Tribunal en fuga

Did you ever look at an old photograph that perfectly captures the spirit of people you know, for a fact, are long gone? Did you ever wonder if the people in the photo were self-aware, and knew their best was behind them? The film industry underwent a lot changes at the turn of the century. Changes that had to do with the massive stratification of the delivery channels for product; changes in video technology; the economics of where to make films as cheaply as possible (think Canada, heck, think Cambodia); and the incredible rise of specially-made for TV series as (suddenly) a viable threat the notion that threatre quality invariably beat home TV quality..? This review penned in late 2014 and I just revisited the film. I see it as a example of the best of the best of the old school style of film making and for that reason alone it deserves your special attention.

Novel by Grisham (from an era when people actually read books). A cast to die for. The other reviewers will tell you flat out that Rachel Weisz, Gene Hackman and John Cusack carry the film on their backs, and they do not lie.

Has Gene Hackman ever given a performance that was less than brilliant? His only competition was age. His. Rachel Weisz at the peak of her astonishing career, always mesmerizing, always eye-catching, always making you care. And Cusack when he was still an A-lister, long before he ended up in B movies and his agent started to promote him as the "hardest working man in Hollywood." The film ebbs here and lags there, but it remains a remarkable piece of pure entertainment.

I watched this movie in feb-march 2025, after Gene Hackman's death. Such a good actor, simply wow!

The simplicity, but still. The actors, the times.

2003 was such a good year for this kind of a movie. Only 22 years, but it's like forever.

I've never seen a movie like this before. Very interesting, well done, a real classic in our days.

Netflix suggested me this movie in memoriam Gene Hackman and it was so nice. I watched thinking about how life is so fragile. Today you are big star, tommorow you are found dead in your house, after a coupe of weeks. I'm really sorry about his death, but 95 yo?! Good man.

Rest in peace, Gene!

Nicholas Easter (John Cusack) is desperate to get on this jury. With a high powered Gun Manufacturer, at risk of being held responsible for selling the guns that are used in crime, the question is why.

Gene Hackman is brought in for the defence as a jury consultant, who is at ease with digging up dirt and manipulating jurors, to get the results he wants.

And Rachel Weisz is an outsider, pulling Easters strings. As the stakes get higher, there is no doubt that this Jury is For Sale, but will the highest bidder win.

Hackman, Weisz and Cusack are all on top form for this one, but Hoffman's Character seemed to lack a little depth.

Basically a good thriller, that is worth watching, but don't expect too much, you might feel let down.

7/10

Decent but very flawed film that has so many points to it that it can't be categorize in simply good or bad.

The Good: Some of the performances are spectacular and deserving of a much better movie than this. Gene Hackman hasn't been this good in ages, and he's one of the few reasons that this movie is watchable. The next reason is Rachel Weisz, who is the only actor Hackman has had in quite some time that is his equal in performance and in acting prowess. She is so good in fact that she does almost steal the film from him and then some. The city of New Orleans is a fascinating setting for this film but wrong because it's not the original setting of the book.

The Bad: Dustin Hoffman is not really in the movie and is really a minor character in the whole story. Which is too bad because he's such a charismatic actor and deserves a much bigger role than what he had. The next problem is the whole spy versus spy angle that makes the whole film into a joke because no one would go that far to rig a jury, especially in a case that would have been thrown out of a real court with the facts that was presented in the film. Which leads to….

The Ugly: The script is really bad. How bad you say? It took almost four writers to outline the story, which bare in mind does not follow the book at all. The dialog is great in places and bad in others, and the whole structure of the film is paper-thin which is easily to blow holes thru. The story runs out of gas in the half way point of the film and the ideas express seems more like a bias view of what the law should be than a realistic view of what the law really is. I think the biggest offence the movie makes is changing the text of the original novel and making about guns other than big tobacco. John Grisham's original novel was hugely entertaining and down right poignant in its views about justice. This film seems like it has not idea where it's at from time to time and lacks a coherent narrative to even try to explain the stuff that is going on right in front of you.

Even with the good points, the bad does out weight the good here. It's a decent film because of the acting of Rachel Weisz and Gene Hackman but they like the viewer are let down with a script that lacks conviction for the subject it covers and a real point of view that expresses the feelings of the reality of the gun issue.

Good but a bit disappointing adaptation to the John Grisham thriller does not follow the book the way it should be, and lacks the momentum of the court proceedings that follow. The acting is first rate with Rachel Weisz and Gene Hackman being the standouts in a cast that includes Dustin Hoffman John Cusack, and Bruce Davidson. Weisz and Hackman's performances are of Oscar quality, despite the fact that the movie is not up to their caliber of acting. The setting is a little out of the way, and the pacing is a little off with scenes that go way to fast but the film is ultimately save by the acting by all involved, most of which is credited to Weisz and Hackman.

2 stars for Weisz and Hackman but don't expect anything close to the book.