Pinpon
- 2002
- 1h 54min
CALIFICACIÓN DE IMDb
7.0/10
3.6 k
TU CALIFICACIÓN
Los amigos de la infancia Smile y Peco, compiten en un torneo de ping pong de alta apuesta. La humildad de Smile choca con la determinada ambición de Peco mientras superan obstáculos y poten... Leer todoLos amigos de la infancia Smile y Peco, compiten en un torneo de ping pong de alta apuesta. La humildad de Smile choca con la determinada ambición de Peco mientras superan obstáculos y potencialmente se enfrentan en la final.Los amigos de la infancia Smile y Peco, compiten en un torneo de ping pong de alta apuesta. La humildad de Smile choca con la determinada ambición de Peco mientras superan obstáculos y potencialmente se enfrentan en la final.
- Premios
- 6 premios ganados y 7 nominaciones en total
Arata Iura
- Makoto Tsukimoto
- (as Arata)
- …
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
10Inakaguy
This was one of those movies that I really had to force myself to watch and ended up loving.
It's a story more about the nature of friendship than the actual sport of ping pong.
As with a lot of Japanese cinema, the movie takes a while to get moving, but don't let this deter you. The special effects are fantastic. Basically, I didn't even know there were special effects until I'd finished watching it.
There are a few laugh out loud moments, although some of the humour requires a knowledge of Japan. My favourite moment is the boy who doesn't want to play in the tournament because his opponent is Chinese.
While I should have found the ending schmaltzy, I actually found it quite touching. I have no hesitation in recommending this movie to anyone.
It's a story more about the nature of friendship than the actual sport of ping pong.
As with a lot of Japanese cinema, the movie takes a while to get moving, but don't let this deter you. The special effects are fantastic. Basically, I didn't even know there were special effects until I'd finished watching it.
There are a few laugh out loud moments, although some of the humour requires a knowledge of Japan. My favourite moment is the boy who doesn't want to play in the tournament because his opponent is Chinese.
While I should have found the ending schmaltzy, I actually found it quite touching. I have no hesitation in recommending this movie to anyone.
This movie is a superb adaptation of the flabbergasting manga series by genius Taiyo Matsumoto; the director has truly made a tremendously good work! The actors are well-chosen and very good in their role, the picture is great (a "manga-style" centring, which is very interesting) and the story never gets boring, even if the film is over two hours.
I was impressed and have only very few negative comments to make, but I think they only concern things that have been lost in translation. The movie needs a certain knowledge of Japanese society to be fully understood, but is also funny to anyone who does not know much about it. Deliciously delirious!
I was impressed and have only very few negative comments to make, but I think they only concern things that have been lost in translation. The movie needs a certain knowledge of Japanese society to be fully understood, but is also funny to anyone who does not know much about it. Deliciously delirious!
This was a great movie to come out of Japan. The actors playing the roles made these characters come to life. Yôsuke Kubozuka, that played Peco (Peko) was such a dynamic character. Also, the actor that played Butterfly Joe was hysterical. The soundtrack which was a great mix of electronica and other genres, makes it so much better. And the special effects were subtle, but impressive. The effects didn't slap you in the face like the Hong Kong film Shaolin Soccer (even though I enjoyed that one too). Overall a great movie. Rent or buy it and check out the soundtrack.
the movie is about these two boys who have been friends since they were young. they are both on the ping pong club team. the main character peco is a cocky kid who thinks that he is great, though he is, his best friend "smile" (because he doesnt) is equily as good but doesnt let himself try. the two join a tournament and peco loses to an easy foe while smile beats the only person to ever beat peco... make sense? anyway, the two separate. peco loses his will to play and smile trains harder than ever. they meet again at another tournament where at the end they are put against eachother by elimination. i think that the characters in this movie are pretty interesting. the acting for the most part is fairly good but also a little over the top in a few scenes because of how animated the peco character is. a few things are also pretty far fetched. i would say that it is overall a good movie but you cant take it too seriously or you will be let down.
if you like this movie check out aoi haru (blue spring) it is based off of a manga by the same author that wrote ping pong... though much more violent, this movie is a fantastic movie. i would say to also check out kyoki no sakura staring kabozuke yosuke, also much more violent in nature, but a fantastic movie aswell.
if you like this movie check out aoi haru (blue spring) it is based off of a manga by the same author that wrote ping pong... though much more violent, this movie is a fantastic movie. i would say to also check out kyoki no sakura staring kabozuke yosuke, also much more violent in nature, but a fantastic movie aswell.
