El Hombre de Acero

Every time I come to IMDb, I want to crawl back into five-year-old-dom. I used to rush home from first grade to catch Gigantor at 3, followed by Kimba the White Lion at 3:30, hoping that the bus driver wouldn't be out of root beer lollipops that day. Now they show selected reruns of the original series (no, not the later, full-color "Tetsujin 28-Go" ["Iron Man No. 28"]: I can give you the kanji, too, but not with _this_ keyboard) on the Cartoon Network at 5:30AM, before reasonable people have awakened. I seem to remember that my favorite episode involved Gigantor fighting against an evil robot that could shoot lava bursts out of a slot above his forehead. Naturally, the robot was gigantic and could fly, etc. (They're everyday phenomena, no?) I always thought something was fishy about Jimmy Sparks's voice--only later to learn that it was a female--but, then again, Debi Derryberry does a fine, thoroughly convincing job as both Jimmy Neutron and Zatch Bell, so I can scarcely complain.

Who wouldn't want a remote control towering machine that's as big as a skyscraper, flies, fights and can do anything you want? I recall his cartoon being played on Sci-fi weekday mornings after Robotech. It was originally a black & white comic called Tetsujin 28 or Iron Man 28 turned cartoon series "Tetsujin 28-Go", the animation similar to Astroyboy. Eventually it became "Gigantor" a few years later. The plot consists of a young boy, Jimmy Sparks controlling the huge robot Gigantor. Dr. Brilliant created the robot, and acts as a mentor for Jimmy. They also team up with the police chief and take Gigantor on crime-fighting adventures. Jimmy operates the robot from a little lunchbox type carrying case.

I never really liked the show that much, some of the robot vs. robot battles were cool. At one point another robotics professor tries to build a robot as good as Gigantor and they fight, hoping that his model will take it's place. I forget why the let the boy control the robot, probably because he was less likely to want to use it for evil purposes, maybe. The theme song is also really annoying, it's just guys chanting "Gigantor" a whole bunch of times followed by some cheezy rhymes.

Japan's first anime was "Tetsuwan Atom" (Astro Boy). Gigantor was the second. Astro Boy's animation was done by its creator Osamu Tezuka's own production studio the "Mushi pro" (Osamu's "mu" is kanji character Mushi which means insect, hence the name) so the quality was as good as it can be made at the time due to his supervision, but Gigantor was an attempt by TV network to jump in both feet first into the media that was attracting lot of attention at the time. Based on a comic by Mitsuteru Yokoyama, Gigantor or "Tetsujin nijyuhachi (28) go" was two most popular boy's cartoon along with Tezuka's "Tetsuwan Atom" at the time (both featured on a now defunct monthly boy's magazine called "Shounen"). But because Gigantor was done by a TV network, it's quality wasn't as high as Astro Boy. At the time, profession now known as "animator" who draws the pictures didn't even exist in Japan, and they had to hire amateurs to create this series.

Unlike the scenario of the version dubbed for U.S. market, Gigantor was meant to be a war machine developed to win the war for the Japanese (WW II that is), so it's a 20th century creation. Japanese government set up their skunk works in Mt. Norikura to develop robots to supplant soldiers in the war. Gigantor was their 28th prototype. Yokoyama himself didn't think the comic was going to be such a big hit, and his original idea was that after Gigantor fights his first battle, it would be deemed too dangerous to keep around and would be smelted back to metal. But as soon as it hit the stands in July of 1956, it became the number one rated comic of its time and its syndication continued for 10 years until May of 1966. This by the way was my most favorite Japanese comic for a long while, and started my interest in other areas of art, so I owe Yokoyama, and Gigantor a lot.

Okay, that's the complete back ground for this very fine animated series. Watching this is like seeing the Beatles in their Hamburg days of Japanese anime industry. A boy controls Gigantor, because it was first syndicated on a magazine for boys. In this, and Astro Boy you can see the genesis of a complete industry we now know as anime. The likes of "Inuyasha" have their roots in Gigantor. To see this is to see history in its making, and is a priceless artifact from the '60s Japan.

I saw this about twice in the UK back in the 1960s, but it disappeared from our telly schedules for some reason, they must have been pilots which were dropped.

I enjoyed it so much I never forgot about it, wondering for years what happened to "gigantor" So we in the UK never got to enjoy the series, and I searched for it, even asking my parents about it.

My 10/10 is a five year olds vote.

It looks awful to an adult, but was top stuff for a youngster, and here I am decades later wondering if I imagined it because no-one else I know who lives over here can remember it.

Without a doubt this has to be one of the best "Classic" cartoons I have ever seen. I first watched it on VHS as a kid and had long forgot about it, then one night I fell asleep with the TV on and woke up to the GIGANTOR theme song. I said to myself I must be dreaming, there is no way that this is back on TV, well sure as sh** it was, so I stayed awake to watch. The next day I went online and purchased the 2 DVD boxed sets that I saw on Bestbuy's website. Man it made me feel like a little kid again it was AWESOME!! I can definitely say that waiting to see all these great episodes will be well worth the money I spent on them. Gigantor rates right up there with other classic favorites of mine such as ThunderCats, Transformers, GI Joe, Fraggle Rock, HE-Man, and many more. If you have never seen GIGANTOR before I would say first off you are missing out big time, secondly you must a least buy or watch one episode. Only downside is that it is Black and White, However depending on how "old" you are you'll be able to appreciate it's modernness for its time.