El gran escape

My name is Cecilia and being from Manila this film is very personal to me because my grandfather sacrificed his life during WWII. According to eyewitness accounts, he was tied to a post, doused with kerosene and set on fire. I am watching this film to somehow pay tribute to him and those who selflessly gave up their lives to ensure a free and humane future for all of us. I felt though that the film underestimated what we Filipinos really went through during the war. It would have been just to include the other atrocities perpetuated by the Japanese: babies thrown in the air and caught with bayonets, women brutally raped and breasts carved out, or the massacre of approximately 100,000 unarmed and innocent civilians during the battle for the liberation of Manila on the first days of February 1945. Nevertheless, I am grateful for director John Dahl for shedding light on a chapter in our history that many people hardly know about , specially the present generation, The Bataan Death March.

I feel that this is an important film for people to see regarding the little known but most impressive rescue attempt made during WWII. I went with some friends who enjoyed it very much also and considering that we were women going to see a war movie, we did not know what to expect. We were treated to a satisfying and moving entertainment experience and also learned new things about what the previous generation had to go through. We already know about the horrors of war and it was moving to see the heroic exploits undertaken by some very brave men to save their comrades from Japanese annihilation. There were good character developments as well as action sequences. THe newsreel and actual footage that bookends the film add to its impact as one can compare the actual characters with their counterparts in the film. History classes in schools should be taken to see the film.

While Hollywood has gone after the Nazis and the European campaign in World War II over and over again, ad nauseam, little has been produced depicting the Pacific Theatre or the thousands of Americans and others who perished there.

In fact, only a handful of motion pictures have touched on the subject over the last two decades, namely Steven Spielberg's "Empire of the Sun," Terrance Malik's "The Thin Red Line," and the Nicolas Cage bomb, "Windtalkers." The best film in this genre was probably 1957's "Bridge On The River Kwai," which won Oscars for David Lean and Alex Guinness, among others, but that was almost 50 years ago.

Now John Dahl ("Rounders," "Joyride," the TV series "Tilt") has shed some light on a little-known rescue attempt in the waning days of the conflict in the Philippine Islands. "The Great Raid" is a fine little film, smart, patriotic and fairly historically accurate.

The film begins with a crisp narration (accompanied by actual film footage) of the quick successes of the Imperial Japanese Army in the days following Pearl Harbor. Gen. Douglas MacArthur - thanks to Roosevelt's decision to devote more to the European effort through the Lend-Lease to Churchill program - is forced to evacuate the Philippines and retreat to Australia.

Meanwhile, thousands of American troops are trapped by the swift-moving Japanese forces on the islands of Bataan and Corrigidor and are compelled to surrender. While WWII German brutality is everywhere in motion picture, few have addressed the stark horrors of the Bataan Death March. Even this movie skirts the terror with a simple voice-over in filling in the background story of a group of surviving prisoners held for over three years.

Receiving word of mass killing of American POWs by the Japanese, top brass in the Pacific orders a raid on a camp still behind enemy lines, led by Army Ranger Lt. Col. Mucci (Benjamin Bratt, "Law & Order) and Capt. Prince (James Franco, "Spiderman," "Spiderman 2").

Military minutia abounds with the planning and execution of the assault, which pits a handful of rangers against over 200 battle-hardened Japanese troops, led by sadistic Maj. Nagai (Motoki Kobiyashi).

The movie also shows the strong relationship between the Americans and Filipinos which was not the greatest in the years after the Spanish-American War, but was cemented against the common Nipponese enemy. Nice composition between rangers, prison camp and the occupied capital of Manilla, where civilian nurse Margaret Utinsky (Connie Nielson, "Gladiator," "One Hour Photo")is working with the Filipino underground resistance.

This is no "Saving Private Ryan," and the acting sometimes leaves a bit to be desired, but the strength of the story, the fact it was inspired by true events, and the historical importance of the film, make this one a must-see, even for casual fans of the genre. It will not make much money, but it was very important that it was made.

I liked this movie. It was done well with a lot of emotion. Well acted. Good photography. I will watch it again.

THE GREAT RAID does everything right, on all levels, especially by framing itself with real footage from those times which, in some cases, features the actual events and participants. The acting is uniformly excellent, the pacing is flawless, and the historical context does not short-change any aspect of the story, be it cruelty and horror in war or bravery and nobility in suffering or even dignity and honor in combat. This is in many ways a movie made the way they used to make movies, but without the rah-rah patriotism or sneering social commentary. What it brings home simply by presenting the story in a straightforward manner is what we used to be capable of, what we once were and stood for, and what we fought against, and why. To be reminded of this is sobering, if not harrowing. Definitely one of the best movies my family and I have seen in a long time, it's recommended whole- heartedly for everyone. And Benjamin Bratt turns in a mature, restrained performance that marks him for great things on the big screen.