"[...]transcendent moments are in short supply these days."
--Martin Scorsese, on Wes Anderson
At first I was very skeptical about this movie, because the ads made it sound like a shaolin soccer ripoff, you know, a movie that takes a normal sport to a comically extreme level or something. Then I realized the movie was nothing like that--it didn't really have any of that over the top cg or any of that ingenious mo lit tao (an asian "nonsensical/ absurdist" type comedy, kinda neo-Groucho Marxian I guess) comedy of Stephen Chow. It was simply a very down to earth sports movie. what makes it so good? first and foremost, the characters. The movie depicts the relationship between two high school guys on the ping pong team--Peco and smile. Peco is the crazy genius ping pong player seen beating some college champ for money in the first scene, while Smile ("they call him that because he never does") his nerdy awkward buddy who envies Peco's talent. Peco's dream is to be the best ping pong player "on the planet" while Smile just wants to play for fun. But then we realize that maybe Peco isn't so good after all, and maybe Smile is the real genius who concedes on purpose because he just wants to play for fun, not for victory.
Then there is the hot shot player from Shanghai (hong kong's Sam Lee of Gen-X Cops); the militant, all-bald rival ping pong team dressed in all black; the crazy granny with her own "ping pong dojo" and a frustrated coach named "Butterfly Joe"--all of them sounding like real familiar sports movie archetypes, but there is a twist at the end of every scene, when we realize that they are a lot more human than anything we've seen in a long time. For instance, the Shanghai hotshot is under constant stress because he knows he's just a failed junior national player in China, playing against Japanese high school kids to feed his own complex ("I coulda gone to Germany, I coulda gone to Sweden..." he keeps on telling himself). And ironically, these are orginally comicbook characters.
The actors are really good--probably too old for high school roles, but they display a real innocence, and that makes you forget that the main guy's got smoker's teeth of a 25-year old. The little kids that play the younger version of the high school characters are especially nice. My favorite parts of the movie are the flashback sequences interspersed throughout the movie when Smile keeps on remembering a young Peco with the mask of a popular manga robot hero from the 60's, proclaiming "enter the hero!" in front of a temple. Those kids are so natural, and so confident, but not jaded like those TV kids. Either that or they are so jaded they are fooling me.
The music is good too, just like the rest of the movie, it has a real innocence about it. it's just catchy electronic pop, but never crosses the line to being stupid or bad or cheesy pop, at least not in the context of the film. The energy is high, and it attacks in short assaults--it comes in, drops out before you realize it, then attacks again. Half of the movie is carried through ambient noises, but the sound design does an excellent job of creating that sense of rhythm in a ping pong hall, between the cheers and the conversations, just a symphony of crispy ping pong sounds, layered with heavy breathing and the echoy sneakers. It is intense.
The style in which the movie's shot is real flashy, a lot of handheld work, mixed with a lot of crane. in fact, I don't think the movie used a dolly or steadicam at all--when the camera is not flying up and around the characters, it's following them step by step via handheld. and between all the cool extreme closeups and quick cuts, it also reminds you that this is a Japanese film by pulling all the way back and leave the characters on screen doing about their thing, free of extradiagetic sounds or any medium shots, Ozu-style. it's flashy but never obtrusive. I don't think there was any quick cut simply for the sake of showing off, but to simply elevate the tension of a ping pong game. there were some lengthy takes on the crane of two players going at it, uncut, with the assistance of some nice CG to show off the long takes, but those didn't last too long, and I think that's the only instance of showing off I can remember. and showing off isn't even a real crime, just a minor petty nit petty petty pick.
This movie reminds me in a lot of ways of Inoue's Slam Dunk, where gifted (and soulful) high school jocks center their lives around the sports, and the comedy and the drama just comes from how easily they have it and the tension between them and other people who try and try but just don't got it (but the story doesn't side with either of the party in these two instances). However, while Slam Dunk packs the plot and character development so tightly within the basketball games, where every point seems life and death--Ping Pong really isn't concerned about the games, and the message of the movie seems to be reminding us that hey, it's just a game, a beautiful, transcendent game.
