless they happen to be the exploding helicopter type^^; This movie feels more like a modern day adaptation of the classic romance "An Affair To Remember," and it keeps referencing it too (In fact, the Cary Grant classic is very integral to the plot). Tom Hanks and Meg Ryan have great chemistry together, and they both do what they're good at-Tom Hanks portraying the Everyman, and Meg Ryan being cute and innocent. I have to disagree with an earlier comment that this film is unfair to guys-the way the characters are portrayed, I'd have to say that in the reverse situation, I'd still feel the same way. Meg Ryan does not have the "evil woman" syndrome that popped up in later 90's chick flicks (The most notorious of which was "My Best Friend's Wedding"). She is very believable and actually does care about the feelings of her fiance. What I particularly liked is that the fiance was not portrayed as someone who Meg would do well to leave. Most movies fall into this trap-Someone is about to marry someone who is horrible and find that someone else is better, the viewer supposedly not feeling bad because the fiance was a jerk anyway. Tom Hanks really shines here as someone who has lost the most important person in his life and is trying to rebuild again. He always has a knack for easily slipping into the roles he's given and making them really convincing. He does not fail here-you feel for him especially during the sequences where he starts remembering his late wife. The movie's plot starts to stretch plausibility at the end, but not to the point where it destroys the entire film. The ending scene in particular is handled very carefully. You could have had a big, romantic, tear-jerking moment. Instead, the movie takes a more simplistic approach, and it succeeds-it feels much more natural than the alternative. Overall, if you're in for a feel good romance, you should see this. If you happen to be female, this is DEFINITELY worth watching.

Sleepless In Seattle is truly a film for the Nineties. It's a film that is in part based on the high tech culture that the Nineties spawned with computers and nationwide talk radio. How could have you done a film like this in another time?

Well romance is certainly eternal and if the way humans connect is different now, the point is they still connect. And this film takes up the proposition that some folks are fated to be mated.

If I had ever done this thing for either of my parents back in the day or something similar I shudder to think of the consequences. But when young Ross Malinger calls a radio psychologist played in voice only by Caroline Aaron about his father it sets off an entire chain of events that make you believe in fate.

Tom Hanks is the recently widowed father of Malinger they've just finished burying his wife Carey Lowell and he thinks a change of scenery is in order to assuage his grief. Hanks and Malinger move to Seattle and its from their new home in Seattle that young Master Malinger makes his fateful call. Hanks gets on the phone as well and his story touches female hearts across America and he's known by the moniker of Sleepless In Seattle.

One of those touched hearts is Meg Ryan's who is ready to marry Bill Pullman who is playing what used to be called the Ralph Bellamy role. Good old reliable steady Bill, but Meg is hearing a different calling and taking her cues from that Leo McCarey classic, An Affair To Remember she goes in a nationwide hunt for Hanks.

More cynical folks than myself would say that Ryan was stalking Hanks and there are laws against it. But if one is fated to be mated than those laws just don't apply.

Hanks and Ryan strike just the right note as the fated couple and Hanks has some great scenes with young Malenger. Rosie O'Donnell has a nice bit in this as well as Ryan's equally romantic minded friend who kind of quarterbacks Ryan's moves.

Sleepless In Seattle got two Oscar nominations for Best Original Screenplay and Best Song. Nora Ephron directed her own screenplay and the result is a magic romantic film like they used to do even in the high tech Nineties.

Tom Hanks is his usual steady, likable self in "Sleepless in Seattle," a steady, likable movie that also benefits from one of Meg Ryan's more restrained (i.e. less obviously, annoyingly cute) performances.

It's their talent that helped me overlook some of the film's more noticeable flaws, particularly its treatment of the eventually-to-be-rejected Other Man and Other Woman. Both Hanks' and Ryan's "unsuitable" partners appear to be perfectly nice people, yet the movie casually dismisses them over one little flaw apiece--the woman laughs like a hyena and the man has terrible allergies. Both characters behave very well, considering the way they're treated by others. Hanks' girlfriend in particular desires a medal for putting up with his brat of a son, who is rude to her at every opportunity.

I also had difficulty warming to Hanks' son, although he is certainly preferable to the young girl who keeps expressing everything in initials.

On the bright side, there are many engaging supporting characters, including Rob Reiner as a fellow architect. Also of note are the rich homeowner, the dotty babysitter and Rosie O'Donnell as Ryan's editor and friend. Thankfully, few to none of their scenes involve the annoying children.

Many of the jokes are funny, the best coming when Hanks and a friend ridicule the weepy reaction of many women to "chick flicks" by sobbing as they recount the plot of "The Dirty Dozen."