--Martin Scorsese, on Wes Anderson
At first I was very skeptical about this movie, because the ads made it sound like a shaolin soccer ripoff, you know, a movie that takes a normal sport to a comically extreme level or something. Then I realized the movie was nothing like that--it didn't really have any of that over the top cg or any of that ingenious mo lit tao (an asian "nonsensical/ absurdist" type comedy, kinda neo-Groucho Marxian I guess) comedy of Stephen Chow. It was simply a very down to earth sports movie. what makes it so good? first and foremost, the characters. The movie depicts the relationship between two high school guys on the ping pong team--Peco and smile. Peco is the crazy genius ping pong player seen beating some college champ for money in the first scene, while Smile ("they call him that because he never does") his nerdy awkward buddy who envies Peco's talent. Peco's dream is to be the best ping pong player "on the planet" while Smile just wants to play for fun. But then we realize that maybe Peco isn't so good after all, and maybe Smile is the real genius who concedes on purpose because he just wants to play for fun, not for victory.
Then there is the hot shot player from Shanghai (hong kong's Sam Lee of Gen-X Cops); the militant, all-bald rival ping pong team dressed in all black; the crazy granny with her own "ping pong dojo" and a frustrated coach named "Butterfly Joe"--all of them sounding like real familiar sports movie archetypes, but there is a twist at the end of every scene, when we realize that they are a lot more human than anything we've seen in a long time. For instance, the Shanghai hotshot is under constant stress because he knows he's just a failed junior national player in China, playing against Japanese high school kids to feed his own complex ("I coulda gone to Germany, I coulda gone to Sweden..." he keeps on telling himself). And ironically, these are orginally comicbook characters.
The actors are really good--probably too old for high school roles, but they display a real innocence, and that makes you forget that the main guy's got smoker's teeth of a 25-year old. The little kids that play the younger version of the high school characters are especially nice. My favorite parts of the movie are the flashback sequences interspersed throughout the movie when Smile keeps on remembering a young Peco with the mask of a popular manga robot hero from the 60's, proclaiming "enter the hero!" in front of a temple. Those kids are so natural, and so confident, but not jaded like those TV kids. Either that or they are so jaded they are fooling me.
The music is good too, just like the rest of the movie, it has a real innocence about it. it's just catchy electronic pop, but never crosses the line to being stupid or bad or cheesy pop, at least not in the context of the film. The energy is high, and it attacks in short assaults--it comes in, drops out before you realize it, then attacks again. Half of the movie is carried through ambient noises, but the sound design does an excellent job of creating that sense of rhythm in a ping pong hall, between the cheers and the conversations, just a symphony of crispy ping pong sounds, layered with heavy breathing and the echoy sneakers. It is intense.
The style in which the movie's shot is real flashy, a lot of handheld work, mixed with a lot of crane. in fact, I don't think the movie used a dolly or steadicam at all--when the camera is not flying up and around the characters, it's following them step by step via handheld. and between all the cool extreme closeups and quick cuts, it also reminds you that this is a Japanese film by pulling all the way back and leave the characters on screen doing about their thing, free of extradiagetic sounds or any medium shots, Ozu-style. it's flashy but never obtrusive. I don't think there was any quick cut simply for the sake of showing off, but to simply elevate the tension of a ping pong game. there were some lengthy takes on the crane of two players going at it, uncut, with the assistance of some nice CG to show off the long takes, but those didn't last too long, and I think that's the only instance of showing off I can remember. and showing off isn't even a real crime, just a minor petty nit petty petty pick.
This movie reminds me in a lot of ways of Inoue's Slam Dunk, where gifted (and soulful) high school jocks center their lives around the sports, and the comedy and the drama just comes from how easily they have it and the tension between them and other people who try and try but just don't got it (but the story doesn't side with either of the party in these two instances). However, while Slam Dunk packs the plot and character development so tightly within the basketball games, where every point seems life and death--Ping Pong really isn't concerned about the games, and the message of the movie seems to be reminding us that hey, it's just a game, a beautiful, transcendent game.
¿Sabías que…?
- TriviaBased on a Japanese manga series written and illustrated by Taiyou Matsumoto about table tennis. It was serialized in Shogakukan's seinen manga magazine Big Comic Spirits from 1996 to 1997 and collected in five tankobon volumes.
- ConexionesReferences El Hombre de Acero (1964)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Ping-Pong
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 1,483,384
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